{"id":770,"date":"2012-04-28T13:49:02","date_gmt":"2012-04-28T11:49:02","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/?p=770"},"modified":"2021-06-02T11:12:21","modified_gmt":"2021-06-02T09:12:21","slug":"mo-yan-au-croisement-du-local-et-de-luniversel","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/mo-yan-au-croisement-du-local-et-de-luniversel\/","title":{"rendered":"Mo Yan : au croisement du local et de l’universel"},"content":{"rendered":"

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Mo Yan, prix Nobel de litt\u00e9rature 2012, est connu en Occident depuis le d\u00e9but des ann\u00e9es 1990.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Une vingtaine de ses oeuvres sont aujourd\u2019hui disponibles en fran\u00e7ais. Au-del\u00e0 de son succ\u00e8s institutionnel et m\u00e9diatique, le royaume litt\u00e9raire de Mo Yan, son pays natal de Gaomi, constitue un moyen privil\u00e9gi\u00e9 d\u2019interroger les dynamiques de la m\u00e9moire et du pr\u00e9sent. La superposition de diff\u00e9rentes strates temporelles, mythiques, l\u00e9gendaires et historiques, transfigur\u00e9es par une narration carnavalesque, r\u00e9v\u00e8le l\u2019ambivalence d\u2019un territoire \u00e0 la fois r\u00e9el et imaginaire, ouvert sur l\u2019universel.<\/p>\n

C\u2019est de cette ouverture qu’un colloque r\u00e9unissant traducteurs et chercheurs venus de Chine, des \u00c9tats-Unis, d\u2019Italie, des Pays-bas, de Su\u00e8de\u2026 s\u2019est propos\u00e9 de d\u00e9battre. Comment traduire dans d’autres langues la richesse verbale de Mo Yan qui manie sans cesse l\u2019ironie ou l\u2019allusion et qui ne se prive jamais d\u2019utiliser le dialecte du Shandong ? Quelle est son originalit\u00e9 intrins\u00e8que au sein de l’univers litt\u00e9raire chinois \u2013 encore peu familier hors de ses fronti\u00e8res nationales ? Quelle place cet \u00e9crivain enracin\u00e9 dans la culture locale occupe-t-il \u00e0 pr\u00e9sent dans la litt\u00e9rature mondiale aux c\u00f4t\u00e9s des Faulkner, Garcia Marquez ou ?e ?<\/p>\n

Ce volume a \u00e9t\u00e9 dirig\u00e9 par Yinde Zhang, Shuang Xu et No\u00ebl Dutrait, \u00e0 l’issue du colloque organis\u00e9 par :<\/p>\n