{"id":4556,"date":"2024-05-29T15:46:03","date_gmt":"2024-05-29T13:46:03","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4556"},"modified":"2024-10-15T10:22:57","modified_gmt":"2024-10-15T08:22:57","slug":"colloque-digital-unconscious","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/colloque-digital-unconscious\/","title":{"rendered":"Colloque \u00ab\u00a0Digital unconscious\u00a0\u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2&Prime;][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n<h4>Quand<\/h4>\n<p>20-22 juin 2024<\/p>\n<h4>O\u00f9<\/h4>\n<p>Aberyswyth University, Wales, UK<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; 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header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Colloque organis\u00e9 par Emmanuelle Andr\u00e9 (CERILAC, U. Paris Cit\u00e9), Martine Beugnet (LARCA, U. Paris Cit\u00e9), Guillaume Soulez (U. Sorbonne Nouvelle) et Kim Knowles (Aberystwyth University)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080&Prime; _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/06\/Image.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h5>Still: Thomas Dekeyser and Andrew Kulp, <em>Machines in Flames<\/em>, 2022.<\/h5>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; 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header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3 style=\"text-align: center\"><span style=\"font-family: Times New Roman,serif\"><span lang=\"en-US\"><b>Part One<\/b><\/span><\/span><span style=\"font-family: Times New Roman,serif\"><span lang=\"en-US\">\u00a0<\/span><\/span><span style=\"font-family: Times New Roman,serif\"><span lang=\"en-US\"><b><i>Experimental Research Practices<\/i><\/b><\/span><\/span><\/h3>\n<h3>Pr\u00e9sentation<\/h3>\n<p>Walter Benjamin\u2019s concept of the optical unconscious has received substantial analysis across the visual arts. Rosalind Krauss famously revisited modernist art through the prism of his concept. Krauss puts forward the principle of a flawed vision that modernist painters sought to capture. Following Frederic Jameson, Krauss further associates the optical unconscious with a political unconscious and the invention of imaginary or formal \u201csolutions\u201d to unresolvable socio-psychical contradictions.<\/p>\n<p>How do we approach the unconscious in the digital age? This research program looks across aesthetic domains of computation \u2014 from cinema to video games to virtual reality \u2014 at the ways in which digital technology continues the visual dimensions that inform the optical unconscious while introducing layers of code, networking, and infrastructure below the visible interface.<\/p>\n<p>Part one is programmed to take place in June 2024 in Wales, and will engage with the topics and approaches that are central to Aberystwyth University\u2019s teaching and research expertise: practice-based research, as well as concepts of deep mapping, the landscape as palimpsest, environmental transformations, and contrasted notions of space and place.<\/p>\n<p>The proceedings take the form of a symposium and summer school, with presentations and screenings involving doctoral students from Paris and Aberystwyth.<\/p>\n<h3>\u00a0<\/h3>\n<h3>Programme<\/h3>\n<p><strong><u>Jeudi 20 juin 2024<\/u><\/strong><\/p>\n<p><strong>9h30 <\/strong>\u2013 Accueil et introduction par Kim Knowles<\/p>\n<p><strong>10h<\/strong> \u2013 Emmanuelle Andr\u00e9, \u2018The New Optical unconscious<em> 1<\/em> (<em>Full Rehearsal<\/em>, Martin Arnold, 2017)\u2019<\/p>\n<p><strong>10h30<\/strong> \u2013 Martine Beugnet, \u2018The New Optical unconscious 2 (<em>In Tinseltown<\/em>, Martin Arnold, 2017)\u2019<\/p>\n<p><strong>11h<\/strong> \u2013 Guillaume Soulez, \u2018Virtual Place, Actual Place, from Phantasmagoria to Virtual Reality Headset\u2019<\/p>\n<p><strong>11h30<\/strong> \u2013 Sarah Benedyczuk, \u2018Cosmic Reveries: Projections of a Digital Unconscious in the Point Cloud\u2019<\/p>\n<p><strong>12h30<\/strong> \u2013 14h Buffet<\/p>\n<p><strong>17h30 <\/strong>\u2013 <strong>Screening<\/strong>, Thomas Dekeyser \u2018<em>Machines in Flames\u2019<\/em><\/p>\n<p><strong>19h <\/strong>\u2013 Evening Meal<\/p>\n<p>\u00a0<\/p>\n<p><strong><u>Vendredi 21 juin 2024<\/u><\/strong><\/p>\n<p><strong>10h \u2013 <\/strong>Anne-Ga\u00eblle Saliot, \u2018Godard\u2019s <em>Le Livre d\u2019image<\/em> and Digital Orientalism\u2019<\/p>\n<p><strong>10h30 <\/strong>\u2013 Charlie Hewison, \u2018Karrabing Film Collective, ecocidal and colonial dreamings through a mobile lens\u2019<\/p>\n<p><strong>11h <\/strong>\u2013 Aya Motegi, \u2018Representations of Post-Disaster Landscapes: Storytelling and Digital Aesthetics in Films Made after the Great East Japan Earthquake\u2019<\/p>\n<p><strong>11h30<\/strong> \u2013 Harrison Patten, \u2018AI Warfare: Images, Recognition, Vision\u2019<\/p>\n<p><strong>14h <\/strong>Aim King &#8211; Borth-Aber Walk followed by evening drinks<\/p>\n<p>\u00a0<\/p>\n<p><strong><u>Samedi 22 juin<\/u><\/strong><\/p>\n<p><strong>9h30 <\/strong>\u2013 Valentine Charles, \u2018Covering\/ Uncovering : Floral Wallpapers in Films and the Aesthetics of the Hidden\u2019<\/p>\n<p><strong>10h <\/strong>\u2013 Quentin Lepetitdidier, \u2018Behind the material at Leighton Pierce\u2019<\/p>\n<p><strong>11h<\/strong> \u2013 Anthony Blanc, \u2018Through Frontex\u2019s thermal imaging cameras: revealing clandestine migration and the hidden dimensions of \u201chunting images\u2019<\/p>\n<p><strong>11h30<\/strong> \u2013 Phil Layton\u00a0\u2018The Magic of Emergence\u2019.<\/p>\n<p><strong>12h30 Buffet<\/strong><\/p>\n<p><strong>14h00<\/strong> \u2013 \u00a0Lucy Gough and Piotr Woycicki \u2018<em>Mapping the Soul<\/em> VR\u2019<\/p>\n<p><strong>14h30 <\/strong>\u2013 R\u00e9mi Sagot-Duvauroux, \u2018The Body-Montage: manipulating and moving through space fragments\u2019<\/p>\n<p><b>18h<\/b> \u2013 \u00a0Artist talk and screening with filmmaker Patti\u00a0<span class=\"x_spelle\">Gaal<\/span>\u00a0Holmes.\u00a0<\/p>\n<div style=\"text-align: center\">\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; 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ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<h5 style=\"text-align: center\">\u00a0Cet \u00e9v\u00e9nement a re\u00e7u le soutien de l\u2019appel \u00e0 projets \u00ab\u00a0Animations Scientifiques\u00a0\u00bb de la facult\u00e9 Soci\u00e9t\u00e9s &amp; Humanit\u00e9s d\u2019Universit\u00e9 Paris Cit\u00e9<\/h5>\n<h5 style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4431\" src=\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/03\/Logo-faculte\u0301-SH-300x72.png\" alt=\"\" width=\"233\" height=\"56\" srcset=\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/03\/Logo-faculte\u0301-SH-300x72.png 300w, https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/03\/Logo-faculte\u0301-SH-768x185.png 768w, https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/03\/Logo-faculte\u0301-SH.png 777w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/h5>\n<h5 style=\"text-align: center\">Ainsi que celui du CERILAC, du LARCA et de l\u2019IRCAV (Sorbonne Nouvelle).<\/h5>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\"><\/div>\n<p> Quand 20-22 juin 2024 O\u00f9 Aberyswyth University, Wales, UK <\/p>\n<div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\"><\/div>\n<p> Colloque organis\u00e9 par Emmanuelle Andr\u00e9 (CERILAC, U. Paris Cit\u00e9), Martine Beugnet (LARCA, U. Paris Cit\u00e9), Guillaume Soulez (U. Sorbonne Nouvelle) et Kim Knowles (Aberystwyth University) Still: Thomas Dekeyser and Andrew Kulp, Machines in Flames, 2022. <\/p>\n<div class=\"et_pb_row et_pb_row_2 et_pb_row_empty\"><\/div>\n<p> Part One\u00a0Experimental Research PracticesPr\u00e9sentationWalter Benjamin\u2019s concept of the&hellip; <a class=\"continue\" href=\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/colloque-digital-unconscious\/\">Lire la suite<span> Colloque \u00ab\u00a0Digital unconscious\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":4558,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[21,26],"tags":[],"class_list":["post-4556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloque","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=4556"}],"version-history":[{"count":8,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4556\/revisions"}],"predecessor-version":[{"id":4563,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4556\/revisions\/4563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/4558"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=4556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=4556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=4556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}