{"id":4988,"date":"2024-10-04T17:03:33","date_gmt":"2024-10-04T15:03:33","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4988"},"modified":"2024-11-25T14:11:16","modified_gmt":"2024-11-25T13:11:16","slug":"je-interieurs-sensibles-de-chantal-akerman","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/je-interieurs-sensibles-de-chantal-akerman\/","title":{"rendered":"JE \u00ab\u00a0Int\u00e9rieurs sensibles de Chantal Akerman\u00a0\u00bb"},"content":{"rendered":"

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Quand<\/h4>\n

12 octobre 2024<\/p>\n

O\u00f9<\/h4>\n

Jeu de Paume<\/p>\n

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Pr\u00e9sentation d\u2019ouvrage et journ\u00e9e d\u2019\u00e9tude organis\u00e9e par Olga Kobryn<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Chantal Akerman, Je tu il elle, l\u2019installation<\/i>, 2007. Three projections installation. Direction : Chantal Akerman. Editing and spatialization: Claire Atherton. Courtesy of Chantal Akerman Foundation and Marian Goodman Gallery. Photo : Rebecca Fanuele.<\/h5>\n

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Pr\u00e9sentation de l’ouvrage \u00ab\u00a0Int\u00e9rieurs sensible de Chantal Akerman\u00a0: films et installations \u2013 passages esth\u00e9tiques\u00a0\u00bb<\/h3>\n

Programme<\/h4>\n

Pr\u00e9sentation de \u00ab Int\u00e9rieurs sensibles de Chantal Akerman \u00bb – Jeu de Paume<\/strong><\/a><\/p>\n

Librairie du Jeu de Paume <\/strong><\/p>\n

Pr\u00e9sentation de l\u2019ouvrage \u00ab\u00a0Int\u00e9rieurs sensible de Chantal Akerman\u00a0: films et installations \u2013 passages esth\u00e9tiques\u00a0\u00bb dir. Olga Kobryn, Macha Ovtchinnikova, Eug\u00e9nie Zvonkine, Presses Universitaires du Septentrion, coll. \u00ab\u00a0Arts du spectacle \u2013 Images et Sons\u00a0\u00bb, 2024<\/p>\n

Avec la participation des directrices de l\u2019ouvrage ainsi que de Claire Atherton, Bruce Jenkins, Stanislas Merhar, Corinne Maury &Vincent Dieutre<\/p>\n

11h30 \u2013 13h<\/strong><\/p>\n

Pr\u00e9sentation de \u00ab Int\u00e9rieurs sensibles de Chantal Akerman \u00bb – Jeu de Paume<\/a><\/p>\n

Avec la participation de Claire Atherton, Bruce Jenkins, Stanislas Merhar, Corinne Maury &Vincent Dieutre<\/p>\n

Journ\u00e9e d\u2019\u00e9tude : Chantal Akerman : \u00c9criture, films, installations \u2013 passages esth\u00e9tiques.<\/h3>\n

Pr\u00e9sentation<\/h4>\n

Apr\u00e8s-midi d’\u00e9tude sur Chantal Akerman – Jeu de Paume<\/a><\/p>\n

dir. Olga Kobryn, Universit\u00e9 Paris Cit\u00e9, Antoni Collot, Universit\u00e9 de Lorraine Metz et Marta Ponsa, Jeu de Paume, en collaboration avec M\u00e9lanie Lemar\u00e9chal, Jeu de Paume, et Charlotte Menut Pergola, chercheuse<\/p>\n

\u00ab La transition d\u2019un m\u00e9dium \u00e0 un autre n\u2019est pas un simple d\u00e9placement, mais une v\u00e9ritable transformation, une recontextualisation de la mati\u00e8re narrative qui trouve dans chaque forme une nouvelle vie. \u00bb (Chantal Akerman, Trafic<\/em>, n\u00b0 10, hiver 1994, p. 25)<\/p>\n

\u00ab J\u2019ai toujours per\u00e7u le passage entre le film et l\u2019installation comme une extension naturelle de mon travail ; chaque forme permet d\u2019explorer des dimensions uniques de l\u2019exp\u00e9rience humaine. \u00bb (Chantal Akerman, Art Press<\/em>, n\u00b0 250, juin 2000, p. 45)<\/p>\n

Con\u00e7ue dans le cadre de l\u2019exposition Chantal Akerman. Travelling<\/em> (28\/09\/2024 \u2013 19\/01\/2025) et de la parution de l\u2019ouvrage collectif Int\u00e9rieurs sensibles de Chantal Akerman : films et installations \u2013 passages esth\u00e9tiques<\/em> (dir. Olga Kobryn, Macha Ovtchinnikova, Eug\u00e9nie Zvonkine, Presses Universitaires du Septentrion, 2024), cette journ\u00e9e d\u2019\u00e9tude r\u00e9unit une s\u00e9rie de discussions, projections et tables rondes qui proposent des r\u00e9flexions sur l\u2019installation comme geste artistique et sa place dans l\u2019\u0153uvre de Chantal Akerman. La question du passage d\u2019un m\u00e9dium \u00e0 un autre \u2013 de l\u2019\u00e9criture \u00e0 la mise en sc\u00e8ne et du film \u00e0 l\u2019installation \u2013 sera au centre de cette rencontre.\u00a0<\/p>\n

Avec la participation de Claire Atherton (monteuse, collaboratrice de Chantal Akerman), Erika Balsom (commissaire d\u2019exposition, enseignante-chercheuse au King’s College de Londres), Christa Bl\u00fcmlinger (chercheuse, professeure \u00e0 l\u2019Universit\u00e9 Paris 8), Catherine David (commissaire d\u2019exposition), Bruce Jenkins (commissaire d\u2019exposition, chercheur, professeur \u00e0 la School of the Art Institute of Chicago).<\/p>\n

Programme\u00a0<\/h4>\n

14h30 : Mot de bienvenue par les organisateurs.<\/p>\n

14h45 : 1995 \u2013 <\/strong>D\u2019Est, au bord de la fiction.<\/em><\/strong>
Passage du film \u00e0 l\u2019installation dans l\u2019\u0153uvre de Chantal Akerman<\/em><\/strong> [discussion en anglais]<\/p>\n

Dialogue, suivi d\u2019une discussion avec le public, entre Bruce Jenkins (School of the Art Institute of Chicago, directeur du d\u00e9partement Film\/Vid\u00e9o au Walker Art Center en 1995) et Catherine David (commissaire d\u2019exposition, notamment au Jeu de Paume en 1995) autour de la cr\u00e9ation et de l\u2019exposition au Walker Art Center et au Jeu de Paume de la premi\u00e8re installation de Chantal Akerman Bordering on Fiction: Chantal Akerman\u2019s \u00ab\u00a0D\u2019Est\u00a0\u00bb\/ D\u2019Est, au bord de la fiction<\/em> (1995). Il s\u2019agira aussi de discuter des influences sur l\u2019art d\u2019Akerman des artistes et des cin\u00e9astes exp\u00e9rimentaux nord-am\u00e9ricains des ann\u00e9es 1970. Mod\u00e9ration Olga Kobryn (enseignante-chercheuse, universit\u00e9 Paris Cit\u00e9).\u00a0<\/p>\n

16h : Projection de La Chambre (1972, 11\u2019) de Chantal Akerman<\/em><\/strong> suivie de l\u2019intervention d\u2019Antoni Collot (cin\u00e9aste, artiste plasticien, enseignant-chercheur \u00e0 l\u2019universit\u00e9 de Lorraine Metz).<\/p>\n

16h30 : Pause<\/p>\n

17h : Chantal Akerman : circulations entre \u00e9criture, film et exposition.<\/em><\/strong><\/p>\n

Table ronde mod\u00e9r\u00e9e par Christa Bl\u00fcmlinger (chercheuse, professeure \u00e0 l\u2019Universit\u00e9 Paris universit\u00e9 Paris 8), avec la participation d\u2019Erika Balsom (commissaire d\u2019exposition, enseignante-chercheuse au King\u2019s College de Londres), Cyril Beghin (critique, auteur, membre du comit\u00e9 de r\u00e9daction des Cahiers du cin\u00e9ma<\/em>) et Claire Atherton (monteuse, collaboratrice de Chantal Akerman).<\/p>\n

18h30 : Pr\u00e9sentation de l\u2019installation Selfportrait \/ Autobiography\u00a0: A Work In Progress (1998)<\/em><\/strong> de Chantal Akerman<\/em><\/strong> par Claire Atherton (monteuse, collaboratrice de Chantal Akerman). Pr\u00e9sentation anim\u00e9e par Charlotte Menut Pergola (chercheuse).<\/p>\n

19h FIN<\/p>\n

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Avec le soutien de l’Institut de Recherche sur le Cin\u00e9ma et l’Audiovisuel (IRCAV, Sorbonne Nouvelle), du laboratoire de recherche ESTCA (Universit\u00e9 Paris 8), de l\u2019Institut Universitaire de France, du Centre d’Etudes et de Recherches Interdisciplinaires en Lettres, Arts et Cin\u00e9ma (CERILAC, Universit\u00e9 Paris Cit\u00e9) du Laboratoire Approches contemporaines de la cr\u00e9ation et de la r\u00e9flexion artistiques (ACCRA, Universit\u00e9 de Strasbourg) et du\u00a0Centre de recherche sur les m\u00e9diations. Communication \u2013 Langue \u2013 Art \u2013 Culture<\/em>\u00a0(CREM, Universit\u00e9 de Lorraine Metz).<\/h5>\n
Avec le concours de la Fondation Chantal Akerman, de LaCinetek, de la galerie Marian Goodman Paris et du Centre audiovisuel Simone de Beauvoir.\u00a0<\/h5>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n

Informations pratiques<\/strong>
Sur inscription<\/p>\n

Jeu de Paume, 1 place de la Concorde, 75008 Paris<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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Quand12 octobre 2024O\u00f9Jeu de Paume <\/p>\n

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Pr\u00e9sentation d\u2019ouvrage et journ\u00e9e d\u2019\u00e9tude organis\u00e9e par Olga Kobryn Chantal Akerman, Je tu il elle, l\u2019installation, 2007. Three projections installation. Direction : Chantal Akerman. Editing and spatialization: Claire Atherton. Courtesy of Chantal Akerman Foundation and Marian Goodman Gallery. Photo : Rebecca Fanuele. <\/p>\n

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Pr\u00e9sentation de l’ouvrage \u00ab\u00a0Int\u00e9rieurs sensible… Lire la suite JE \u00ab\u00a0Int\u00e9rieurs sensibles de Chantal Akerman\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":4989,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[26,22],"tags":[],"class_list":["post-4988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements-passes","category-journee-detude"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=4988"}],"version-history":[{"count":4,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4988\/revisions"}],"predecessor-version":[{"id":5005,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4988\/revisions\/5005"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/4989"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=4988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=4988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=4988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}