{"id":2438,"date":"2022-01-02T10:54:06","date_gmt":"2022-01-02T09:54:06","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/eila\/?p=2438"},"modified":"2022-01-02T10:54:06","modified_gmt":"2022-01-02T09:54:06","slug":"transimperialites-contemporaines-moderne-transimperialitaten-rivalites-contacts-emulation-rivalitaten-kontakte-wetteifer","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/eila\/transimperialites-contemporaines-moderne-transimperialitaten-rivalites-contacts-emulation-rivalitaten-kontakte-wetteifer\/","title":{"rendered":"Transimp\u00e9rialit\u00e9s contemporaines \/ Moderne Transimperialit\u00e4ten Rivalit\u00e9s, contacts, \u00e9mulation \/ Rivalit\u00e4ten, Kontakte, Wetteifer"},"content":{"rendered":"

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Laurent Dedryv\u00e8re \/ Patrick Farges \/Indravati F\u00e9licit\u00e9 \/ Elisa Goudin (dir.).Transimp\u00e9rialit\u00e9s contemporaines \/ Moderne Transimperialit\u00e4ten Rivalit\u00e9s, contacts, \u00e9mulation \/ Rivalit\u00e4ten, Kontakte, Wetteifer, Edition\u00a0 Peter Lang, Berlin, 2021, (coll. \u00ab Zivilisationen und Geschichte \/ Civilizations and History \u00bb).<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Pr\u00e9sentation<\/h4>\n
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La notion d\u2019\u00ab Empire \u00bb est plus pr\u00e9sente que jamais dans les discours m\u00e9diatiques et savants ; elle semble offrir une grille de lecture efficace pour appr\u00e9hender les r\u00e9alit\u00e9s contemporaines les plus diverses. Depuis une trentaine d\u2019ann\u00e9es, la recherche a nuanc\u00e9 notre compr\u00e9hension du ph\u00e9nom\u00e8ne imp\u00e9rial. Les travaux r\u00e9cents ont ainsi soulev\u00e9 la question des superpositions et appartenances multiples entre empires. Cette perspective \u00ab transimp\u00e9riale \u00bb offre un enrichissement aux acquis de l\u2019histoire des transferts culturels, de l\u2019histoire transnationale et de l\u2019histoire globale. Les contributions de ce volume \u00e9clairent les diff\u00e9rents aspects du concept de \u00ab transimp\u00e9rialit\u00e9 \u00bb et illustrent son utilit\u00e9 heuristique en histoire contemporaine, dans une perspective franco-allemande \u00e9largie.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

<\/div>\n

Laurent Dedryv\u00e8re \/ Patrick Farges \/Indravati F\u00e9licit\u00e9 \/ Elisa Goudin (dir.).Transimp\u00e9rialit\u00e9s contemporaines \/ Moderne Transimperialit\u00e4ten Rivalit\u00e9s, contacts, \u00e9mulation \/ Rivalit\u00e4ten, Kontakte, Wetteifer, Edition\u00a0 Peter Lang, Berlin, 2021, (coll. \u00ab Zivilisationen und Geschichte \/ Civilizations and History \u00bb). <\/p>\n

<\/div>\n

Pr\u00e9sentationLa notion d\u2019\u00ab Empire \u00bb est plus pr\u00e9sente que jamais dans les discours m\u00e9diatiques et savants… Lire la suite Transimp\u00e9rialit\u00e9s contemporaines \/ Moderne Transimperialit\u00e4ten Rivalit\u00e9s, contacts, \u00e9mulation \/ Rivalit\u00e4ten, Kontakte, Wetteifer<\/span><\/a><\/p>\n","protected":false},"author":263,"featured_media":2439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

[et_pb_section bb_built=\"1\" next_background_color=\"#000000\" inner_width=\"auto\" inner_max_width=\"none\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Intro\" _builder_version=\"3.22.1\" module_id=\"intro\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\" z_index_tablet=\"500\"]<\/p>

L'auteur<\/strong> : Au moment de la parution de cet ouvrage, Fran\u00e7ois Secco est \u00e9tudiant \u00e0 l'Institut d'\u00e9tudes politiques de Lille et \u00e0 l'\u00c9cole normale sup\u00e9rieure de Lyon et se destine \u00e0 une carri\u00e8re dans le monde de la recherche universitaire.<\/p>

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Pr\u00e9sentation<\/h4>
Comment emp\u00eacher la d\u00e9g\u00e9n\u00e9rescence de l'humanit\u00e9 ? C'est \u00e0 la r\u00e9solution de ce probl\u00e8me qu'Adolphe Pinard consacre une grande partie de sa vie. Il popularise la notion de pu\u00e9riculture et en fait une discipline m\u00e9dicale. Sa mission ? La \u00abrecherche des connaissances relative \u00e0 la reproduction \u00e0 la conservation et \u00e0 l'am\u00e9lioration de l'esp\u00e8ce humaine \u00bb. Consid\u00e9r\u00e9 comme l'un des pr\u00e9curseurs de l'eug\u00e9nisme en France, Pinard utilise une constellation de moyens pour tenter de mettre en oeuvre sa th\u00e9orie sociale. Cet ouvrage a pour objectif de pr\u00e9senter la Pu\u00e9riculture telle que pens\u00e9e par Adolphe Pinard. L'\u00e9tude de ses fondements scientifiques, de sa dimension morale et de ses cons\u00e9quences politiques permet de porter un \u00e9clairage sur les caract\u00e9ristiques de cet eug\u00e9nisme.<\/div><\/div><\/div><\/div>

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