{"id":50078,"date":"2022-11-03T14:44:20","date_gmt":"2022-11-03T13:44:20","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/?p=50078"},"modified":"2022-11-03T14:44:20","modified_gmt":"2022-11-03T13:44:20","slug":"rome-archeologie-et-histoire-urbaine-trente-ans-apres-lurbs","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/rome-archeologie-et-histoire-urbaine-trente-ans-apres-lurbs\/","title":{"rendered":"Rome, arch\u00e9ologie et histoire urbaine : trente ans apr\u00e8s l’Urbs"},"content":{"rendered":"

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Jean-Pierre Guilhembet est professeur d\u2019histoire romaine et membre du centre ANHIMA (Anthropologie et Histoire des Mondes Antiques). Vice-pr\u00e9sident de la Soci\u00e9t\u00e9 Fran\u00e7aise d\u2019Histoire Urbaine (SFHU), il s\u2019int\u00e9resse \u00e0 l\u2019histoire des villes dans l\u2019Antiquit\u00e9, notamment Rome, sous diff\u00e9rents angles : topographie, toponymie, architecture domestique, march\u00e9 immobilier\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage couverture\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/wp-content\/uploads\/sites\/20\/2022\/11\/CEF_598-couverture_site_web.jpg_85450558.jpg\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ module_id=\u00a0\u00bbimage-page\u00a0\u00bb \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

En 1987, paraissaient dans la Collection de l\u2019EFR les actes d\u2019un colloque fondateur : L\u2019 Urbs, espace urbain et histoire. Parce qu\u2019il mit en dialogue les potentialit\u00e9s offertes par les progr\u00e8s de la topographie historique de la ville de Rome et l\u2019histoire urbaine de celle-ci, ce livre bouleversa nos connaissances. L\u2019ann\u00e9e suivante, disparaissait un \u00e9minent repr\u00e9sentant de la topographie historique : Ferdinando Castagnoli. S\u2019il ne put participer au colloque de 1985, F. Castagnoli avait \u00e9t\u00e9 l\u2019un des acteurs majeurs des renouvellements qui avaient conduit \u00e0 son organisation.
\u00c0 trente ans d\u2019\u00e9cart – une g\u00e9n\u00e9ration -, le pr\u00e9sent livre, lui-m\u00eame le fruit d\u2019un colloque international tenu \u00e0 Rome fin 2018, analyse l\u2019h\u00e9ritage laiss\u00e9 par chacun et mesure le chemin parcouru, sous trois principales entr\u00e9es : sources et m\u00e9thodes ; lieux et contextes ; nouvelles approches. Il permet ainsi de faire le point aussi bien sur les principales d\u00e9couvertes, le renouvellement des probl\u00e9matiques et des interpr\u00e9tations ou les nouveaux instruments de travail que sur les acquis et les perspectives de la recherche en histoire urbaine, des d\u00e9buts de la Ville \u00e9ternelle \u00e0 la fin de l’Antiquit\u00e9.
On y trouvera des synth\u00e8ses critiques sur la palette des sources disponibles (litt\u00e9rature, \u00e9pigraphie, plans, iconographie, arch\u00e9ologie, r\u00e9alit\u00e9 virtuelle\u2026), pour les principaux quartiers de la Ville et dans les principaux domaines d\u2019enqu\u00eate (infrastructures et logistique, travail, logement, participation politique, pouvoir imp\u00e9rial, art officiel, vie religieuse, sensibilit\u00e9s\u2026).<\/p>\n

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