{"id":7743,"date":"2019-11-08T14:58:15","date_gmt":"2019-11-08T13:58:15","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/liste-des-directeurs-de-master\/"},"modified":"2024-10-19T15:56:13","modified_gmt":"2024-10-19T13:56:13","slug":"liste-des-directeurs-de-master","status":"publish","type":"page","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/liste-des-directeurs-de-master\/","title":{"rendered":"Liste des directeurs de Master"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.21&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_post_title admin_label=\u00a0\u00bbTitre de la page\u00a0\u00bb _builder_version=\u00a0\u00bb3.19.11&Prime; meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_toggle admin_label=\u00a0\u00bbArts et culture visuelle dans les pays anglophones\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; title=\u00a0\u00bbArts et culture visuelle dans les pays anglophones\u00a0\u00bb text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; title_text_shadow_horizontal_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_vertical_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_blur_strength=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; body_text_shadow_horizontal_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_vertical_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_blur_strength=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime; body_font_size=\u00a0\u00bb16&Prime;]<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/bernard-catherine-fr\/\"><strong>Catherine Bernard <\/strong><\/a>(Art moderne et contemporain GB\/US, culture visuelle contemporaine, \u00e9conomie de l\u2019art: mus\u00e9ographie, march\u00e9 de l\u2019art, industrie de la culture)<\/p>\n<div><span style=\"font-size: small\"><u>Exemples de sujets encadr\u00e9s<\/u>:\u00a0<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211; Un corps au singulier: incarnation et r\u00e9incarnation dans <i>A Single Man<\/i>\u00a0(1964) de Christopher Isherwood<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211; The Poetics and Politics of Liminality and Hybridity in Angela Carter\u2019s<i>\u00a0<\/i><i>Nights at the Circus<\/i><i>\u00a0<\/i>(1984)<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211;\u00a0\u201cWhat she loved was this, here, now, in front of her\u201d: a Study of Vitality and Vision in <i>Mrs Dalloway\u00a0<\/i><\/span><\/div>\n<div><span style=\"font-size: small\"><i>&#8211; <\/i>Problematizing Healing in Post-WWI Fiction (D.H. Lawrence, Rebecca West, Virginia Woolf)\u00a0<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211; Rethinking Gender and Genre in R.R. Martin\u2019s <i>A Song of Ice and Fire<\/i>\u00a0(1991-1996)<\/span><\/div>\n<p>&nbsp;<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/beugnet-martine-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Martine Beugnet <\/a><\/strong>(\u00e9tudes visuelles, esth\u00e9tique des images en mouvement, cin\u00e9ma contemporain, art vid\u00e9o)<\/p>\n<div>\n<p style=\"font-weight: 400\">Examples of past and possible topics for Master\u2019s dissertation:<br \/>\u201cLe Regard Bienveillant: Le Cin\u00e9ma de Kelly Reichardt \/ Benevolent Vision: The Cinema of Kelly Reichardt\u201d<br \/>\u201cUncanny encounters: The Double in Foundfootage Video Art\u201d<br \/>\u201cBig Screens, Small Screens: Space, Scale and Sensation in Installation Art\u201d<br \/>\u201cExperimental Film in the Age of the Computer: on the Materiality of the Digital\u201d<br \/>\u201cFraming The Visible: Formats and Ratio in Analog and Digital Cinema\u201d<br \/>\u201cThe Common Man in British Cinema : A Study of the Ealing Comedies\u201d<br \/>\u201cPoetics of Blurredness: The cinema of Leighton Pierce\u201d<\/p>\n<p style=\"font-weight: 400\">Please note: You should check what has been written about your chosen topic and adapt your approach or your corpus accordingly. You can certainly propose to work on a &lsquo;motif&rsquo; (e.g.: rain, windows, grids, speed or the colour red&#8230;in cinema, video games or video art), but\u00a0<strong><u>avoid<\/u><\/strong>\u00a0descriptive or clich\u00e9d project proposals on the lines of \u00ab\u00a0the representation of XXX in XXX films\u00a0\u00bb, or \u00ab\u00a0The Female Gaze in XXX&rsquo;s Films\u00a0\u00bb<\/p>\n<\/div>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/cambray-carole\/\" target=\"_blank\" rel=\"noopener noreferrer\">Carole Cambray<\/a><\/strong> (litt\u00e9rature et art britannique au 19e si\u00e8cle, rapports texte-image)<\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/edwards-paul-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Paul Edwards<\/strong> <\/a>\u00a0(Litt\u00e9rature et Photographie)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/elefteriou-perrin-veronique-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">V\u00e9ronique Eleft\u00e9riou-Perrin <\/a><\/strong>(Histoire du cin\u00e9ma am\u00e9ricain)<\/p>\n<ul>\n<li>Histoire du cin\u00e9ma am\u00e9ricain, p\u00e9riodiques de cin\u00e9ma.<\/li>\n<li>Questions d\u2019usages de l\u2019image, de propagande et de censure dans le contexte des guerres mondiales (interventionnisme, isolationnisme, pacifisme, fascismes, politiques antis\u00e9mites).<\/li>\n<li>Repr\u00e9sentation des communaut\u00e9s juives et de la jud\u00e9it\u00e9 dans la culture visuelle am\u00e9ricaine.<\/li>\n<\/ul>\n<p>Exemples de th\u00e9matiques:\u00a0<\/p>\n<ul>\n<li>Propagande institutionnelle et usages de l&rsquo;image dans le contexte de la Premi\u00e8re Guerre mondiale<\/li>\n<li>Pacifisme et image 1915-1941<\/li>\n<li>Activisme de la \u00ab\u00a0colonie britannique\u00a0\u00bb en faveur de l&rsquo;entr\u00e9e en guerre des Etats-Unis (1939-41)<\/li>\n<li>Activisme du personnel hollywoodien au sein de l&rsquo;Anti-Nazi League (\u00e0 partir de 1936)<\/li>\n<li>Usages de l&rsquo;image <i>par<\/i>\u00a0et\u00a0<i>contre<\/i>\u00a0le German American Bund (1936-41)<\/li>\n<li>Du Dies Committee aux auditions de l&rsquo;HUAC \u00e0 Hollywood (1938-1946) : croisades anti-communistes\u00a0<i>on\u00a0<\/i>et\u00a0<i>off-screen<\/i><\/li>\n<li>La construction d&rsquo;un lectorat amateur de cin\u00e9ma d\u00e8s les ann\u00e9es 1910 (<i>fan magazines<\/i>)<\/li>\n<li>Image et son : gen\u00e8se, \u00e9volution technologique, impact\u00a0<\/li>\n<li>L&rsquo;\u00e2ge d&rsquo;or des p\u00e9riodiques cin\u00e9matographiques 1920s-30s (<i>Experimental Cinema, Close-Up<\/i>)<\/li>\n<li>Image et couleur : gen\u00e8se, \u00e9volution technologique, impact<\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/foliard-daniel\/\">Daniel Foliard<\/a> <\/strong>(Histoire de la photographie)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/follea-clemence\/\">Cl\u00e9mence Foll\u00e9a<\/a><\/strong> (jeux vid\u00e9o, adaptation et persistances culturelles, litt\u00e9rature et culture victoriennes)<\/p>\n<p style=\"font-weight: 400\">This is a list of possible topics for Master\u2019s dissertations. Students are free to choose a topic from this list or to take inspiration from it in order to devise their own. In any case, the attribution of a topic will rely on a mandatory reading\/viewing\/playing list which the student will have to go through before I confirm my supervision.<\/p>\n<ul>\n<li>Fantasies of knowledge in detective and\/or puzzle videogames (<em>The Witness, Obra Dinn, Her Story, The Golden Idol, Outer Wilds<\/em>, etc.)<\/li>\n<li>Playing (with) the frontier myth in <em>Oregon Trail, Red Dead Redemption (2)<\/em>, and <em>When Rivers Were Trails<\/em><\/li>\n<li>Thinking beyond colonial heroism in videogames (<em>Mutazione, Sable, 80 Days<\/em>, and many others)<\/li>\n<li>Videogames made by and about indigenous people: challenging the mechanics of imperial cartography, decolonising exploration, playing with responsibility and for balance, etc.<\/li>\n<li>Animal avatars and non-human agency in videogames<\/li>\n<li>Ecologies of agency in virtual storyworlds: Gardening in Games (<em>Mutazione, Animal Crossing, The Garden Path<\/em>, etc.)<\/li>\n<li>Mechanics of choice in interactive narratives: epistemological and ethical implications<\/li>\n<li>Playing with time in interactive narratives: loops, death, and other disruptions (<em>Outer Wilds<\/em>, <em>Minit<\/em>, <em>Deathloop<\/em>, <em>12 Minutes<\/em>, <em>Braid<\/em>, etc.)<\/li>\n<li>Aesthetics and politics of in-game photography<\/li>\n<li>Dynamics of playing and viewing in playthroughs, streaming, machinimas, and art videos made from games (Harun Farocki, Total Refusal, Jodi, Cori Archangel, Mimosa Echard, etc.)<\/li>\n<li>Challenging player control and agency: idle games (e.g. <em>Mountain<\/em>), slow games (e.g. <em>The Longing<\/em>), difficult games (e.g. <em>Celeste<\/em>), eye-controlled games (<em>Before your Eyes<\/em>), etc.<\/li>\n<li>Aesthetics and politics of so-called \u201cQueer Games\u201d<\/li>\n<\/ul>\n<p style=\"font-weight: 400\">Here is a list of topics or ideas that DO NOT work because they involve overly simplistic or descriptive approaches: any topic suggesting that videogames have active users and that films, novels, etc. have passive users; any topic simply comparing a film or videogame adaptation to its source (without in-depth analyses of the specificity of each medium, each socio-cultural\/historical\/economical context, etch genre, etc.); any topic simply tracking the \u201crepresentation of\u201d a character, a figure, a trope etc. in different texts\/films\/games without problematising (without in-depth analyses of the specificity of each medium, each socio-cultural\/historical\/economical context, etch genre, etc.)<\/p>\n<p>&nbsp;<\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/elefteriou-perrin-veronique-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Ariane Hudelet<\/strong><\/a> (\u00e9tudes visuelles, histoire et esth\u00e9tique des s\u00e9ries t\u00e9l\u00e9vis\u00e9es, cin\u00e9ma am\u00e9ricain, rapports cin\u00e9ma et litt\u00e9rature, interm\u00e9dialit\u00e9)<\/p>\n<div><span style=\"font-family: Helvetica\">Domaines de pr\u00e9dilection:\u00a0<\/span><\/div>\n<div><span style=\"font-family: Helvetica\">&#8211; histoire, esth\u00e9tique et politique des s\u00e9ries t\u00e9l\u00e9vis\u00e9es am\u00e9ricaines\u00a0<\/span><\/div>\n<div><span style=\"font-family: Helvetica\">&#8211; cin\u00e9ma, images en mouvement et interm\u00e9dialit\u00e9\u00a0<\/span><\/div>\n<div><span style=\"font-family: Helvetica\">&#8211; essais vid\u00e9o et analyse audiovisuelle: enjeux \u00e9pist\u00e9mologiques et artistiques\u00a0<\/span><\/div>\n<div>\u00a0<\/div>\n<div><span style=\"font-family: Helvetica\">Exemples de sujets encadr\u00e9s:\u00a0<\/span><\/div>\n<div><span style=\"font-family: Helvetica\">&#8211; Putting the \u2019situation\u2019 back in \u2019sitcom\u2019: aesthetics and space in NBC\u2019s <i>The Good Place<\/i><\/span><\/div>\n<div>\n<p><span style=\"font-family: Helvetica\">&#8211; Madwomen in comedy: reclaiming \u2018crazy\u2019 (<i>Fleabag <\/i>(2016-2019)<i>, This Way Up <\/i>(2019-)<i> <\/i>and<i> Crazy <\/i><\/span><i><span style=\"font-family: Helvetica\">Ex-Girlfriend <\/span><\/i><span style=\"font-family: Helvetica\">(2015-2019)<\/span><\/p>\n<p><span style=\"font-family: Helvetica\">&#8211; Southern Gothic and the polarizing representation of the US South in HBO shows<\/span><\/p>\n<p><span style=\"font-family: Helvetica\">&#8211; \u00ab\u00a0I don\u2019t want to play cowboys and Indians anymore!\u00a0\u00bb Narrative complexity and the issue of quality television in Westworld<\/span><\/p>\n<p><span style=\"font-family: Helvetica\"><span lang=\"EN-US\">&#8211;\u00a0<\/span><span lang=\"EN-US\">New York, New York\u00a0<\/span><span lang=\"EN-US\">and\u00a0<i>Pennies From Heaven :\u00a0<\/i><\/span>Deconstructing and debunking the myth of the Hollywood musical<\/span><\/p>\n<p><span style=\"font-family: Helvetica\">&#8211; Gothic postmodernism in 2010s British TV crime drama\u00a0<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/de-larminat-eliane\/\">Eliane de Larminat<\/a><\/strong> (Photographie ; environnements urbains et leurs repr\u00e9sentations aux \u00c9tats-Unis)<\/p>\n<p><span style=\"text-decoration: underline\">Exemples de sujets encadr\u00e9s:<\/span><\/p>\n<p>\u2022 Intermediality, mediated memory and the aesthetics of mess in the contemporary photobook<br \/>\u2022 Picturing Cold War Anticommunism in _US News &amp; World Report_: The Communist Threat in Photographs and Editorial Cartoons 1945-1954<br \/>\u2022 There\u2019s No (Place Like) Home: The Development of Modern American Gothic in Contemporary Landscape Photography (Gregory Crewdson, Todd Hido, Carl Corey)<br \/>\u2022 Screening America\u2019s \u2018No Man\u2019s Land\u2019: The Politics of Cinematic Space in Ellis Island Narrative Films<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/marcangeli-catherine\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Marcangeli<\/a><\/strong> (Art contemporain du 20e si\u00e8cle)<\/p>\n<div>\n<div><u>Domaines de pr\u00e9dilection :<\/u><\/div>\n<div>&#8211; Art moderne et contemporain GB\/US\/Australien\/Sud-Africain<\/div>\n<div>&#8211; Pop Art GB\/US<\/div>\n<div>&#8211; Performance Art, liens entre art, po\u00e9sie et musique dans les ann\u00e9es 1960<\/div>\n<div>&#8211; Questions de mus\u00e9ographie, curatorial studies, march\u00e9 de l&rsquo;art<\/div>\n<div>\u00a0<\/div>\n<div><u>Exemples de sujets encadr\u00e9s :\u00a0<\/u><\/div>\n<div>&#8211; William Blake in the 1960s: Romanticism into Pop<\/div>\n<div>&#8211; Medieval aesthetics and Victorian morals: Preraphaelite illustrations of Keats<\/div>\n<div>&#8211; The American Supermarket: Warhol&rsquo;s Brillo Boxes between Pop and Conceptual Art<\/div>\n<div>&#8211; Light and Space: James Turrell and the Sublime<\/div>\n<div>&#8211; The Harlem Renaissance: Modernism and tradition<\/div>\n<div>\n<div>&#8211; Georgia O&rsquo;Keefe and Second Wave Feminism: Creating a Women&rsquo;s Art History<\/div>\n<div>&#8211; The Detail and the Whole: the Late Paintings of Nancy Graves<\/div>\n<div>&#8211; Joan Mitchell: abstraction and the city<\/div>\n<div>&#8211; Ani Albers and Judy Chicago: medium and transmission<\/div>\n<div>&#8211; They were never wrong, the Old Masters: quotation in Cindy Sherman&rsquo;s History Portraits<\/div>\n<div>&#8211; Samia Halaby&rsquo;s\u00a0<i>Dome of the Rock<span class=\"gmail-Apple-converted-space\">\u00a0<\/span><\/i>series (1981-82)<i>:<\/i><span class=\"gmail-Apple-converted-space\">\u00a0Representing the Palestinian land through\u00a0<\/span>Islamic geometric art and abstraction.<\/div>\n<div>&#8211; Making the Invisible Visible: Joan E. Biren&rsquo;s<span class=\"gmail-Apple-converted-space\">\u00a0<\/span><i>Eye to Eye<span class=\"gmail-Apple-converted-space\">\u00a0<\/span><\/i>photobook as Community Building<\/div>\n<\/div>\n<div>&#8211; African diaspora in 1960s London through the lens of James Barnor<\/div>\n<div>&#8211; Sonia Boyce and 19th Century Visual Culture: Challenging representations<\/div>\n<div>&#8211; Lubaina Himid: colonial and post-colonial narratives\u00a0<\/div>\n<div>&#8211; Performing Horror: William Kentridge<\/div>\n<div>&#8211; The Reenchantement en Aboriginal Art: Magic on the Art Market<\/div>\n<div>\u00a0<\/div>\n<\/div>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/ogee-frederic-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fr\u00e9d\u00e9ric Og\u00e9e<\/a> <\/strong>(Pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au 18e si\u00e8cle)<\/p>\n<p>Peinture, jardins, repr\u00e9sentation(s), histoire des id\u00e9es et histoire des sciences, philosophie, pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au long 18e si\u00e8cle, 1660-1850<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/thornton-sara\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sara Thornton<\/a><\/strong> (Peinture, gravure et photographie victorienne)<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle admin_label=\u00a0\u00bbHistoire et Civilisation des pays anglophones\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; title=\u00a0\u00bbHistoire et Civilisation des pays anglophones\u00a0\u00bb text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; title_text_shadow_horizontal_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_vertical_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_blur_strength=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; body_text_shadow_horizontal_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_vertical_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_blur_strength=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/bartel-emma\/\"><strong>Emma Bartel<\/strong><\/a> (Histoire britannique XVI<sup>e<\/sup>-XVIII<sup>e<\/sup> si\u00e8cles, histoire des femmes, histoire intellectuelle, religion, sciences et savoirs, histoire sociale et culturelle)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/bellego-marine-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Marine Bell\u00e9go<\/a><\/strong> (Histoire britannique, 18e-19e si\u00e8cles, empire, colonisation, sciences et techniques, culture mat\u00e9rielle, environnement)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/berthezene-clarisse-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Clarisse Berthez\u00e8ne <\/a><\/strong>(Histoire sociale et intellectuelle du politique au 20e si\u00e8cle, conservatismes anglo-am\u00e9ricains, Etat\/secteur associatif, genre et politique, f\u00e9minisme et conservatisme)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/bouvard-hugo\/\">Hugo Bouvard<\/a><\/strong> (\u00c9tats-Unis, 20e et 21e si\u00e8cles : mouvements sociaux, \u00e9lus et partis, minorit\u00e9s, genre et sexualit\u00e9 ; m\u00e9thodes des sciences sociales : histoire orale, entretiens sociologiques, observation ethnographique ; approches comparatives)<\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/carter-laura-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Laura Carter<\/strong><\/a> (Histoire britannique, 19e-20e si\u00e8cle, histoire sociale, le genre et la race, l\u2019\u00e9ducation aux Royaume-Uni, l\u2019histoire populaire et publique, l\u2019histoire du mus\u00e9es et l\u2019industrie de l\u2019h\u00e9ritage)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/cros-laurence-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Laurence Cros <\/a><\/strong>\u00a0(Histoire et civilisation canadienne : identit\u00e9 nationale, historiographie, politique \u00e9trang\u00e8re\u00a0 \/ Repr\u00e9sentation de l\u2019histoire dans la fiction historique)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/deschamps-benedicte-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">B\u00e9n\u00e9dicte Deschamps<\/a><\/strong> (Histoire de l\u2019immigrations aux Etats-Unis, histoire des italo-am\u00e9ricains, relations internationales Italie\/Etats-Unis)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/elefteriou-perrin-veronique-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">V\u00e9ronique Eleft\u00e9riou-Perrin<\/a><\/strong> (Repr\u00e9sentations de l\u2019histoire \u00e0 l\u2019\u00e9cran)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/figueiredo-yves-fr\/\">Yves Figueiredo<\/a><\/strong> (histoire environnementale, histoire urbaine, Ouest am\u00e9ricain, Am\u00e9rindiens, 19e et 20e si\u00e8cles)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/foliard-daniel\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Daniel Foliard<\/strong><\/a> (Histoire britannique 19e-20e, histoire de la photographie (19e-d\u00e9but 20e), histoire des colonialismes et des r\u00e9sistances aux colonialismes (19e-20e), histoire des savoirs en situation coloniale, orientalisme)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/hansson-john-erik-fr\/\">John-Erik Hansson<\/a><\/strong> (Histoire britannique, 17\u00e8-19\u00e8 si\u00e8cles: histoire intellectuelle, histoire culturelle, histoire et litt\u00e9rature, histoire du radicalisme politique, histoire des id\u00e9ologies)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/levillain-charles-edouard-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Charles-Edouard Levillain<\/a><\/strong> (Histoire britannique 16e-17e: histoire politique, histoire des id\u00e9es, histoire internationale)<\/p>\n<p><strong><a class=\"mailto\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/mak-ariane-fr\/\">Ariane Mak <\/a><\/strong>(Histoire britannique, 20e si\u00e8cle, histoire du travail, politique et vie quotidienne)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/potofsky-allan-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Allan Potofsky<\/a><\/strong> (Am\u00e9rique du Nord: histoire urbaine, politique, intellectuelle 18e-19e; La France en Am\u00e9rique: l\u2019\u00e2ge des Lumi\u00e8res, la colonisation fran\u00e7aise en Am\u00e9rique, les voyageurs, les Am\u00e9rindiens et l\u2019Am\u00e9rique fran\u00e7aise; les R\u00e9volutions \u00ab atlantiques \u00bb 1750-1850)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/prevost-stephanie-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">St\u00e9phanie Pr\u00e9vost<\/a><\/strong> (histoire politique britannique, histoire diplomatique, relations internationales, empire, 19e-20e)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/roy-michael-2\/\"><strong>Micha\u00ebl Roy<\/strong><\/a><\/p>\n<p>Histoire des \u00c9tats-Unis, 18e-19<sup>e<\/sup> si\u00e8cle\u00a0; esclavage et race\u00a0; mouvements de r\u00e9forme et luttes sociales\u00a0: abolitionnisme, droits des femmes, temp\u00e9rance, mouvement ouvrier, communaut\u00e9s utopiques, socialisme\u00a0; histoire de l\u2019enfance, l\u2019\u00e2ge comme cat\u00e9gorie d\u2019analyse historique\u00a0; histoire transnationale\u00a0; histoire du livre, usages militants de l\u2019imprim\u00e9<\/p>\n<p><span style=\"text-decoration: underline\">Pistes de sujets pour l\u2019ann\u00e9e 2024-2025\u00a0:<\/span><\/p>\n<ul>\n<li>&#8211; Enfance et \u00e9ducation dans les communaut\u00e9s utopiques \u00e9tatsuniennes (ann\u00e9es 1820-ann\u00e9es 1840)<\/li>\n<li>&#8211; Incarnations et r\u00e9incarnations textuelles de <i>Confessions of Nat Turner<\/i> (1831-1859)<\/li>\n<li>&#8211; Radicaliser la temp\u00e9rance\u00a0: l\u2019antialcoolisme africain-am\u00e9ricain au 19e si\u00e8cle<\/li>\n<li>&#8211; \u00c9tudes biographiques de militantes f\u00e9ministes et\/ou abolitionnistes m\u00e9connues\u00a0: Elizabeth Margaret Chandler, Maritcha Lyons, Jenny d\u2019H\u00e9ricourt\u2026<\/li>\n<li>&#8211; Les Africains-Am\u00e9ricains et l\u2019\u00e9tude de la m\u00e9decine au 19e si\u00e8cle\u00a0: une histoire transnationale<\/li>\n<li>&#8211; Rire, pleurer, plaisanter en contexte militant\u00a0: \u00e9motions et affects dans le Colored Conventions Movement (1830-1899)<\/li>\n<li>&#8211; La critique du capitalisme dans la pens\u00e9e africaine-am\u00e9ricaine au 19e si\u00e8cle<\/li>\n<li>&#8211; M\u00e9moires de Phillis Wheatley dans la culture africaine-am\u00e9ricaine (18e-21e si\u00e8cle)<\/li>\n<li>&#8211; Le f\u00e9minisme noir en traduction fran\u00e7aise\u00a0: cartographie d\u2019un ph\u00e9nom\u00e8ne \u00e9ditorial r\u00e9cent<\/li>\n<\/ul>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/schor-paul-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Schor<\/a>\u00a0<\/strong>(Histoire sociale des Etats Unis. Africains-Am\u00e9ricains, immigration, minorit\u00e9s, musique populaire am\u00e9ricaine, consommation)<\/p>\n<p><strong><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/vergniolle-de-chantal-francois-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fran\u00e7ois Vergniolle de Chantal<\/a><\/strong> (Vie politique am\u00e9ricaine, institutions, \u00e9lections, science politique)<\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/vinel-jean-christian-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jean-Christian Vine<\/strong>l<\/a>\u00a0(Histoire du travail aux Etats Unis)<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle admin_label=\u00a0\u00bbLitt\u00e9rature\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; title=\u00a0\u00bbLitt\u00e9rature\u00a0\u00bb text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; title_text_shadow_horizontal_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_vertical_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_blur_strength=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; body_text_shadow_horizontal_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_vertical_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_blur_strength=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/bakshi-sandeep-en\/\"><strong>Sandeep Bakshi<\/strong><\/a> (Litt\u00e9ratures et th\u00e9ories postcoloniales\/queer; \u00e9tudes d\u00e9coloniales)<\/p>\n<p>Postcolonial literatures and cultures (especially South Asia and Africa), diasporic literatures and cultures (Caribbean, African, Asian), decolonisation of knowledge\/curriculum\/literary studies, decolonial theory, decolonisation movements, queer studies and movements (especially queer of colour critique), queer literatures, racial\/social justice and emancipation<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/bernard-catherine-en\/\"><strong>Catherine Bernard<\/strong><\/a> (Litt\u00e9rature britannique des 20e et 21e si\u00e8cles, fiction\/th\u00e9\u00e2tre, modernisme)<\/p>\n<div><u>Exemples de sujets encadr\u00e9s<\/u>:\u00a0<\/div>\n<div><span style=\"font-size: small\">&#8211; Un corps au singulier: incarnation et r\u00e9incarnation dans <i>A Single Man<\/i>\u00a0(1964) de Christopher Isherwood<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211; The Poetics and Politics of Liminality and Hybridity in Angela Carter\u2019s<i>\u00a0<\/i><i>Nights at the Circus<\/i><i>\u00a0<\/i>(1984)<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211;\u00a0\u201cWhat she loved was this, here, now, in front of her\u201d: a Study of Vitality and Vision in <i>Mrs Dalloway\u00a0<\/i><\/span><\/div>\n<div><span style=\"font-size: small\"><i>&#8211; <\/i>Problematizing Healing in Post-WWI Fiction (D.H. Lawrence, Rebecca West, Virginia Woolf)\u00a0<\/span><\/div>\n<div><span style=\"font-size: small\">&#8211; Rethinking Gender and Genre in R.R. Martin\u2019s <i>A Song of Ice and Fire<\/i>\u00a0(1991-1996)<\/span><\/div>\n<div>\u00a0<\/div>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/cambray-carole\/\" target=\"_blank\" rel=\"noopener noreferrer\">Carole Cambray<\/a> <\/strong>(Roman anglais du 19e si\u00e8cle)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/caze-antoine-fr\/\">Antoine Caz\u00e9<\/a> <\/strong>(Litt\u00e9rature am\u00e9ricaine 19-20e si\u00e8cles, po\u00e9sie, traduction litt\u00e9raire)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/clavier-aurore-en\/\">Aurore Clavier<\/a><\/strong><\/p>\n<p>&#8211; American literature, 20th-21st centuries<\/p>\n<p>&#8211; Indigenous literatures in North America<\/p>\n<p>&#8211; Literary modernism<\/p>\n<p>&#8211; Literary circulations and materialities (archives, publications, translations)<\/p>\n<p>&#8211; Literature and political constructions (territories, histories, environment)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/coussement-boillot-laetitia-fr\/\"><strong>La\u00ebtitia Coussement-Boillot<\/strong><\/a> (Femmes auteurs aux 16e et 17e si\u00e8cles en Grande-Bretagne)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/duplay-mathieu-fr\/#pll_switcher\"><strong>Mathieu Duplay<\/strong><\/a> (Litt\u00e9rature am\u00e9ricaine, litt\u00e9rature et philosophie)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/follea-clemence\/\">Cl\u00e9mence Foll\u00e9a<\/a> <\/strong>(jeux vid\u00e9o, adaptation et persistances culturelles, litt\u00e9rature et culture victoriennes)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/fournier-jean-marie-fr\/#pll_switcher\"><strong>Jean-Marie Fournier<\/strong><\/a> (Romantisme, po\u00e9sie britannique 18e-20e, litt\u00e9rature indienne en langue anglaise, litt\u00e9ratures post-coloniales)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/jean-daniel\/\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Jean<\/a><\/strong> (th\u00e9\u00e2tre anglais et irlandais, po\u00e9sie moderniste)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/lang-abigail-fr\/\"><strong>Abigail Lang<\/strong><\/a> (Litt\u00e9rature am\u00e9ricaine XXe-XXIe)<\/p>\n<p>20th and 21st century North-American literature; Poetry and poetics (forms, genres, media, issues\u2026);<\/p>\n<p>Transatlantic exchanges and translation (in particular : translation studies, cultural transfers, comparative\/transnational literature);<\/p>\n<p>Literature in the age of sound recording technologies (in particular : orality\/aurality, performance, audio archives, audiobooks, sound studies)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/manco-clara-en\/#pll_switcher\"><strong>Clara Manco <\/strong><\/a>(Litt\u00e9rature et histoire des id\u00e9es britanniques 17-18e si\u00e8cle, genres comiques, traduction et adaptation)<\/p>\n<p>literature and history of ideas of the British 17th-18th centuries ; theatre history ; comic genres, irony, satire, comedy studies ; translations, adaptations and translation studies (French, Italian, German) ; representations of gender and gender expressions, family and divorce in the long eighteenth-century world ; representations of history on stage ; history of early modern emotions.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/marcangeli-catherine\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Marcangeli<\/a><\/strong> (Po\u00e9sie britannique du 20e si\u00e8cle)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/marsoin-edouard-en\/\">Edouard Marsoin<\/a><\/strong> (Litt\u00e9rature am\u00e9ricaine du 19e si\u00e8cle, litt\u00e9rature et affects, food studies)<\/p>\n<p>19th-century US literature, Herman Melville, Edgar Allan Poe, Nathaniel Hawthorne, Henry David Thoreau, Elizabeth Stoddard, Pauline Hopkins, affect studies, sense studies, food studies, sea novels, antebellum temperance novels, queer 19th-century US novels and short stories, 19th-century US travel narratives, antebellum US slave narratives, 20th- and 21st- century neo-slave narratives, contemporary rewritings and adaptations of 19th-century US works<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/ladan-niayesh-en\/?lang=fr\"><strong>Ladan Niayesh <\/strong><\/a>(Litt\u00e9rature et histoire des id\u00e9es britanniques XVI\u00e8me-XVII\u00e8me si\u00e8cles, Litt\u00e9rature de voyage et l\u2019orient, les d\u00e9buts de l\u2019empire britannique, Shakespeare et ses adaptations, Th\u00e9\u00e2tre anglais de la Renaissance)<\/p>\n<p>Exemples de sujets encadr\u00e9s r\u00e9cemment\u00a0:<\/p>\n<p>-Cross-dressing, cross-speaking: female strategies of empowerment in three romantic comedies by William Shakespeare<\/p>\n<p>-From sanctuary to prison: the evolutions of the castle motif in literary and film adaptations of the end of the Wars of the Roses<\/p>\n<p>-The politics of colours in <i>Romeo and Juliet<\/i> and <i>West Side Story<\/i><\/p>\n<p>-Treasure maps: cartography in the hands of the Virginia Company and the East India Company, 1600-1626<\/p>\n<p>-Morality and religious hypocrisy in <i>The Jew of Malta<\/i> and <i>The Merchant of Venice<\/i><\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/ogee-frederic-en\/\"><strong>Fr\u00e9d\u00e9ric Og\u00e9e<\/strong><\/a> (Pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au 18 si\u00e8cle)<\/p>\n<p>Roman, th\u00e9\u00e2tre, po\u00e9sie, repr\u00e9sentation(s) en Grande-Bretagne au long 18e si\u00e8cle, 1660-1850. Relations entre les arts, relations image\/texte<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/roudeau-cecile\/\"><strong>C\u00e9cile Roudeau<\/strong><\/a> \u00a0 \u00a0<\/p>\n<ul>\n<li>litt\u00e9rature \u00e9tatsunienne, long dix-neuvi\u00e8me si\u00e8cle<\/li>\n<li>\u00e9critures r\u00e9gionalistes, Nouvelle-Angleterre<\/li>\n<li>femmes \u00e9crivains, \u00e9tudes de genre<\/li>\n<li>litt\u00e9rature et histoire politique (construction de l\u2019\u00c9tat, litt\u00e9rature et d\u00e9mocratie)<\/li>\n<li>humanit\u00e9s environnementales (litt\u00e9rature et environnement, litt\u00e9rature et anthropoc\u00e8ne)<\/li>\n<li>\u00e9tudes des p\u00e9riodiques\u00a0<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/thomas-chloe-visiting-researcher-2022-2023-en\/\"><strong>Chlo\u00e9 Thomas <\/strong><\/a>(Litt\u00e9rature am\u00e9ricaine 20e-21e (po\u00e9sie, roman), modernisme, traduction et traductologie)<\/p>\n<p><strong><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/thornton-sara\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sara Thornton<\/a><\/strong> (Roman anglais du 19e si\u00e8cle)<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle admin_label=\u00a0\u00bbLinguistique\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; title=\u00a0\u00bbLinguistique\u00a0\u00bb text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; title_text_shadow_horizontal_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_vertical_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_blur_strength=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; body_text_shadow_horizontal_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_vertical_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_blur_strength=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/nicolas_ballier\"><strong>BALLIER<\/strong> Nicolas<\/a>: (Phonologie, linguistique de corpus, compl\u00e9tives nominales)<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/agnes_celle\"><strong>CELLE Agn\u00e8s<\/strong><\/a> (labex EFL) : English-French contrastive analysis, Semantics and Pragmatics, Tense Aspect Modality Evidentiality categories, interrogative sentences, information structure and discourse cohesion<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/emmanuel_ferragne\"><strong>FERRAGNE Emmanuel<\/strong><\/a> (labex EFL) : experimental sociophonetics, L2 phonological acquisition, forensic phonetics<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/stephane_gresset\"><strong>GRESSET St\u00e9phane<\/strong><\/a>: Linguistique \u00e9nonciative<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/jonathan_ginzburg\"><strong>GINZBURG Jonathan<\/strong><\/a> (labex EFL) : Semantics, Pragmatics, Dialogue, Language Acquisition \/ S\u00e9mantique, pragmatique, dialogue, acquisition des langues<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/anne_jugnet\"><strong>JUGNET Anne<\/strong><\/a> : syntaxe et s\u00e9mantique<\/p>\n<p><strong>LEOUE <\/strong>Jean: Sociolinguistique<\/p>\n<p><a href=\"https:\/\/manonlelandais.wixsite.com\/manonlelandais\"><strong>LELANDAIS Manon<\/strong><\/a> (labex EFL) : multimodalit\u00e9, grammaire, analyse de discours, prosodie, gestualit\u00e9 co-verbale<\/p>\n<p><strong><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/catherine_mazodier\">MAZODIER Catherine<\/a>: <\/strong>Linguistique \u00e9nonciative anglaise, th\u00e9orie des op\u00e9rations \u00e9nonciatives<\/p>\n<p><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/philip_miller\"><strong>MILLER Philip<\/strong><\/a> (labex EFL) : Syntaxe, S\u00e9mantique, Pragmatique discursive, Compl\u00e9mentation verbale, Ellipse et anaphore<\/p>\n<p><a href=\"https:\/\/hal.archives-ouvertes.fr\/search\/index\/?qa%5bauthIdHal_s%5d%5b%5d=sylvain-navarro\"><strong>NAVARRO Sylvain<\/strong><\/a> : phonologie et phon\u00e9tique, vari\u00e9t\u00e9s d\u2019anglais, changement phon\u00e9tico-phonologique en cours<\/p>\n<p><a href=\"https:\/\/cnrs-bellevue.academia.edu\/MaudP%C3%A9lissier\"><strong>PELISSIER Maud<\/strong><\/a> (labex EFL) : bilingual language processing, experimental approaches to L2 acquisition<\/p>\n<p><strong><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/anne_talbot-guyot\">TALBOT Anne<\/a>: <\/strong>Intonation, intonation anglais L2, mod\u00e9lisation de la prosodie, phon\u00e9tique acoustique<\/p>\n<p><strong><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/franck_zumstein\">ZUMSTEIN Franck<\/a>:<\/strong> Linguistique de corpus, nouvelles technologies<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle admin_label=\u00a0\u00bbTraduction litt\u00e9raire\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; title=\u00a0\u00bbTraduction litt\u00e9raire\u00a0\u00bb text_shadow_horizontal_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_vertical_length=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; text_shadow_blur_strength=\u00a0\u00bbtext_shadow_style,%91object Object%93&Prime; title_text_shadow_horizontal_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_vertical_length=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; title_text_shadow_blur_strength=\u00a0\u00bbtitle_text_shadow_style,%91object Object%93&Prime; body_text_shadow_horizontal_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_vertical_length=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; body_text_shadow_blur_strength=\u00a0\u00bbbody_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/bernard-catherine-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Bernard<\/a><\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/caze-antoine-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Antoine Caz\u00e9<\/a><\/p>\n<p><a class=\"ext extlink\" href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/lang-abigail-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Abigail Lang<\/a><\/p>\n<p><a href=\"chloe.thomas@wordpress-test.app.u-pariscite.fr\">Chlo\u00e9 Thomas<\/a><\/p>\n<p>[\/et_pb_toggle][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime; disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb]<\/p>\n<p><strong>Arts et culture visuelle dans les pays anglophones<\/strong><\/p>\n<p>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/catherine-bernard?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Bernard <\/a>(Art moderne et contemporain GB\/US, culture visuelle contemporaine, \u00e9conomie de l&rsquo;art: mus\u00e9ographie, march\u00e9 de l&rsquo;art, industrie de la culture)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/martine-beugnet?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Martine Beugnet <\/a>(\u00e9tudes visuelles, esth\u00e9tique des images en mouvement, cin\u00e9ma contemporain, art vid\u00e9o)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/cambray-carole\/\" target=\"_blank\" rel=\"noopener noreferrer\">Carole Cambray<\/a> (litt\u00e9rature et art britannique au 19e si\u00e8cle, rapports texte-image)<br \/>&#8211; <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/emmanuelle-delanoe-brun?lang=fr\">Emmanuelle Delano\u00eb-Brun<\/a> (cin\u00e9ma am\u00e9ricain, genre et cin\u00e9ma, litt\u00e9rature am\u00e9ricaine \u00e0 l&rsquo;\u00e9cran)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/paul-edwards?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Edwards <\/a>\u00a0(Litt\u00e9rature et Photographie)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/veronique-elefteriou-perrin?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">V\u00e9ronique Eleft\u00e9riou-Perrin <\/a>(Production filmique des Etats-Unis)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/foliard-daniel\/\">Daniel Foliard<\/a> (Histoire de la photographie)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/follea-clemence\/\">Cl\u00e9mence Foll\u00e9a<\/a> (jeux vid\u00e9o, adaptation et persistances culturelles, litt\u00e9rature et culture victoriennes)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ariane-hudelet?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Ariane Hudelet<\/a> (\u00e9tudes visuelles, histoire et esth\u00e9tique des s\u00e9ries t\u00e9l\u00e9vis\u00e9es, cin\u00e9ma am\u00e9ricain, rapports cin\u00e9ma et litt\u00e9rature, interm\u00e9dialit\u00e9)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/de-larminat-eliane\/\">Eliane de Larminat<\/a> (Photographie ; environnements urbains et leurs repr\u00e9sentations aux \u00c9tats-Unis)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/marcangeli-catherine\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Marcangeli<\/a> (Art contemporain du 20e si\u00e8cle)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/frederic-ogee?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Fr\u00e9d\u00e9ric Og\u00e9e<\/a>\u00a0(Pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au 18e si\u00e8cle)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/thornton-sara\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sara Thornton<\/a> (Peinture, gravure et photographie victorienne)<\/p>\n<p><strong>Histoire et Civilisation des pays anglophones<br \/><\/strong><\/p>\n<p>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/marine-bellego\/\" target=\"_blank\" rel=\"noopener noreferrer\">Marine Bell\u00e9go<\/a> (histoire britannique, 18e-19e si\u00e8cles, empire, colonisation, sciences et techniques, culture mat\u00e9rielle, environnement)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/clarisse-berthezene?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Clarisse Berthez\u00e8ne <\/a>(Histoire sociale et intellectuelle du politique au 20e si\u00e8cle, conservatismes anglo-am\u00e9ricains, Etat\/secteur associatif, genre et politique, f\u00e9minisme et conservatisme)<\/p>\n<p><a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/bouvard-hugo\/\">Hugo Bouvard<\/a> (\u00c9tats-Unis, 20e et 21e si\u00e8cles : mouvements sociaux, \u00e9lus et partis, minorit\u00e9s, genre et sexualit\u00e9 ; m\u00e9thodes des sciences sociales : histoire orale,\u00a0entretiens sociologiques, observation ethnographique ; approches comparatives)<\/p>\n<p>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membre\/carter-laura\/\" target=\"_blank\" rel=\"noopener noreferrer\">Laura Carter<\/a>\u00a0(Histoire britannique, 19e-20e si\u00e8cle, histoire sociale, le genre et la race, l\u2019\u00e9ducation aux Royaume-Uni, l\u2019histoire populaire et publique, l\u2019histoire du mus\u00e9es et l\u2019industrie de l\u2019h\u00e9ritage)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/laurence-cros?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Laurence Cros <\/a>\u00a0(Histoire et civilisation canadienne : identit\u00e9 nationale, historiographie, politique \u00e9trang\u00e8re\u00a0 \/ Repr\u00e9sentation de l&rsquo;histoire dans la fiction historique)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/benedicte-deschamps?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">B\u00e9n\u00e9dicte Deschamps<\/a>\u00a0(Histoire de l&rsquo;immigrations aux Etats-Unis, histoire des italo-am\u00e9ricains, relations internationales Italie\/Etats-Unis)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/veronique-elefteriou-perrin?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">V\u00e9ronique Eleft\u00e9riou-Perrin<\/a>\u00a0(Repr\u00e9sentations de l&rsquo;histoire \u00e0 l&rsquo;\u00e9cran)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ariane-fennetaux?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Ariane Fennetaux<\/a>\u00a0(Histoire sociale et culturelle 16e-18e si\u00e8cle, histoire des objets, histoire du corps)<\/p>\n<p>-Yves Figueiredo (histoire environnementale, histoire urbaine, Ouest am\u00e9ricain, Am\u00e9rindiens, 19e et 20e si\u00e8cles)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/foliard-daniel\/\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Foliard<\/a> (Histoire britannique 19e-20e,\u00a0histoire de la photographie (19e-d\u00e9but 20e), histoire des colonialismes et des r\u00e9sistances aux colonialismes (19e-20e), histoire des savoirs en situation coloniale, orientalisme)<br \/>&#8211;\u00a0<a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/hansson-john-erik-2\/\">John-Erik Hansson<\/a>\u00a0(Histoire britannique, 17\u00e8-19\u00e8 si\u00e8cles: histoire intellectuelle, histoire culturelle, histoire et litt\u00e9rature, histoire du radicalisme politique, histoire des id\u00e9ologies)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/lejeune-catherine\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Lejeune<\/a> (Migrations hispaniques contemporaines)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/charles-edouard-levillain?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Charles-Edouard Levillain<\/a>\u00a0(Histoire britannique 16e-17e: histoire politique, histoire des id\u00e9es, histoire internationale)<br \/>&#8211;\u00a0<a class=\"mailto\" href=\"mailto:ariane.mak@univ-paris-diderot.fr\">Ariane Mak <\/a>(Histoire britannique, 20e si\u00e8cle, histoire du travail, politique et vie quotidienne)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/allan-potofsky?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Allan Potofsky<\/a>\u00a0(Am\u00e9rique du Nord: histoire urbaine, politique, intellectuelle 18e-19e; La France en Am\u00e9rique: l&rsquo;\u00e2ge des Lumi\u00e8res, la colonisation fran\u00e7aise en Am\u00e9rique, les voyageurs, les Am\u00e9rindiens et l&rsquo;Am\u00e9rique fran\u00e7aise; les R\u00e9volutions \u00ab\u00a0atlantiques\u00a0\u00bb 1750-1850)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/stephanie-prevost?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">St\u00e9phanie Pr\u00e9vost<\/a>\u00a0(histoire politique britannique, histoire diplomatique, relations internationales, empire, 19e-20e)<br \/>&#8211; <a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/marie-jeanne-rossignol?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Marie-Jeanne Rossignol<\/a>\u00a0(Histoire de la jeune Am\u00e9rique 1607-1865, esclavage et abolition, r\u00e9cits d&rsquo;esclaves, histoire intellectuelle des Noirs am\u00e9ricains 1776-1950, film et histoire)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/paul-schor?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Schor<\/a>\u00a0(Histoire sociale des Etats Unis. Africains-Am\u00e9ricains, immigration, minorit\u00e9s, musique populaire am\u00e9ricaine, consommation)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/francois-vergniolle-de-chantal?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Fran\u00e7ois Vergniolle de Chantal<\/a>\u00a0(Vie politique am\u00e9ricaine, institutions, \u00e9lections, science politique)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membre\/vinel-jean-christian\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jean-Christian Vinel<\/a>\u00a0(Histoire du travail aux Etats Unis)<\/p>\n<p><strong>Litt\u00e9rature<\/strong><\/p>\n<p>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/sandeep-bakshi?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Sandeep Bakshi<\/a>\u00a0(Litt\u00e9ratures et th\u00e9ories postcoloniales\/queer)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/catherine-bernard?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Bernard<\/a>\u00a0(Litt\u00e9rature britannique des 20e et 21e si\u00e8cles, fiction\/th\u00e9\u00e2tre, modernisme)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/cambray-carole\/\" target=\"_blank\" rel=\"noopener noreferrer\">Carole Cambray<\/a> (Roman anglais du 19e si\u00e8cle)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/antoine-caze?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Antoine Caz\u00e9 <\/a>(Litt\u00e9rature am\u00e9ricaine 19-20e si\u00e8cles, po\u00e9sie, traduction litt\u00e9raire)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/laetitia-coussement-boillot?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">La\u00ebtitia Coussement-Boillot <\/a>(Femmes auteurs aux 16e et 17e si\u00e8cles en Grande-Bretagne)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/emmanuelle-delanoe-brun?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Emmanuelle Delanoe-brun<\/a>\u00a0(Litt\u00e9rature am\u00e9ricaine 20e si\u00e8cle et cin\u00e9ma, rapports culture savante\/populaire, traduction)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/mathieu-duplay?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Mathieu Duplay<\/a>\u00a0(Litt\u00e9rature am\u00e9ricaine, litt\u00e9rature et philosophie)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/follea-clemence\/\">Cl\u00e9mence Foll\u00e9a<\/a> (jeux vid\u00e9o, adaptation et persistances culturelles, litt\u00e9rature et culture victoriennes)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/jean-marie-fournier?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Jean-Marie Fournier<\/a>\u00a0(Romantisme, po\u00e9sie britannique 18e-20e, litt\u00e9rature indienne en langue anglaise, litt\u00e9ratures post-coloniales)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/jean-daniel\/\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Jean<\/a> (th\u00e9\u00e2tre anglais et irlandais, po\u00e9sie moderniste)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/abigail-lang?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Abigail Lang<\/a>\u00a0(Litt\u00e9rature am\u00e9ricaine, po\u00e9sie 20-21e si\u00e8cles, interm\u00e9dialit\u00e9)<br \/>&#8211;<a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/?s=manco\">Clara Manco<\/a> (Litt\u00e9rature et histoire des id\u00e9es britanniques 17-18e si\u00e8cle, genres comiques, traduction et adaptation)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/marcangeli-catherine\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Marcangeli<\/a> (Po\u00e9sie britannique du 20e si\u00e8cle)<br \/>&#8211;<a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/en\/membre\/marsoin-edouard-2\/\">Edouard Marsoin<\/a> (Litt\u00e9rature am\u00e9ricaine du 19e si\u00e8cle, litt\u00e9rature et affects, food studies)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ladan-niayesh?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Ladan Niayesh <\/a>(Litt\u00e9rature et histoire des id\u00e9es britanniques 16e-17e si\u00e8cle, Shakespeare, l&rsquo;Orient, th\u00e9\u00e2tre)<br \/>&#8211;\u00a0<a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/frederic-ogee?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Fr\u00e9d\u00e9ric Og\u00e9e<\/a>\u00a0(Pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au 18 si\u00e8cle)<br \/>&#8211; <a href=\"https:\/\/larca.wordpress-test.app.u-pariscite.fr\/membre\/thornton-sara\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sara Thornton<\/a> (Roman anglais du 19e si\u00e8cle)<\/p>\n<p><strong>Linguistique<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/nicolas_ballier\"><strong>BALLIER<\/strong> Nicolas<\/a>: (Phonologie, linguistique de corpus, compl\u00e9tives nominales)<\/li>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/agnes_celle\"><strong>CELLE Agn\u00e8s<\/strong><\/a> (labex EFL) : English-French contrastive analysis, Semantics and Pragmatics, Tense Aspect Modality Evidentiality categories, interrogative sentences, information structure and discourse cohesion<\/li>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/emmanuel_ferragne\"><strong>FERRAGNE Emmanuel<\/strong><\/a> (labex EFL) : experimental sociophonetics, L2 phonological acquisition, forensic phonetics<\/li>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/stephane_gresset\"><strong>GRESSET St\u00e9phane<\/strong><\/a>: Linguistique \u00e9nonciative<\/li>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/jonathan_ginzburg\"><strong>GINZBURG Jonathan<\/strong><\/a> (labex EFL) : Semantics, Pragmatics, Dialogue, Language Acquisition \/ S\u00e9mantique, pragmatique, dialogue, acquisition des langues<\/li>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/anne_jugnet\"><strong>JUGNET Anne<\/strong><\/a> : syntaxe et s\u00e9mantique<\/li>\n<li><strong>LEOUE <\/strong>Jean: Sociolinguistique<\/li>\n<li><a href=\"https:\/\/manonlelandais.wixsite.com\/manonlelandais\"><strong>LELANDAIS Manon<\/strong><\/a> (labex EFL) : multimodalit\u00e9, grammaire, analyse de discours, prosodie, gestualit\u00e9 co-verbale<\/li>\n<li><strong><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/catherine_mazodier\">MAZODIER Catherine<\/a>: <\/strong>Linguistique \u00e9nonciative anglaise, th\u00e9orie des op\u00e9rations \u00e9nonciatives<\/li>\n<li><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/philip_miller\"><strong>MILLER Philip<\/strong><\/a> (labex EFL) : Syntaxe, S\u00e9mantique, Pragmatique discursive, Compl\u00e9mentation verbale, Ellipse et anaphore<\/li>\n<li><a href=\"https:\/\/hal.archives-ouvertes.fr\/search\/index\/?qa%5bauthIdHal_s%5d%5b%5d=sylvain-navarro\"><strong>NAVARRO Sylvain<\/strong><\/a> : phonologie et phon\u00e9tique, vari\u00e9t\u00e9s d\u2019anglais, changement phon\u00e9tico-phonologique en cours<\/li>\n<li><a href=\"https:\/\/cnrs-bellevue.academia.edu\/MaudP%C3%A9lissier\"><strong>PELISSIER Maud<\/strong><\/a> (labex EFL) : bilingual language processing, experimental approaches to L2 acquisition<\/li>\n<li><strong><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/anne_talbot-guyot\">TALBOT Anne<\/a>: <\/strong>Intonation, intonation anglais L2, mod\u00e9lisation de la prosodie, phon\u00e9tique acoustique<\/li>\n<li><strong><a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/franck_zumstein\">ZUMSTEIN Franck<\/a>:<\/strong> Linguistique de corpus, nouvelles technologies<\/li>\n<\/ul>\n<p><strong>Traduction litt\u00e9raire<\/strong><\/p>\n<ul>\n<li><a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/catherine-bernard?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Bernard<\/a><\/li>\n<li><a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/emmanuelle-delanoe-brun?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Emmanuelle Delano\u00eb-Brun<\/a><\/li>\n<li><a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/antoine-caze?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Antoine Caz\u00e9<\/a><\/li>\n<li><a class=\"ext extlink\" href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membre\/lang-abigail\/\" target=\"_blank\" rel=\"noopener noreferrer\">Abigail Lang<\/a><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\"><\/div>\n<p> Catherine Bernard (Art moderne et contemporain GB\/US, culture visuelle contemporaine, \u00e9conomie de l\u2019art: mus\u00e9ographie, march\u00e9 de l\u2019art, industrie de la culture) Exemples de sujets encadr\u00e9s:\u00a0 &#8211; Un corps au singulier: incarnation et r\u00e9incarnation dans A Single Man\u00a0(1964) de Christopher Isherwood &#8211; The Poetics and Politics of Liminality and Hybridity in Angela Carter\u2019s\u00a0Nights at the&hellip; <a class=\"continue\" href=\"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/liste-des-directeurs-de-master\/\">Lire la suite<span> Liste des directeurs de Master<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"[et_pb_section bb_built=\"1\" next_background_color=\"#000000\"][et_pb_row _builder_version=\"3.19.11\" module_id=\"image-page-type\"][et_pb_column type=\"3_4\"][et_pb_image admin_label=\"Image 1920 x 1080\" _builder_version=\"3.19.11\" src=\"http:\/\/localhost\/wp-content\/uploads\/2019\/05\/maple-leaves-background.jpg\" module_id=\"image-page\" \/][\/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Texte image\" _builder_version=\"3.16.1\" module_id=\"texte-image\" background_color=\"rgba(242,242,242,0)\" custom_margin=\"|-15px||\"]\r\n<div class=\"page\" title=\"Page 1\">\r\n<div class=\"layoutArea\">\r\n<div class=\"column\">\r\n<h4>titre texte image<\/h4>\r\ntexte image\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"l\u00c8gende\" _builder_version=\"3.16.1\" module_id=\"legende\"]\r\n<div class=\"page\" title=\"Page 1\">\r\n<div class=\"layoutArea\">\r\n<div class=\"column\">\r\n\r\n\u00a9 Tous droits r\u00e9serv\u00e9s\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text _builder_version=\"3.16.1\" module_id=\"contenu\"]\r\n\r\n<p>Arts et culture visuelle dans les pays anglophones<\/p>\r\n\r\n<p>- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/catherine-bernard?lang=fr\">Catherine Bernard<\/a> (Art moderne et contemporain GB\/US, culture visuelle contemporaine, \u00e9conomie de l'art: mus\u00e9ographie, march\u00e9 de l'art, industrie de la culture)<\/p>\r\n\r\n<p>-<a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/martine-beugnet?lang=fr\">Martine Beugnet<\/a> (\u00e9tudes visuelles, esth\u00e9tique des images en mouvement, cin\u00e9ma contemporain, art vid\u00e9o)<br>\r\n\t- Carole Cambray (litt\u00e9rature et art britannique au 19e si\u00e8cle, rapports texte-image)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/paul-edwards?lang=fr\">Paul Edwards<\/a> (Litt\u00e9rature et Photographie)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/veronique-elefteriou-perrin?lang=fr\">V\u00e9ronique Eleft\u00e9riou-Perrin<\/a> (Production filmique des Etats-Unis)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ariane-fennetaux?lang=fr\">Ariane Fennetaux<\/a> (histoire des objets, de la culture mat\u00e9rielle, des arts d\u00e9coratifs 16\u00e8me-19\u00e8me si\u00e8cle)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ariane-hudelet?lang=fr\">Ariane Hudelet<\/a> (Litt\u00e9rature et cin\u00e9ma, adaptation cin\u00e9matographique)<br>\r\n\t- Catherine Marcangeli (Art contemporain du 20e si\u00e8cle)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/frederic-ogee?lang=fr\">Fr\u00e9d\u00e9ric Og\u00e9e<\/a> (Pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au 18e si\u00e8cle)<br>\r\n\t- Sara Thornton (Peinture, gravure et photographie victorienne)<\/p>\r\n\r\n<p>Civilisation<\/p>\r\n\r\n<p>- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/clarisse-berthezene?lang=fr\">Clarisse Berthez\u00e8ne<\/a> (Histoire sociale et intellectuelle du politique au 20e si\u00e8cle, conservatismes anglo-am\u00e9ricains, Etat\/secteur associatif, genre et politique, f\u00e9minisme et conservatisme)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/myriam-boussahba-bravard?lang=fr\">Myriam Boussahba<\/a> (Histoire sociale et politique du 19e si\u00e8cle britannique (1815-1914), histoire des femmes, propagande, citoyennet\u00e9, suffrage)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/laurence-cros?lang=fr\">Laurence Cros<\/a> (Histoire et civilisation canadienne : identit\u00e9 nationale, historiographie, politique \u00e9trang\u00e8re\u00a0 \/ Repr\u00e9sentation de l'histoire dans la fiction historique)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/benedicte-deschamps?lang=fr\">B\u00e9n\u00e9dicte Deschamps<\/a> (Histoire de l'immigrations aux Etats-Unis, histoire des italo-am\u00e9ricains, relations internationales Italie\/Etats-Unis)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/veronique-elefteriou-perrin?lang=fr\">V\u00e9ronique Eleft\u00e9riou-Perrin<\/a> (Repr\u00e9sentations de l'histoire \u00e0 l'\u00e9cran)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ariane-fennetaux?lang=fr\">Ariane Fennetaux<\/a> (Histoire sociale et culturelle 16e-18e si\u00e8cle, histoire des objets, histoire du corps)<br>\r\n\t- Catherine Lejeune (Migrations hispaniques contemporaines)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/charles-edouard-levillain?lang=fr\">Charles-Edouard Levillain<\/a> (Histoire britannique 16e-17e: histoire politique, histoire des id\u00e9es, histoire internationale)<\/p>\r\n\r\n<p>- <a href=\"mailto:ariane.mak@univ-paris-diderot.fr\">Ariane Mak<\/a><a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membre\/ariane-mak-2\/\"> <\/a>(Histoire britannique, 20e si\u00e8cle, histoire du travail, politique et vie quotidienne)<br>\r\n\t- Mark Meigs (Histoire culturelle am\u00e9ricaine, histoire des mus\u00e9es, guerre et culture, m\u00e9moire)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/allan-potofsky?lang=fr\">Allan Potofsky<\/a> (Am\u00e9rique du Nord: histoire urbaine, politique, intellectuelle 18e-19e; La France en Am\u00e9rique: l'\u00e2ge des Lumi\u00e8res, la colonisation fran\u00e7aise en Am\u00e9rique, les voyageurs, les Am\u00e9rindiens et l'Am\u00e9rique fran\u00e7aise; les R\u00e9volutions \"atlantiques\" 1750-1850)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/stephanie-prevost?lang=fr\">St\u00e9phanie Pr\u00e9vost<\/a> (histoire politique britannique, histoire diplomatique, relations internationales, empire, 19e-20e)<br>\r\n\t\u00a0- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/marie-jeanne-rossignol?lang=fr\">Marie-Jeanne Rossignol<\/a> (Histoire de la jeune Am\u00e9rique 1607-1865, esclavage et abolition, r\u00e9cits d'esclaves, histoire intellectuelle des Noirs am\u00e9ricains 1776-1950, film et histoire)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/paul-schor?lang=fr\">Paul Schor<\/a> (Histoire sociale des Etats Unis. Africains-Am\u00e9ricains, immigration, minorit\u00e9s, musique populaire am\u00e9ricaine, consommation)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/will-slauter?lang=fr\">Will Slauter<\/a> (Histoire du livre et de l'\u00e9dition en Grande-Bretagne et aux Etats-Unis; Histoire du journalisme et des m\u00e9dias)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/francois-vergniolle-de-chantal?lang=fr\">Fran\u00e7ois Vergniolle de Chantal<\/a> (Vie politique am\u00e9ricaine, institutions, \u00e9lections, science politique)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membre\/vinel-jean-christian\/\">Jean-Christian Vinel<\/a> (Histoire du travail aux Etats Unis)<\/p>\r\n\r\n<p>\u00a0<\/p>\r\n\r\n<p>Litt\u00e9rature<\/p>\r\n\r\n<p>- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/sandeep-bakshi?lang=fr\">Sandeep Bakshi<\/a> (Litt\u00e9ratures et th\u00e9ories postcoloniales\/queer)<\/p>\r\n\r\n<p>- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/catherine-bernard?lang=fr\">Catherine Bernard<\/a> (Litt\u00e9rature britannique des 20e et 21e si\u00e8cles, fiction\/th\u00e9\u00e2tre, modernisme)<br>\r\n\t- Carole Cambray (Roman anglais du 19e si\u00e8cle)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/antoine-caze?lang=fr\">Antoine Caz\u00e9<\/a> (Litt\u00e9rature am\u00e9ricaine 19-20e si\u00e8cles, po\u00e9sie, traduction litt\u00e9raire)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/thomas-constantinesco?lang=fr\">Thomas Constantinesco<\/a> (Litt\u00e9rature am\u00e9ricaine 19e si\u00e8cle, traduction litt\u00e9raire)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/laetitia-coussement-boillot?lang=fr\">La\u00ebtitia Coussement-Boillot<\/a> (Femmes auteurs aux 16e et 17e si\u00e8cles en Grande-Bretagne)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/emmanuelle-delanoe-brun?lang=fr\">Emmanuelle Delanoe-brun<\/a> (Litt\u00e9rature am\u00e9ricaine 20e si\u00e8cle et cin\u00e9ma, rapports culture savante\/populaire, traduction)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/mathieu-duplay?lang=fr\">Mathieu Duplay<\/a> (Litt\u00e9rature am\u00e9ricaine, litt\u00e9rature et philosophie)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/jean-marie-fournier?lang=fr\">Jean-Marie Fournier<\/a> (Romantisme, po\u00e9sie britannique 18e-20e, litt\u00e9rature indienne en langue anglaise, litt\u00e9ratures post-coloniales)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ariane-hudelet?lang=fr\">Ariane Hudelet<\/a> (Cin\u00e9mas anglophones, litt\u00e9rature et cin\u00e9ma, Jane Austen)<br>\r\n\t- Michel Imbert (Litt\u00e9rature am\u00e9ricaine 19e si\u00e8cle)<br>\r\n\t- Daniel Jean (th\u00e9\u00e2tre anglais et irlandais, po\u00e9sie moderniste)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/abigail-lang?lang=fr\">Abigail Lang<\/a> (Litt\u00e9rature am\u00e9ricaine, po\u00e9sie 20-21e si\u00e8cles, interm\u00e9dialit\u00e9)<br>\r\n\t- Catherine Marcangeli (Po\u00e9sie britannique du 20e si\u00e8cle)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/lynn-s-meskill?lang=fr\">Lynn Meskill <\/a>(Po\u00e9sie et th\u00e9\u00e2tre de la Renaissance anglaise, traduction du fran\u00e7ais vers l'anglais, litt\u00e9rature gothique)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/ladan-niayesh?lang=fr\">Ladan Niayesh<\/a> (Litt\u00e9rature et histoire des id\u00e9es britanniques 16e-17e si\u00e8cle, Shakespeare, l'Orient, th\u00e9\u00e2tre)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/frederic-ogee?lang=fr\">Fr\u00e9d\u00e9ric Og\u00e9e<\/a> (Pratiques et th\u00e9ories esth\u00e9tiques en Grande-Bretagne au 18 si\u00e8cle)<br>\r\n\t- Sara Thornton (Roman anglais du 19e si\u00e8cle)<br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/sophie-vasset?lang=fr\">Sophie Vasset<\/a> (litt\u00e9rature britannique du 18e si\u00e8cle, m\u00e9decine et litt\u00e9rature, corps dans la litt\u00e9rature, adaptations th\u00e9\u00e2trales et cin\u00e9matographiques)<br>\r\n\t\u00a0<\/p>\r\n\r\n<p>Linguistique<\/p>\r\n\r\n<p><br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/nicolas_ballier\">Nicolas Ballier<\/a> (Phonologie, linguistique de corpus, compl\u00e9tives nominales)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/agnes_celle\">Agn\u00e8s Celle<\/a> (Enonciation, \u00e9motions, s\u00e9mantique grammaticale, s\u00e9mantique discursive, linguistique contrastive anglais\/fran\u00e7ais)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/emmanuel_ferragne\">Emmanuel Ferragne<\/a> (vari\u00e9t\u00e9s d'anglais, phon\u00e9tique acoustique et exp\u00e9rimentale, phonologie)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/jonathan_ginzburg\">Jonathan Ginzburg<\/a> (dialogue, s\u00e9mantique, pragmatique, cognition musicale, acquisition du langage)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/pascale_gouteraux\">Pascale Gout\u00e9raux<\/a> (linguistique, psycholinguistique, didactique, linguistique de corpus)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/stephane_gresset\">St\u00e9phane Gresset<\/a> (Linguistique \u00e9nonciative)<br>\r\n\t-<a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/anne_jugnet\">Anne Jugnet<\/a> (Syntaxe et s\u00e9mantique)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/laure_lansari\">Laure Lansari<\/a> (Linguistique contrastive anglais\/fran\u00e7ais, s\u00e9mantique\/pragmatique, traduction et traductologie)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/emilie_l_hote\">Emilie L'H\u00f4te<\/a> (Linguistique cognitive, linguistique de corpus, analyse du discours, notamment politique)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/catherine_mazodier\">Catherine Mazodier<\/a> (Linguistique \u00e9nonciative anglaise, th\u00e9orie des op\u00e9rations \u00e9nonciatives)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/gerard_melis\">G\u00e9rard M\u00e9lis<\/a> (Syntaxe, grammaire, \u00e9nonciation)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/philip_miller\">Philip Miller<\/a> (Syntaxe et s\u00e9mantique, morphologie de l'anglais, compl\u00e9mentation verbale, ellispe et anaphore)<br>\r\n\t- Sylvain Navarro (Phonologie et phon\u00e9tique de corpus, phon\u00e9tique, vari\u00e9t\u00e9s d'anglais)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/anne_talbot-guyot\">Anne Talbot<\/a> (Intonation, intonation anglais L2, mod\u00e9lisation de la prosodie, phon\u00e9tique acoustique)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/yves_trevian\">Ives Tr\u00e9vian<\/a> (Phonologie, graph\u00e9matique)<br>\r\n\t- <a href=\"http:\/\/www.clillac-arp.univ-paris-diderot.fr\/user\/franck_zumstein\">Franck Zumstein<\/a> (Linguistique de corpus, nouvelles technologies)<br>\r\n\t\u00a0<\/p>\r\n\r\n<p>Traduction litt\u00e9raire<\/p>\r\n\r\n<p>- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/catherine-bernard?lang=fr\">Catherine Bernard<\/a><br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/emmanuelle-delanoe-brun?lang=fr\">Emmanuelle Delano\u00eb-Brun<\/a><br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/antoine-caze?lang=fr\">Antoine Caz\u00e9<\/a><br>\r\n\t- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membres\/enseignants-chercheurs\/article\/thomas-constantinesco?lang=fr\">Thomas Constantinesco<\/a><\/p>\r\n\r\n<p>- <a href=\"http:\/\/www.larca.univ-paris-diderot.fr\/membre\/lang-abigail\/\">Abigail Lang<\/a><\/p>\r\n\r\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\"][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\"1\" specialty=\"off\" prev_background_color=\"#000000\" _builder_version=\"3.19.11\" custom_padding=\"0px||0px|\"][et_pb_row _builder_version=\"3.19.11\"][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Articles similaires\" _builder_version=\"3.16.1\"]\r\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\r\n[\/et_pb_text][et_pb_blog _builder_version=\"3.21\" posts_number=\"4\" include_categories=\"38,45,14,12,11,15,1,13\" show_author=\"off\" show_date=\"off\" show_pagination=\"off\" border_width_bottom_fullwidth=\"1px\" border_color_bottom_fullwidth=\"rgba(51,51,51,0.18)\" custom_padding=\"||50px|\" module_id=\"page_type_blog\" header_level=\"h4\" \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]","_et_gb_content_width":"","footnotes":""},"class_list":["post-7743","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/pages\/7743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/comments?post=7743"}],"version-history":[{"count":61,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/pages\/7743\/revisions"}],"predecessor-version":[{"id":12338,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/pages\/7743\/revisions\/12338"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/etudes-anglophones\/wp-json\/wp\/v2\/media?parent=7743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}