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4th International Symposium on the Shiji
Lives and power in the Records of the Historian by Sima Qian<\/p>\n
The destinies of the biographical genre<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Apr\u00e8s deux premiers colloques \u00e0 l\u2019Universit\u00e9 Fo Guang de Taiwan (2008 et 2011) et un troisi\u00e8me \u00e0 l\u2019Universit\u00e9 Charles de Prague (2011), le quatri\u00e8me colloque international sur le Shiji <\/em>\u53f2\u8a18 (M\u00e9moires de l\u2019Historien<\/em>, achev\u00e9 aux alentours de 100 av. J.-C.) de Sima Qian \u53f8\u99ac\u9077, prend pour centre et point de d\u00e9part un genre particulier au sein du Shiji<\/em>, le liezhuan<\/em> \u5217\u50b3, qui fut longtemps traduit par le terme de biographie, avant que ne s\u2019imposent progressivement dans la sinologie anglophone les expressions de \u2018arrayed traditions\u2019 ou \u2018arranged traditions\u2019 ou encore \u2018traditions\u2019 (\u00ab\u00a0traditions arrang\u00e9es\/mises en ordre\u00a0\u00bb). L\u2019objet pose d\u2019embl\u00e9e des probl\u00e8mes de d\u00e9finition, car le genre biographique ne co\u00efncide pas avec le champ d\u00e9sign\u00e9 par le terme liezhuan<\/em> dans le Shiji<\/em>. D\u2019une part, certains liezhuan <\/em>ne sont pas construits autour de destin\u00e9es individuelles, mais s\u2019int\u00e9ressent \u00e0 l\u2019histoire de peuples \u00e9trangers, en contact plus ou moins \u00e9troit avec les pays puis l\u2019empire chinois. D\u2019autre part, en ce qui concerne le Shiji<\/em>, les trente chapitres d\u00e9sign\u00e9s par le terme de shijia<\/em> \u4e16\u5bb6 (Maisons h\u00e9r\u00e9ditaires) pr\u00e9sentent \u00e9galement une forte dimension biographique. Cependant, apr\u00e8s le Shiji<\/em>, c\u2019est bien le terme de liezhuan<\/em> ou de zhuan<\/em> qui a \u00e9t\u00e9 retenu pour d\u00e9signer ce genre litt\u00e9raire gr\u00e2ce auquel sont transmises des \u00ab\u00a0vies\u00a0\u00bb. Dans l\u2019ensemble du Shiji<\/em>, les liezhuan <\/em>sont souvent consid\u00e9r\u00e9s comme une extension des benji<\/em> \u672c\u7d00, chapitres annalistiques qui posent les fondations de l\u2019ouvrage, mais qui, comme le Classique des Printemps et Automnes<\/em> \u6625\u79cb pr\u00e9sentent le d\u00e9faut d\u2019\u00eatre centr\u00e9s sur la personne du souverain et la politique de la cour, en laissant dans l\u2019oubli, ou au mieux \u00e0 la p\u00e9riph\u00e9rie, les faits et gestes des \u00ab\u00a0sujets\u00a0\u00bb. De ce point de vue, ce que nous appelons \u00ab\u00a0genre biographique\u00a0\u00bb se rapproche du d\u00e9veloppement que les commentaires (chuan <\/em>\u50b3) donnent aux Classiques, ceux-ci constituant alors des fondations qui ne prennent leur sens que par les constructions qu\u2019elles permettent. Cependant, les liezhuan<\/em> de Sima Qian pr\u00e9sentent la particularit\u00e9 de s\u2019articuler pour la plupart d\u2019entre eux autour de destin\u00e9es individuelles, parfois entrelac\u00e9es l\u2019une \u00e0 l\u2019autre, et c\u2019est cet \u00ab\u00a0arrangement\u00a0\u00bb d\u2019ordre biographique qui constitue l\u2019une des innovations les plus fascinantes dans le Shiji<\/em>. Ils se construisent dans une distance plus ou moins grande avec la sph\u00e8re du pouvoir, jusqu\u2019\u00e0 inclure des figures d\u2019ermites. Avec les liezhuan<\/em>, le scribe ne note plus seulement les gestes et les paroles du souverain et de ses plus proches ministres. C\u2019est cet \u00e9cart et ce jeu avec une historiographie centr\u00e9e sur les figures et les lieux de pouvoir que nous voudrions plus pr\u00e9cis\u00e9ment explorer.\u00a0\u00a0<\/p>\n Ce colloque se veut une occasion de r\u00e9fl\u00e9chir \u00e0 l\u2019inventivit\u00e9 et la diversit\u00e9 des modes d\u2019\u00e9criture biographique dans le Shiji<\/em>, mais aussi, au-del\u00e0, d\u2019envisager la transformation de ce genre dans les \u0153uvres historiographiques ult\u00e9rieures (formant ce qui sera nomm\u00e9 les \u00ab\u00a0biographies officielles\u00a0\u00bb), ses possibles imitations et d\u00e9tournements dans les litt\u00e9ratures hagiographiques et fantastiques entre autres, et enfin, autant que possible, de proposer des pistes significatives de comparaison avec l\u2019\u00e9criture biographique dans la litt\u00e9rature gr\u00e9co-romaine. Les actes sont destin\u00e9s \u00e0 \u00eatre publi\u00e9s par les \u00e9ditions en ligne du CRCAO (Centre de Recherche sur les Civilisations de l\u2019Asie Orientale).<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][et_pb_divider _builder_version=\u00a0\u00bb3.22.1″ color=\u00a0\u00bb#ffffff\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ \/][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ 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l\u2019Universit\u00e9 Fo Guang de Taiwan (2008 et 2011) et un troisi\u00e8me \u00e0 l\u2019Universit\u00e9 Charles de Prague (2011), le quatri\u00e8me colloque international sur le Shiji \u53f2\u8a18 (M\u00e9moires… Lire la suite Vies et pouvoir dans les M\u00e9moires de l\u2019historien : Destin\u00e9es du genre biographique<\/span><\/a><\/p>\n","protected":false},"author":237,"featured_media":25814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[41,45],"tags":[],"class_list":["post-25813","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-colloque"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/25813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/users\/237"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/comments?post=25813"}],"version-history":[{"count":3,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/25813\/revisions"}],"predecessor-version":[{"id":25819,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/25813\/revisions\/25819"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/media\/25814"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/media?parent=25813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/categories?post=25813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/tags?post=25813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
Coll\u00e8ge de France – Salle 4
11 Place Marcelin Berthelot, 75005 Paris<\/p>\n<\/blockquote>\n\u00c0<\/span> lire aussi<\/h2>\n