{"id":4939,"date":"2024-10-07T10:03:59","date_gmt":"2024-10-07T08:03:59","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4939"},"modified":"2024-10-14T11:27:21","modified_gmt":"2024-10-14T09:27:21","slug":"seminaire-2024-2025-imaginaires-contemporains-de-la-creation","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/seminaire-2024-2025-imaginaires-contemporains-de-la-creation\/","title":{"rendered":"S\u00e9minaire 2024-2025 \u00ab\u00a0Imaginaires contemporains de la cr\u00e9ation\u00a0\u00bb"},"content":{"rendered":"

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S\u00e9minaire de l’axe \u00ab\u00a0Arts et cr\u00e9ations au pr\u00e9sent\u00a0\u00bb organis\u00e9 par Pascal Mougin.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Pr\u00e9sentation<\/h3>\n

\u00c9labor\u00e9e \u00e0 la fin du xviiie<\/sup> si\u00e8cle par l\u2019id\u00e9alisme allemand et le romantisme, la conception moderne de la cr\u00e9ation litt\u00e9raire et artistique op\u00e8re une forme de la\u00efcisation anthropologique d\u2019une potentialit\u00e9 ant\u00e9rieurement consid\u00e9r\u00e9e comme l\u2019apanage du divin, en promouvant la figure du g\u00e9nie solitaire, de l\u2019\u00e9crivain mage et de l\u2019artiste d\u00e9miurge. La figure charismatique du \u00ab\u00a0cr\u00e9ateur incr\u00e9\u00e9\u00a0\u00bb (Bourdieu) incarne alors un id\u00e9al infiniment d\u00e9sirable de libert\u00e9 individuelle, d\u2019expressivit\u00e9, d\u2019originalit\u00e9, d\u2019authenticit\u00e9 et d\u2019accomplissement de soi utopiquement d\u00e9gag\u00e9 des facteurs contextuels et des d\u00e9terminismes, assurant aux pratiques cr\u00e9atives un statut d\u2019exceptionnalit\u00e9 et un prestige symbolique indiscutable.<\/p>\n

Dans quelle mesure les pratiques litt\u00e9raires et artistiques contemporaines se pr\u00e9valent-elles encore de ce mod\u00e8le charismatique de la cr\u00e9ativit\u00e9 ?<\/p>\n

Certes, cr\u00e9ation<\/em>, cr\u00e9atif<\/em> et cr\u00e9ativit\u00e9<\/em> restent des termes d\u00e9marcatifs de l\u2019activit\u00e9 artistique et des cat\u00e9gories op\u00e9ratoires tant du point de vue juridique (le droit sp\u00e9cifique de la cr\u00e9ation, depuis les lois de 1793 instituant le droit d\u2019auteur et d\u00e9marquant l\u2019\u0153uvre d\u2019art des productions artisanales et industrielles, jusqu\u2019\u00e0 l\u2019article L. 111-2 du Code de la propri\u00e9t\u00e9 intellectuelle, voir Marcel Plaisant et Alexandre Portron, La cr\u00e9ation artistique et litt\u00e9raire et le droit<\/em>, Paris, Dalloz, 2022), qu\u2019en sociologie (Pierre-Michel Menger, Le travail cr\u00e9ateur. S\u2019accomplir dans l\u2019incertain<\/em>, 2009) et dans les institutions (dispositifs sp\u00e9cifiques d\u2019aide \u00e0 la cr\u00e9ation, formations nouvelles en cr\u00e9ation litt\u00e9raire dans les \u00e9coles d\u2019art et \u00e0 l\u2019Universit\u00e9, engouement r\u00e9cent pour la recherche-cr\u00e9ation).<\/p>\n

Mais la foi dans l\u2019id\u00e9al de cr\u00e9ativit\u00e9, sans doute du fait m\u00eame de son prestige, s\u2019est propag\u00e9e bien au-del\u00e0 du monde de l\u2019art. M\u00e9taphoriquement d\u2019abord\u00a0: l\u2019imaginaire de la cr\u00e9ation est tr\u00e8s vite annex\u00e9 par la th\u00e9orie \u00e9conomique (\u00ab\u00a0destruction cr\u00e9atrice\u00a0\u00bb selon Schumpeter, \u00ab\u00a0cr\u00e9ation de richesse\u00a0\u00bb, \u00ab\u00a0cr\u00e9ation de valeur\u00a0\u00bb). Plus litt\u00e9ralement ensuite\u00a0: \u00e0 la fin du xxe<\/sup> si\u00e8cle, le \u00ab\u00a0management cr\u00e9atif \u00bb et le \u00ab\u00a0capitalisme artiste\u00a0\u00bb, o\u00f9 cr\u00e9ation rime avec invention et innovation, succ\u00e8dent au capitalisme fordiste et bureaucratique, synonyme de standardisation des productions et des comportements (Boltanski et Chiapello, Le nouvel esprit du capitalisme<\/em>, 1999). Au point que la cr\u00e9ativit\u00e9 fait aujourd\u2019hui l\u2019objet d\u2019une injonction sociale g\u00e9n\u00e9ralis\u00e9e (\u00ab\u00a0Tous cr\u00e9atifs\u00a0!\u00a0\u00bb) invitant conjointement \u00e0 l\u2019esth\u00e9tisation des pratiques et \u00e0 la stylisation des modes de vie.<\/p>\n

Dans le m\u00eame temps, les remises en question du mod\u00e8le se sont multipli\u00e9es dans le monde de l\u2019art. L\u2019id\u00e9al de cr\u00e9ativit\u00e9 et le mod\u00e8le expressif ont \u00e9t\u00e9 contest\u00e9s d\u00e8s le d\u00e9but du xxe<\/sup> si\u00e8cle (Dada, Duchamp), tout comme l\u2019opposition entre art et non-art (Dewey, L\u2019art comme exp\u00e9rience<\/em>, 1934). Ils ont \u00e9t\u00e9 en partie d\u00e9construits par le structuralisme (la \u00ab\u00a0mort de l\u2019auteur\u00a0\u00bb proclam\u00e9e par Barthes et Foucault) et le poststructuralisme dans les d\u00e9cennies 1960-1970 et remis en cause au m\u00eame moment par les n\u00e9o-avant-gardes (art minimal, art conceptuel, Fluxus). Ils paraissent ainsi moins sollicit\u00e9s par les artistes contemporains, qui privil\u00e9gient davantage les pratiques d\u2019appropriation et de d\u00e9tournement, l\u2019esth\u00e9tique relationnelle et l\u2019intervention militante (\u00ab\u00a0artivisme\u00a0\u00bb). Il en va de m\u00eame de nombreux courants litt\u00e9raires actuels\u00a0: uncreative writing<\/em> (Kenneth Goldsmith) et pratique du ready made en po\u00e9sie, fictions documentaires, litt\u00e9ratures d\u2019enqu\u00eate ou de terrain, \u00e9critures collaboratives et interm\u00e9diales.<\/p>\n

\u00c0 ces remises en question du primat de la cr\u00e9ativit\u00e9 individuelle, s\u2019ajoutent, de mani\u00e8re plus r\u00e9cente, le doute concernant l\u2019exclusivit\u00e9 anthropologique de la cr\u00e9ativit\u00e9 et les hypoth\u00e8ses de cr\u00e9ativit\u00e9s non humaines, qu\u2019il s\u2019agisse de la cr\u00e9ativit\u00e9 de l\u2019animal ou du vivant (Vinciane Despret, Baptiste Morizot, voir aussi Allison B. Kaufman et James C. Kaufman (dir.), Animal Creativity and Innovation<\/em>, 2015), ou d\u2019une \u00e9ventuelle cr\u00e9ativit\u00e9 machinique via l\u2019IA g\u00e9n\u00e9rative (\u00ab\u00a0imagination artificielle\u00a0\u00bb chez Gr\u00e9gory Chatonsky, usage de GPT en litt\u00e9rature, voir Marcus du Sautoy, Le code de la cr\u00e9ativit\u00e9. Comment l\u2019IA apprend \u00e0 \u00e9crire, peindre et penser<\/em>, 2022).<\/p>\n

Pascal Mougin<\/p>\n

Programme 2024-2025<\/h3>\n

Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n

Certaines s\u00e9ances auront lieu au centre d\u2019art B\u00e9ton salon.<\/p>\n

Horaire : 18h-20h, salle Pierre Pachet , 677C<\/p>\n

16 octobre 2024<\/strong><\/p>\n

Alexandre Portron \u2013 MCF en droit priv\u00e9 : \u00ab\u00a0La cr\u00e9ation au regard du droit\u00a0\u00bb<\/p>\n

12 f\u00e9vrier 2025<\/strong><\/p>\n

Maylis de Kerangal, romanci\u00e8re<\/p>\n

12 mars 2025<\/strong><\/p>\n

Pierre-Michel Menger \u2013 professeur au Coll\u00e8ge de France \u00ab\u00a0La notion de travail cr\u00e9ateur en sociologie\u00a0\u00bb<\/p>\n

9 avril 2025<\/strong><\/p>\n

Emmanuelle Pireyre \u2013 autrice, performeuse<\/p>\n

14 mai 2025<\/strong><\/p>\n

Anne Simon \u2013 Professeure ENS Ulm \u00ab\u00a0Imaginaires de la cr\u00e9ativit\u00e9 animale\u00a0\u00bb<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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S\u00e9minaire de l’axe \u00ab\u00a0Arts et cr\u00e9ations au pr\u00e9sent\u00a0\u00bb organis\u00e9 par Pascal Mougin. <\/p>\n

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Pr\u00e9sentation \u00c9labor\u00e9e \u00e0 la fin du xviiie si\u00e8cle par l\u2019id\u00e9alisme allemand et le romantisme, la conception moderne de la cr\u00e9ation litt\u00e9raire et artistique op\u00e8re une forme de la\u00efcisation anthropologique d\u2019une potentialit\u00e9 ant\u00e9rieurement consid\u00e9r\u00e9e comme l\u2019apanage du divin, en promouvant la figure… Lire la suite S\u00e9minaire 2024-2025 \u00ab\u00a0Imaginaires contemporains de la cr\u00e9ation\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":5207,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[31,27],"tags":[],"class_list":["post-4939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","category-seminaire"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=4939"}],"version-history":[{"count":8,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4939\/revisions"}],"predecessor-version":[{"id":5208,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4939\/revisions\/5208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/5207"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=4939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=4939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=4939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}