{"id":15713,"date":"2022-08-18T10:26:50","date_gmt":"2022-08-18T08:26:50","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/?p=15713"},"modified":"2023-01-09T11:27:04","modified_gmt":"2023-01-09T10:27:04","slug":"le-cine-club-cine-club-barberousse-medecine-et-soin-au-cinema-fait-sa-rentree","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/le-cine-club-cine-club-barberousse-medecine-et-soin-au-cinema-fait-sa-rentree\/","title":{"rendered":"Le cin\u00e9 club Cin\u00e9-club Barberousse. M\u00e9decine et soin au cin\u00e9ma fait sa rentr\u00e9e"},"content":{"rendered":"

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Cin\u00e9-club Barberousse. M\u00e9decine et soin au cin\u00e9ma fait son retour pour une nouvelle saison 2022-2023. Nous vous pr\u00e9sentons les quatre s\u00e9ances du premier semestre \u00e0 visionner chaque mois le samedi matin au cin\u00e9ma Nouvel Od\u00e9on, Paris 6\u00e8me.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Affiche pour le cin\u00e9ma Barberousse avec les films pr\u00e9sent\u00e9s pour la saison 2022-2023.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Paul Raymond Cohen<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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ll sollicite les ressources du cin\u00e9ma pour rendre sensibles les enjeux de soin, au sens le plus vaste du terme. Il projette des films qui rappellent que nous sommes tous vuln\u00e9rables et, \u00e0 des titres divers, soignants et soign\u00e9s. Des films qui font percevoir les valeurs et difficult\u00e9s du soin, comme l\u2019avait fait A. Kurosawa dans son chef d\u2019oeuvre Barberousse.\u00a0<\/p>\n

Les discussions interrogent les enjeux psychiques, \u00e9thiques et politiques du soin que le cin\u00e9ma aide \u00e0 mieux voir et \u00e0 mieux formuler.\u00a0Il ne s\u2019agit pas d\u2019illustrer un propos, mais de r\u00e9agir, pendant les projections, chacun(e) dans son for int\u00e9rieur, puis collectivement gr\u00e2ce \u00e0 des \u00e9changes entre les organisateurs, les spectateurs et les invit\u00e9(e)s. Les films, choisis pour leur capacit\u00e9 \u00e0 mobiliser par eux-m\u00eames \u00e9motions, r\u00e9flexions et interrogations, sont ainsi partie prenante d\u2019une recherche qui associe praticiens du soin (m\u00e9dical ou autre), sp\u00e9cialistes et professionnels du cin\u00e9ma, philosophes et chercheurs en sciences humaines et sociales, spectateurs de tous horizons.<\/p>\n

Depuis sa cr\u00e9ation en 2017, le cin\u00e9-club a notamment pr\u00e9sent\u00e9\u00a0Cl\u00e9o de 5 \u00e0 7<\/em>\u00a0d\u2019A. Varda,\u00a0Titicut Follies\u00a0de F. Wiseman,\u00a0Cris et chuchotements\u00a0<\/em>d\u2019I. Bergman,\u00a0La Mort de Dante<\/em> Lazarescude C. Puiu,\u00a0A tombeau ouvert\u00a0<\/em>de M. Scorsese,\u00a0Still the Water<\/em>\u00a0de N. Kawase,\u00a0Elephant Man\u00a0de D. Lynch,\u00a0Arguments<\/em>\u00a0d\u2019O. Zabat,\u00a0La Fille inconnue<\/em>\u00a0de J.-P. et L. Dardenne,\u00a0Million Dollar Baby<\/em>\u00a0de C. Eastwood,\u00a0De chaque instant<\/em>\u00a0de N. Philibert,\u00a0Jeanne et le gar\u00e7on formidable\u00a0<\/em>d\u2019O. Ducastel et J. Martineau, etc.\u00a0<\/p>\n

Programmation<\/h3>\n

17 septembre 2022 :\u00a0Les Heures heureuses<\/em> de Martine Deyres (2019)<\/strong>
\u00ab\u00a0Entre 1939 et 1945, plus de 40 000 intern\u00e9s sont morts de faim dans les h\u00f4pitaux psychiatriques fran\u00e7ais. Un seul lieu \u00e9chappe \u00e0 cette h\u00e9catombe, l’asile d’un village isol\u00e9 du centre de la France : Saint-Alban-sur-Limagnole. Que s’est-il pass\u00e9, ici et nulle part ailleurs, qui ait fait exception ? La r\u00e9ponse se trouve peut-\u00eatre dans ces quelques heures de films amateurs que j’ai par hasard retrouv\u00e9s et qui, surgissant du pass\u00e9, viennent t\u00e9moigner des milles et unes inventions quotidiennes d’un lieu de r\u00e9sistances.\u00a0\u00bb<\/em><\/p>\n

15 octobre 2022:\u00a0Madres Paralelas<\/em> de Pedro Almodovar (2021)<\/strong>
Deux femmes, Janis dans la quarantaine et Ana, encore adolescente, accouchent en m\u00eame temps. Elles se lient d’amiti\u00e9 \u00e0 la maternit\u00e9. Elles ont chacune une fille. Bient\u00f4t, Janis, qui adore son b\u00e9b\u00e9, a des doutes sur le fait que sa petite Cecilia soit bien son enfant. De test ADN en retrouvailles avec Ana, puis de faux-semblants en double jeu, se met en place une sorte de marivaudage tendu des \u00e9motions maternelles, des d\u00e9sirs f\u00e9minins et des formes innombrables que prend l’amour. Ce labyrinthe des relations intimes de deux femmes trouve \u00e0 s’inscrire dans l\u2019histoire collective et au long cours des crimes franquistes et du rapport \u00e0 la m\u00e9moire qui travaille toujours l’Espagne.<\/p>\n

19 novembre 2022 : \u00a0Bienvenue \u00e0 Gattaca<\/em> d\u2019Andrew Niccol (1997)<\/strong>
Classique du film d\u2019anticipation, Bienvenue \u00e0 Gattaca met en sc\u00e8ne une soci\u00e9t\u00e9 eug\u00e9niste qui confond pr\u00e9dispositions g\u00e9n\u00e9tiques et pr\u00e9destination, n\u00e9glige l\u2019\u00e9pig\u00e9n\u00e9tique et le social, et instrumentalise la m\u00e9decine au service d\u2019un ordre politique et social qui fait fi de la libert\u00e9 individuelle. Ce que les personnages tentent d\u2019y introduire de r\u00eave, d\u2019inventivit\u00e9 et de subversion vient contrer le fa\u00e7onnement des corps et des d\u00e9sirs, des identit\u00e9s et des liens par un d\u00e9voiement de la m\u00e9decine.<\/p>\n

17 d\u00e9cembre 2022 : \u00a0De Humani Corporis Fabrica<\/em> de Lucien Castaing Taylor et Verena Paravel (en avant-premi\u00e8re)\u00a0<\/strong>
Ce film, r\u00e9alis\u00e9 principalement dans les h\u00f4pitaux Bichat et Beaujon, par deux anthropologues, d\u00e9j\u00e0 auteurs du film majeur, Leviathan (2014), entreprend une exploration du corps humain, comme objet de soins mais aussi comme toujours connect\u00e9 \u00e0 d’autres \u00abcorps\u00bb, humains et non humains. Il construit une perception de corps ench\u00e2ss\u00e9s, reli\u00e9s entre eux par des c\u00e2bles et par des mots, des couloirs et des machines, par des savoirs multiples, des affects et des proc\u00e9dures. Immerg\u00e9s de longs mois \u00e0 l\u2019h\u00f4pital, les r\u00e9alisateurs ont con\u00e7u une cam\u00e9ra leur permettant de s’approcher au plus pr\u00e8s d\u2019interventions chirurgicales en cours. Ils ont effectu\u00e9 un travail de montage entre leurs images et celles enregistr\u00e9es par les instruments m\u00e9dicaux qui se r\u00e9v\u00e8le un travail po\u00e9tique, une composition pour percevoir, sentir, penser autrement. Le film accompagne notre cheminement int\u00e9rieur qui consiste \u00e0 se demander pourquoi nous avons tant de mal \u00e0 regarder l\u2019int\u00e9riorit\u00e9 du corps, ce qui nous compose et qui nous fait vivre. Le film offre un extraordinaire travail visuel, des images \u00e9trangement fascinantes, mais aussi sonore o\u00f9 se font aussi entendre les jeux de relations entre des \u00eatres en situations violemment in\u00e9galitaires \u2013patients et soignants.<\/p>\n

Discussions anim\u00e9es par Fran\u00e7ois Cr\u00e9mieux, directeur g\u00e9n\u00e9ral de l\u2019Assistance-Publique H\u00f4pitaux de Marseille, Jean-Michel Frodon, critique de cin\u00e9ma et professeur associ\u00e9 \u00e0 Sciences-Po, et C\u00e9line Lef\u00e8ve, ma\u00eetresse de conf\u00e9rences en philosophie, directrice de l’Institut \u00ab La Personne en m\u00e9decine \u00bb (Universit\u00e9 Paris Cit\u00e9). Tarif : 7 euros au cin\u00e9ma Nouvel Od\u00e9on, 6 rue de l’\u00c9cole de M\u00e9decine
75006 Paris. En partenariat avec la revue Esprit et la Chaire Philosophie \u00e0 l’h\u00f4pital de l’H\u00f4tel-Dieu (AP-HP\/ENS)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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Cin\u00e9-club Barberousse. M\u00e9decine et soin au cin\u00e9ma fait son retour pour une nouvelle saison 2022-2023. Nous vous pr\u00e9sentons les quatre s\u00e9ances du premier semestre \u00e0 visionner chaque mois le samedi matin au cin\u00e9ma Nouvel Od\u00e9on, Paris 6\u00e8me. Affiche pour le cin\u00e9ma Barberousse avec les films pr\u00e9sent\u00e9s pour la saison 2022-2023. <\/p>\n

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\u00a9 Paul Raymond… Lire la suite Le cin\u00e9 club Cin\u00e9-club Barberousse. M\u00e9decine et soin au cin\u00e9ma fait sa rentr\u00e9e<\/span><\/a><\/p>\n","protected":false},"author":395,"featured_media":16038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[21,1],"tags":[],"class_list":["post-15713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","category-la-personne-en-medecine"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/posts\/15713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/users\/395"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/comments?post=15713"}],"version-history":[{"count":4,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/posts\/15713\/revisions"}],"predecessor-version":[{"id":16050,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/posts\/15713\/revisions\/16050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/media\/16038"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/media?parent=15713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/categories?post=15713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/la-personne-en-medecine\/wp-json\/wp\/v2\/tags?post=15713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}