{"id":47401,"date":"2021-11-22T18:35:46","date_gmt":"2021-11-22T17:35:46","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/?p=47401"},"modified":"2021-11-22T18:35:46","modified_gmt":"2021-11-22T17:35:46","slug":"the-sociology-of-hallyu-pop-culture-surfing-the-korean-wave","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/societes-humanites\/the-sociology-of-hallyu-pop-culture-surfing-the-korean-wave\/","title":{"rendered":"The Sociology of Hallyu Pop Culture \u2013 Surfing the Korean wave"},"content":{"rendered":"

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\nVincenzo Cicchelli est sociologue, maitre de conf\u00e9rence, chercheur au Centre Population & D\u00e9veloppement (Ceped) et directeur des relations internationales du Global Research Institute of Paris (GRIP).<\/p>\n

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Combining global, media, and cultural studies, this book analyzes the success of Hallyu, or the \u00ab\u00a0Korean Wave\u201d in the West, both at a macro and micro level, as an alternative pop culture globalization. This research investigates the capitalist ecosystem (formed by producers, institutions and the state), the soft power of Hallyu, and the reception among young people, using France as a case study, and placing it within the broader framework of the \u2019consumption of difference.\u2019
Seen by French fans as a challenge to Western pop culture, Hallyu constitutes a material of choice for understanding the cosmopolitan apprenticeships linked to the consumption of cultural goods, and the use of these resources to build youth\u2019s biographical trajectories.<\/div>\n<\/div>\n

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