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Carlos Tello est docteur en Histoire et S\u00e9miologie du Texte et de l\u2019Image \u00e0 Universit\u00e9 Paris Cit\u00e9 et chercheur associ\u00e9 au laboratoire CERILAC.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a9DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Les diff\u00e9rents discours pouvant \u00eatre associ\u00e9s au posthumanisme se d\u00e9veloppent principalement \u00e0 partir des ann\u00e9es 1950, et s\u2019expriment tant au travers d\u2019avanc\u00e9es technoscientifiques que de manifestations artistiques et litt\u00e9raires, voire de positionnements politiques.<\/p>\n
Dans ce cadre, la p\u00e9riode situ\u00e9e entre la fin du XXe<\/sup>\u00a0et le d\u00e9but du XXIe<\/sup>\u00a0si\u00e8cle a \u00e9t\u00e9 marqu\u00e9e par la parution en 1999 en Allemagne de la conf\u00e9rence\u00a0R\u00e8gles pour le parc humain<\/em>\u00a0de Peter Sloterdijk, qui a relanc\u00e9 en Europe les d\u00e9bats sur les biotechnologies et l\u2019anthropotechnique. En parall\u00e8le, les parutions au Mexique et en Espagne de la trilogie du XXe<\/sup>\u00a0si\u00e8cle de Jorge Volpi,\u00a0En busca de Klingsor<\/em>\u00a0(1999),\u00a0El fin de la locura<\/em>\u00a0(2003) et\u00a0No ser\u00e1 la Tierra<\/em>\u00a0(2006), et en France des romans de Michel Houellebecq\u00a0Les Particules \u00e9l\u00e9mentaires<\/em>\u00a0(1998) et\u00a0La Possibilit\u00e9 d\u2019une \u00eele<\/em>\u00a0(2005), portent profond\u00e9ment l\u2019empreinte de cette \u00e9poque.<\/p>\n Dans ce travail, le posthumanisme est envisag\u00e9 non seulement comme un sujet qui sert de m\u00e9diation entre deux \u0153uvres, mais aussi dans sa dimension \u00e9pist\u00e9mologique, une dimension pr\u00e9sente dans ce corpus romanesque, et que celui-ci permet de reconsid\u00e9rer.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbD\u00e9tails\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ 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posthumanisme\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3969,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-4996","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-librairie"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=4996"}],"version-history":[{"count":2,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4996\/revisions"}],"predecessor-version":[{"id":4999,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4996\/revisions\/4999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3969"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=4996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=4996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=4996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n