{"id":50689,"date":"2023-02-08T12:06:42","date_gmt":"2023-02-08T11:06:42","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/?p=50689"},"modified":"2023-02-08T12:06:42","modified_gmt":"2023-02-08T11:06:42","slug":"thomas-lawrence-le-genie-du-portrait-anglais-2","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/thomas-lawrence-le-genie-du-portrait-anglais-2\/","title":{"rendered":"Thomas Lawrence – Le g\u00e9nie du portrait anglais"},"content":{"rendered":"

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Fr\u00e9d\u00e9ric Og\u00e9e est Professeur de litt\u00e9rature et d’histoire de l’art britannique et membre du Laboratoire de Recherche sur les Cultures Anglophones (LARCA). Ses recherches et publications portent sur le roman, la peinture et l\u2019art des jardins en Grande-Bretagne au 18\u00e8me si\u00e8cle, ainsi que sur l\u2019histoire des id\u00e9es et des \u00e9changes intellectuels et artistiques entre la France et la Grande-Bretagne au si\u00e8cle des Lumi\u00e8res.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage couverture\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/wp-content\/uploads\/sites\/20\/2023\/02\/Lawrence-F.-ogee-768×869.jpg\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ module_id=\u00a0\u00bbimage-page\u00a0\u00bb \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Au tournant du XIXe si\u00e8cle, l\u2019\u00e9cole d\u2019art anglaise atteint une forme d\u2019apog\u00e9e sur la sc\u00e8ne artistique europ\u00e9enne. Alors que J.M.W. Turner (1775-1851) excelle dans le genre du paysage, Thomas Lawrence (1769-1830) porte l\u2019art du portrait \u00e0 de semblables sommets de cr\u00e9ativit\u00e9 et d\u2019inventivit\u00e9. Enfant prodige, il succ\u00e8de \u00e0 Joshua Reynolds comme \u00ab peintre ordinaire de Sa Majest\u00e9 \u00bb le roi George III \u00e0 l\u2019\u00e2ge de 18 ans et devient rapidement le principal portraitiste de son temps, \u00e9lu \u00e0 l\u2019unanimit\u00e9 pr\u00e9sident de la Royal Academy of Arts en 1820. En 1814, le Prince R\u00e9gent lui commande une s\u00e9rie de portraits de toutes les personnalit\u00e9s europ\u00e9ennes ayant contribu\u00e9 \u00e0 la d\u00e9faite de Napol\u00e9on. Aujourd\u2019hui expos\u00e9es dans la Waterloo Chamber du ch\u00e2teau de Windsor, elles offrent un t\u00e9moignage exceptionnel de l\u2019incarnation du pouvoir au d\u00e9but de l\u2019Europe moderne. Lawrence est \u00e9galement un remarquable observateur de la soci\u00e9t\u00e9 de la R\u00e9gence, avec une sensibilit\u00e9 exceptionnelle pour les repr\u00e9sentations intimistes de femmes et d\u2019enfants, \u00e0 l\u2019huile, au pastel ou \u00e0 la craie, qui explorent de mani\u00e8re unique les fragilit\u00e9s de l\u2019\u00e2ge et du genre. Le pr\u00e9sent ouvrage offre une \u00e9tude compl\u00e8te de l\u2019art de Lawrence et apporte un nouvel \u00e9clairage sur le travail et la personnalit\u00e9 de l\u2019un des artistes les plus secrets et les plus dou\u00e9s du romantisme europ\u00e9en.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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