{"id":25458,"date":"2022-03-11T11:00:03","date_gmt":"2022-03-11T10:00:03","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/?p=25458"},"modified":"2022-03-11T11:04:15","modified_gmt":"2022-03-11T10:04:15","slug":"queer-utopias-posthuman-subjects-of-desire-and-womens-fantasy-romance-in-contemporary-china","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/queer-utopias-posthuman-subjects-of-desire-and-womens-fantasy-romance-in-contemporary-china\/","title":{"rendered":"Queer Utopias, Posthuman Subjects of Desire, and Women\u2019s Fantasy-Romance in Contemporary China"},"content":{"rendered":"

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Professor Zhange NI, Virginia Tech.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Abstract:<\/strong> Chinese internet literature is currently dominated by two popular genres: fantasy and romance. The focus of this presentation is fantasy novels written and read online by women, which are simultaneously romance novels adopting nonrealist settings. Examples are Liuli meiren sha \u7409\u7483\u7f8e\u4eba\u715e (Lapis Lazuli, Beauty, and the Monster, 2008) by Shisilang \u5341\u56db\u90ce and Jiejian \u501f\u5251 (Borrow the Sword, 2020-2021) by Yujing pengxiang \u5fa1\u4e95\u70f9\u9999 among numerous others. While fantasy is committed to building otherworlds outside the confines of post-Enlightenment rationality, romance is preoccupied with enacting female subjectivities not always conforming to established gender norms. More specifically, Chinese fantasy draws on two repositories to build magical worlds: cosmological assumptions shared by Chinese religions and contemporary world-views linked to digitalization. Chinese romance is not limited to stories that help to promote and naturalize gender stereotypes and heteronormative relationships. Women\u2019s fantasy-romance, in order to experiment with female subjectivities, explores the implications of China\u2019s correlative cosmology and models of the self as relational and partible on the one hand, while on the other, the renewed understandings of the world and the self in the digital present. The subject-formation agenda of these novels is inseparable from a quest for what Jos\u00e9 Esteban Mu\u00f1oz called queer utopia. Their world-building projects are centered upon re-imagining women (and men) as posthuman subjects of desire\u2014to borrow Rosi Braidotti\u2019s expression\u2014who are not individualistic but relational, not fixed but transversal, not discrete entities but an ensemble composed of human and nonhuman organisms.\u00a0\u00a0<\/p>\n

Zhange NI<\/strong> received her Ph.D. in Religion and Literature at University of Chicago Divinity School (2009). She is currently an associate professor in the Department of Religion and Culture, Virginia Tech. In 2021-2022, she is a research fellow at Institut d\u2019\u00e9tudes avanc\u00e9es de Nantes (France). Her fields of specialization are religion and secularism, popular literature, critical theory, and Asian studies.<\/p>\n

Recent publications<\/strong>: \u201cSteampunk, Zombie Apocalypse, and Homoerotic Romance: Rewriting Revolution Plus Love in Contemporary China,\u201d Modern Chinese Literature and Culture<\/em> 32.2 (2020):179-229; \u201cReimagining Daoist Alchemy, Decolonizing Transhumanism: The Fantasy of Immortality Cultivation Fiction in Twenty-First-Century China,\u201d Zygon: Journal of Religion and Science<\/em> 55. 3 (2020): 748-771.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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March 11th , 6 pm to 7 :30 pm<\/strong> (Paris time)<\/p>\n

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Zoom link<\/strong><\/strong><\/a><\/p>\n<\/blockquote>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb47,80″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93″ text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93″ text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ body_text_shadow_horizontal_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93″ body_text_shadow_vertical_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93″ body_text_shadow_blur_strength=\u00a0\u00bbbody_text_shadow_style,%91object Object%93″ meta_text_shadow_horizontal_length=\u00a0\u00bbmeta_text_shadow_style,%91object Object%93″ meta_text_shadow_vertical_length=\u00a0\u00bbmeta_text_shadow_style,%91object Object%93″ meta_text_shadow_blur_strength=\u00a0\u00bbmeta_text_shadow_style,%91object Object%93″ pagination_text_shadow_horizontal_length=\u00a0\u00bbpagination_text_shadow_style,%91object Object%93″ pagination_text_shadow_vertical_length=\u00a0\u00bbpagination_text_shadow_style,%91object Object%93″ pagination_text_shadow_blur_strength=\u00a0\u00bbpagination_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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Professor Zhange NI, Virginia Tech. <\/p>\n

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Abstract: Chinese internet literature is currently dominated by two popular genres: fantasy and romance. The focus of this presentation is fantasy novels written and read online by women, which are simultaneously romance novels adopting nonrealist settings. Examples are Liuli meiren sha \u7409\u7483\u7f8e\u4eba\u715e (Lapis Lazuli, Beauty, and the Monster,… Lire la suite Queer Utopias, Posthuman Subjects of Desire, and Women\u2019s Fantasy-Romance in Contemporary China<\/span><\/a><\/p>\n","protected":false},"author":237,"featured_media":783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[41,47,80],"tags":[],"class_list":["post-25458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-conference","category-eur"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/25458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/users\/237"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/comments?post=25458"}],"version-history":[{"count":3,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/25458\/revisions"}],"predecessor-version":[{"id":25462,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/posts\/25458\/revisions\/25462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/media\/783"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/media?parent=25458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/categories?post=25458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/lcao\/wp-json\/wp\/v2\/tags?post=25458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}