{"id":5001,"date":"2024-09-10T15:51:13","date_gmt":"2024-09-10T13:51:13","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=5001"},"modified":"2024-09-10T15:51:13","modified_gmt":"2024-09-10T13:51:13","slug":"cyril-vettorato-bob-dylan-le-pluriel-des-voix","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/cyril-vettorato-bob-dylan-le-pluriel-des-voix\/","title":{"rendered":"Cyril Vettorato \u00ab\u00a0Bob Dylan, le pluriel des voix\u00a0\u00bb"},"content":{"rendered":"

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Cyril Vettorato est ma\u00eetre de conf\u00e9rences en litt\u00e9rature compar\u00e9e \u00e0 l’UFR LAC. Il est coresponsable de l’axe de recherche D\u00e9centrements lyriques du CERILAC.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage couverture\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/09\/Vettorato-Dylan.png\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ module_id=\u00a0\u00bbimage-page\u00a0\u00bb \/][et_pb_text admin_label=\u00a0\u00bbCopyright\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bblegende\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Bob Dylan occupe une position unique dans l\u2019histoire culturelle r\u00e9cente de par son int\u00e9gration croissante au sein du champ litt\u00e9raire, symbolis\u00e9e par la surprise du Nobel 2016. Ce num\u00e9ro des Cahiers de litt\u00e9rature orale se veut une exploration critique de l\u2019\u00ab \u00e9v\u00e9nement Dylan \u00bb \u00e0 la lumi\u00e8re de l\u2019ethnopo\u00e9tique et de la question de la polyphonie vocale, entendue \u00e0 la fois dans un sens empirique et de fa\u00e7on plus abstraite, aux niveaux culturel, social et historique.<\/p>\n

La voix dylanienne est plurielle, et l\u2019int\u00e9gration de voix multiples en elle mobilise des enjeux d\u2019intertextualit\u00e9, d\u2019autorit\u00e9, de performance, de pragmatique et d\u2019interpr\u00e9tation. Ce volume est compl\u00e9t\u00e9 par un code d\u2019entextualisation de chansons qui pourra constituer un outil m\u00e9thodologique pr\u00e9cieux pour l\u2019\u00e9tude du corpus dylanien comme de tout autre corpus chant\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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