{"id":1754,"date":"2022-07-12T14:29:54","date_gmt":"2022-07-12T12:29:54","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/?p=1754"},"modified":"2022-07-18T10:56:17","modified_gmt":"2022-07-18T08:56:17","slug":"une-seconde-deternite-quand-lart-et-la-science-dialoguent-sur-lexperience-du-temps","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/une-seconde-deternite-quand-lart-et-la-science-dialoguent-sur-lexperience-du-temps\/","title":{"rendered":"Une seconde d\u2019\u00e9ternit\u00e9 : quand l\u2019Art et la Science dialoguent sur l\u2019exp\u00e9rience du temps"},"content":{"rendered":"

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C\u2019est l\u2019une des expositions incontournables de l\u2019\u00e9t\u00e9 \u00e0 Paris. Jusqu\u2019au 2 janvier 2023, la Bourse de Commerce – Pinault Collection explore l\u2019exp\u00e9rience plurielle et complexe du temps \u00e0 travers les \u0153uvres d\u2019artistes tels que Larry Bell, Roni Horn, Felix Gonzalez-Torres, Wolgang Tillmans ou encore Philippe Parreno.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Philippe Parreno – Vue de l\u2019exposition \u00ab Une seconde d\u2019\u00e9ternit\u00e9 \u00bb, Bourse de Commerce – Pinault Collection, Paris, 2022. Courtesy the artist, Pilar Corrias, London, Gladstone Gallery, New York\/Brussels, and Esther Schipper, Berlin <\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Le temps d\u2019une saison faisant cohabiter l\u2019\u00e9t\u00e9 et l\u2019hiver, l\u2019urgence de l\u2019ici et maintenant\u00a0et la qu\u00eate d\u2019un insaisissable infini, \u00ab Une seconde d\u2019\u00e9ternit\u00e9 \u00bb dessine un parcours inspir\u00e9 par la question et l\u2019exp\u00e9rience du temps, \u00e0 travers un ensemble d\u2019\u0153uvres de la Collection Pinault.<\/em><\/p>\n

Parmi les artistes de l\u2019exposition, l\u2019artiste plasticien Philippe Parreno poursuit sa collaboration avec les scientifiques Nicolas Desprat (MCF en Physique fondamentale, laboratoire LPENS, UMR 8023 ENS PSL CNRS Sorbonne U et Universit\u00e9 Paris Cit\u00e9) et Jean-Baptiste Boul\u00e9 (directeur de l\u2019unit\u00e9 Structure et Instabilit\u00e9 des G\u00e9nomes, UMR 7196 MNHN-CNRS-INSERM) et pr\u00e9sente une \u0153uvre totale et sensorielle aux sc\u00e9narios multiples et al\u00e9atoires.<\/p>\n

\u00c9voluant dans la Rotonde, sous la grande coupole en verre, l\u2019installation de Philippe Parreno propose une narration temporelle guid\u00e9e par la course du soleil et une population de levures cultiv\u00e9e dans un bior\u00e9acteur enti\u00e8rement automatis\u00e9 mis au point par Nicolas Desprat et Jean-Baptiste Boul\u00e9. Le bior\u00e9acteur permet d\u2019imposer \u00e0 la culture des changements d\u2019environnements (temp\u00e9rature, perfusion d\u2019air et de nutriments, chocs basiques) suivant exactement les mouvements des objets mobiles de l\u2019installation (h\u00e9liostats, haut-parleur, ventilateur). Ainsi la culture est spectatrice de l\u2019installation jusqu\u2019\u00e0 ce que le soleil se d\u00e9robe \u00e0 la coupole ou disparaisse derri\u00e8re les nuages. L\u2019installation passe alors d\u2019une phase solaire \u00e0 une phase organique, vivante\u00a0: en absence de soleil, le bior\u00e9acteur rejoue la s\u00e9quence solaire pass\u00e9e (enregistr\u00e9e en continue) et renvoie en \u00e9cho \u00e0 l\u2019installation les dynamiques physiologiques de la culture de Saccharomyces cerevisiae<\/em> (respiration, potentiel RedOx, pH, nombre de cellules) afin de contr\u00f4ler \u00e0 son tour les \u00e9l\u00e9ments mobiles. Ainsi le bior\u00e9acteur repr\u00e9sente un pont entre monde min\u00e9ral, organique et digital vers lequel les danseuses, sous la houlette de Tino Sehgal, convergent avant d\u2019\u00eatre r\u00e9incarn\u00e9es en Annlee projet\u00e9e sur l\u2019\u00e9cran au centre de l\u2019esapce.<\/p>\n

De mani\u00e8re symbolique, le regard du visiteur laisse place \u00e0 celui du bior\u00e9acteur\u00a0: la machine \u00ab\u00a0regarde\u00a0\u00bb l\u2019exposition se faire \u00e0 travers une suite ind\u00e9termin\u00e9e \u00e0 l\u2019avance de possibles, s\u2019inscrivant ainsi dans la d\u00e9marche de mise en question des formats fig\u00e9s et convenus des expositions qui hante l\u2019\u0153uvre de Philippe Parreno.<\/p>\n

\u00a0<\/p>\n

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Une seconde d\u2019\u00e9ternit\u00e9<\/strong>
Du 22 juin au 2 janvier 2023
Bourse de Commerce Pinault Collection
2 rue de Viarmes 75001 Paris
pinaultcollection.com<\/a>
<\/strong><\/p>\n<\/blockquote>\n

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\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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C\u2019est l\u2019une des expositions incontournables de l\u2019\u00e9t\u00e9 \u00e0 Paris. Jusqu\u2019au 2 janvier 2023, la Bourse de Commerce – Pinault Collection explore l\u2019exp\u00e9rience plurielle et complexe du temps \u00e0 travers les \u0153uvres d\u2019artistes tels que Larry Bell, Roni Horn, Felix Gonzalez-Torres, Wolgang Tillmans ou encore Philippe Parreno. <\/p>\n

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\u00a9 Philippe Parreno – Vue de l\u2019exposition… Lire la suite Une seconde d\u2019\u00e9ternit\u00e9 : quand l\u2019Art et la Science dialoguent sur l\u2019exp\u00e9rience du temps<\/span><\/a><\/p>\n","protected":false},"author":398,"featured_media":1870,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,17],"tags":[],"class_list":["post-1754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculte-de-sciences","category-recherche"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/posts\/1754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/users\/398"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/comments?post=1754"}],"version-history":[{"count":9,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/posts\/1754\/revisions"}],"predecessor-version":[{"id":1875,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/posts\/1754\/revisions\/1875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/media\/1870"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/media?parent=1754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/categories?post=1754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/sciences\/wp-json\/wp\/v2\/tags?post=1754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}