{"id":49098,"date":"2022-08-23T13:42:48","date_gmt":"2022-08-23T11:42:48","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/?p=49098"},"modified":"2022-08-23T14:08:46","modified_gmt":"2022-08-23T12:08:46","slug":"le-pouvoir-detre-affecte-souffrances-resistances-et-emancipation","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/le-pouvoir-detre-affecte-souffrances-resistances-et-emancipation\/","title":{"rendered":"Le pouvoir d’\u00eatre affect\u00e9 – Souffrances, r\u00e9sistances et \u00e9mancipation"},"content":{"rendered":"

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Laurie Laufer<\/strong> est professeure de psychopathologie clinique et de psychanalyse et directrice du Centre de recherche psychanalyse, m\u00e9decine et soci\u00e9t\u00e9 (CRPMS), et de l\u2019Institut Humanit\u00e9s, Sciences et Soci\u00e9t\u00e9s (IHSS). Patrick Cingolani<\/strong> est professeur de sociologie et membre du Laboratoire de Changement Social et Politique (LCSP). Octave Debary<\/strong> est professeur d\u2019anthropologie et directeur du Centre d’anthropologie culturelle (CANTHEL). Federico Tarragoni<\/strong>, ma\u00eetre de conf\u00e9rences HDR en sociologie, et membre du LCSP. Guillaume Le Blanc<\/strong> est professeur de philosophie sociale et politique et co-directeur du LCSP. Val\u00e9rie Bruneti\u00e8re<\/strong> est professeure de linguistique et de s\u00e9miologie et directrice du laboratoire PHIL\u00e9POL.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage couverture\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/wp-content\/uploads\/sites\/20\/2022\/08\/le-pouvoir-d-etre-affect\u00e9.jpeg\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ module_id=\u00a0\u00bbimage-page\u00a0\u00bb \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Classiquement, dans l\u2019histoire de la philosophie, les affects ont toujours \u00e9t\u00e9 compris comme la part de l\u2019involontaire dans l\u2019existence humaine : le sujet les subirait dans une passivit\u00e9 totale. En croisant les regards contemporains de linguistes, sociologues, psychanalystes, philosophes et anthropologues, cet ouvrage entend changer cette approche simpliste et r\u00e9ductrice, notamment en proposant une g\u00e9n\u00e9alogie de l\u2019illusion d\u2019ind\u00e9pendance du sujet vis-\u00e0-vis de ses affects.<\/p>\n

L’enjeu est de ressaisir au pr\u00e9sent les trajectoires des affects. Car ceux-ci ne peuvent pas \u00eatre appr\u00e9hend\u00e9s ni auscult\u00e9s en faisant abstraction de l’environnement o\u00f9 ils \u00e9mergent. C’est depuis un certain \u00e9tat des corps, du social, \u00e0 partir de l\u2019exp\u00e9rience contemporaine du travail, des mobilisations et des r\u00e9sistances et des actes de parole que l’on peut analyser et comprendre les courbures affectives d’un sujet, et c’est par l\u00e0 que ce sujet affect\u00e9 peut apprendre \u00e0 faire usage de toutes les ressources de son affectivit\u00e9.<\/p>\n

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