{"id":27876,"date":"2024-02-12T16:51:41","date_gmt":"2024-02-12T15:51:41","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/?p=27876"},"modified":"2024-02-13T16:10:30","modified_gmt":"2024-02-13T15:10:30","slug":"conferences_de_julie_nelson_davis","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/conferences_de_julie_nelson_davis\/","title":{"rendered":"Conf\u00e9rences de Julie Nelson Davis, Professeure d\u2019histoire de l\u2019art \u00e0 l\u2019Universit\u00e9 de Pennsylvanie"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h2><strong>Representing the Yoshiwara in Print: An Utamaro Case Study in the Era after #metoo<\/strong><\/h2>\n<p>Mardi\u00a05 mars 2024, 16h-17h30, Amphi Turing, B\u00e2timent Sophie-Germain, Universit\u00e9 Paris Cit\u00e9, 8\u00a0Place Aur\u00e9lie Nemours, 75013 Paris<\/p>\n<p>In one of the most famous early modern illustrated books, the <em>Annual Events of the \u2018Azure Towers,\u2019 Illustrated (Seir\u014d ehon) Nenj\u016b gy\u014dji<\/em>, from 1804, artist Kitagawa Utamaro and writer Jippensha Ikku described the festivals and customs that marked the annual calendar for the licensed prostitution district, the Yoshiwara, in the city of Edo. Often appreciated as one of the most beautiful books of its time, it has been often described as a kind of insiders\u2019 view into the secret life of the quarter, as though documentary in intent. In this presentation, I overturn that reading and address how the book served to promote the district, arguing that now, more than ever, we need to put this book, along with other images of \u201cbeauties,\u201d into a critical dialogue with their social and historical contexts. Taking up some of the issues addressed by the #metoo movement, this talk further addresses ways to think more critically about the role of art history, literary studies, and Japanese studies in problematic narratives that extend into the present.<\/p>\n<p>\u00a0<\/p>\n<h2><strong>Replica and Model: The Brush in the Printed Book<\/strong><\/h2>\n<p>Vendredi 8 mars 2024, 10h30-12h, Amphi Buffon, 15 Rue H\u00e9l\u00e8ne Brion, 75013 Paris<\/p>\n<p>Often when we open an Edo-period printed book, we encounter illustrations that look like paintings or at handwriting that looks so much like calligraphy. Some look so much like brushed ink on paper that we might pause and ask: is it really printed? The swells and drags of the brush preserved in print the movement of the hand, alluding through the illusion to the intentions of the artist. Some model the brush so fully that they came to define artistic style and authorial gesture. In this lecture, I will consider how, for their makers and viewers, woodblock printed books served to represent other media, sometimes even functioning like simulacra of their originals. Looking at examples where verisimilitude is sought, as well as interrupted, this presentation will explore intermedial dialogues between brush, block, baren, and paper, querying the limits of illusionism. How these books functioned, too, in later replications, raises important issues around the status of the original and the implications of the brush made multiple.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_divider _builder_version=\u00a0\u00bb3.22.1&Prime; color=\u00a0\u00bb#ffffff\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; 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header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime; header_2_text_align=\u00a0\u00bbjustify\u00a0\u00bb custom_margin=\u00a0\u00bb1px|1px|1px|10px\u00a0\u00bb custom_padding=\u00a0\u00bb1px|1px|1px|10px\u00a0\u00bb border_color_all=\u00a0\u00bb#ffffff\u00a0\u00bb background_color=\u00a0\u00bbrgba(242,240,239,0.52)\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb]<\/p>\n<h5>\u00a0<\/h5>\n<h5><strong>Renseignements<\/strong><br \/><a href=\"mailto:marianne.simon-oikawa@wordpress-test.app.u-pariscite.fr\"><span style=\"color: #931738\">marianne.simon-oikawa@wordpress-test.app.u-pariscite.fr<\/span><\/a><\/h5>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=\u00a0\u00bb3.22.1&Prime; color=\u00a0\u00bb#ffffff\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; background_color=\u00a0\u00bb#8a1538&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; background_layout=\u00a0\u00bbdark\u00a0\u00bb link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; 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header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; custom_margin=\u00a0\u00bb5px|15px|5px|10px\u00a0\u00bb custom_padding=\u00a0\u00bb5px|15px|5px|10px\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; saved_tabs=\u00a0\u00bball\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_1 et_pb_bg_layout_light et_pb_text_align_left\">\n<div class=\"et_pb_text_inner\">\n<h4><strong>Bio-bibliographie<\/strong><\/h4>\n<h5>Julie Nelson Davis se consacre \u00e0 l\u2019\u00e9tude des arts et de la culture mat\u00e9rielle du Japon au xviii<sup>e<\/sup> et au xix<sup>e<\/sup> si\u00e8cle.<\/h5>\n<h5>Ses travaux portent en particulier sur l\u2019estampe, la peinture et le livre illustr\u00e9, et explorent les questions li\u00e9es \u00e0 la pratique artistique, \u00e0 la notion d\u2019auteur, au genre, ainsi qu\u2019\u00e0 la censure.<\/h5>\n<h5>Principaux ouvrages : <a href=\"https:\/\/uhpress.hawaii.edu\/title\/partners-in-print-artistic-collaboration-and-the-ukiyo-e-market\/\"><em>Partners in Print: Artistic Collaboration and the Ukiyo-e Market<\/em><\/a>, University of Hawai\u2019i Press, 2015 ; <a href=\"https:\/\/press.uchicago.edu\/ucp\/books\/book\/distributed\/U\/bo20174969.html\"><em>Utamaro and the Spectacle of Beauty<\/em><\/a>, Reaktion Books, 2007, r\u00e9ed. 2021 ; <a href=\"https:\/\/uhpress.hawaii.edu\/title\/picturing-the-floating-world-ukiyo-e-in-context\/\"><em>Picturing the Floating World: Ukiyo-e in Context<\/em><\/a><em>,<\/em> University of Hawai\u2019i Press, 2021.<\/h5>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\"><\/div>\n<p> Julie Nelson Davis, Professeure d\u2019histoire de l\u2019art \u00e0 l\u2019Universit\u00e9 de Pennsylvanie, donnera deux conf\u00e9rences, les 5 et 8 mars prochains. <\/p>\n<div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\"><\/div>\n<div class=\"et_pb_row et_pb_row_2 et_pb_row_empty\"><\/div>\n<p> Representing the Yoshiwara in Print: An Utamaro Case Study in the Era after #metooMardi\u00a05 mars 2024, 16h-17h30, Amphi Turing, B\u00e2timent Sophie-Germain, Universit\u00e9 Paris Cit\u00e9, 8\u00a0Place Aur\u00e9lie Nemours, 75013 ParisIn one of the most&hellip; <a class=\"continue\" href=\"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/conferences_de_julie_nelson_davis\/\">Lire la suite<span> Conf\u00e9rences de Julie Nelson Davis, Professeure d\u2019histoire de l\u2019art \u00e0 l\u2019Universit\u00e9 de Pennsylvanie<\/span><\/a><\/p>\n","protected":false},"author":237,"featured_media":27877,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[41,47],"tags":[],"class_list":["post-27876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-conference"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/27876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/users\/237"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/comments?post=27876"}],"version-history":[{"count":11,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/27876\/revisions"}],"predecessor-version":[{"id":27903,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/27876\/revisions\/27903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/media\/27877"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/media?parent=27876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/categories?post=27876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/tags?post=27876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}