{"id":4548,"date":"2024-05-30T09:24:44","date_gmt":"2024-05-30T07:24:44","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4548"},"modified":"2024-10-15T10:26:39","modified_gmt":"2024-10-15T08:26:39","slug":"cultural-production-in-the-19th-century-tissages-et-metissages","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/cultural-production-in-the-19th-century-tissages-et-metissages\/","title":{"rendered":"Cultural Production in the 19th Century. Tissages et Me\u0301tissages"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n

Quand<\/h4>\n

24-25 juin 2024<\/p>\n

O\u00f9<\/h4>\n

The American University of Paris et Universite\u0301 Paris Cite\u0301<\/p>\n

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Organise\u0301 par Gayle Zachmann (University of Florida), Richard Shryock (Virginia Tech), avec Jacques-David Ebguy et Paule Petitier (Universite\u0301 Paris Cite\u0301) et Sonya Stephens (The American University of Paris)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2024\/05\/Capture-d\u2019e\u0301cran-2024-06-21-a\u0300-08.42.16.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Programme<\/h3>\n

Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n

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Lundi, 24 juin<\/h4>\n

9h45 Ouverture et cafe\u0301<\/p>\n<\/div>\n<\/div>\n

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10h00 Avant-propos des organisateurs
Gayle Zachmann, Richard Shryock, Paule Petitier, Jacques-David Ebguy, Sonya Stephens<\/p>\n

10h15-11h45 Tisser les Kahn<\/strong><\/p>\n

Pre\u0301sidente de session: Sonya Stephens, The American University of Paris<\/p>\n

Richard Shryock, Virigina Tech \u2013 Limits of Readability in Gustave Kahn’s Le Conte de l’or et du silence<\/p>\n

Gayle Zachmann, University of Florida \u2013 Zadoc Kahn: Salvaging Sermon 12h00-14h00 De\u0301jeuner<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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14h15-15h45 De Balzac a\u0300 Flaubert<\/strong><\/p>\n

Pre\u0301sident de session: Elizabeth Emery, Montclair State University<\/p>\n

Virginie A. Duzer, Pomona College \u2013 A la recherche de l’herbe verte dans Le Chef d’\u0153uvre inconnu<\/p>\n

Pause cafe\u0301<\/p>\n

16h00-17h30 Liens<\/strong><\/p>\n<\/div>\n<\/div>\n

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Jacques-David Ebguy, Universite\u0301 Paris Cite\u0301 \u2013 Un texte complique\u0301. L\u2019entreme\u0302lement des genres dans \u201cUn Coeur simple\u201d de Flaubert<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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19h00<\/p>\n<\/div>\n

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Pre\u0301sident de session: Michel Pierssens, University of Montreal
Franc\u0327oise Gaillard, Universite\u0301 Paris Cite\u0301 \u2013 En marche ! Le progre\u0300s, la blague du sie\u0300cle<\/p>\n

Elizabeth Emery, Montclair State University \u2013 Anatole France in Translation: The Reception of his Prose Fiction in the United States, 1890-1914<\/p>\n

Re\u0301ception di\u0302natoire<\/p>\n

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Mardi 25 juin<\/h4>\n

10h00 Cafe\u0301 et avant-propos des organisateurs<\/p>\n

10h15-11h45 E\u0301toffes Ge\u0301ne\u0301riques<\/strong><\/p>\n

Pre\u0301sidente de session: Paule Petitier, Universite\u0301 Paris Cite\u0301<\/p>\n

Susan McCready, University of South Alabama \u2013 Talma’s Threads
Ce\u0301line Duverne, l\u2019Universite\u0301 de Reims-Champagne-Ardenne \u2013 L\u2019hybridation ge\u0301ne\u0301rique chez les e\u0301crivains dits minores : un de\u0301nominateur commun ?<\/p>\n

12h00-14h00<\/p>\n

De\u0301jeuner<\/p>\n

14h15-15h45 Me\u0301tissages et Mai\u0302trises<\/strong><\/p>\n

Pre\u0301sidente de session: Sharon Johnson, Virginia Tech<\/p>\n<\/div>\n

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Julien Schuh, Universite\u0301 Paris Nanterre \u2013 Bibliophilie, exotisme, ide\u0301alisme: le symbolisme comme culture coloniale<\/p>\n

Christina Sztajnkryce, The Pennsylavania State University \u2013 Tissu exotique: la curieuse attention des voyageurs franc\u0327ais au Maghreb pour les habits des Juives<\/p>\n<\/div>\n<\/div>\n

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Pause cafe\u0301<\/p>\n

16h00-17h30 Tisser la Matie\u0300re<\/strong><\/p>\n

Pre\u0301sident de session: Richard Shryock, Virginia Tech
Cary Hollinshead-Strick, The American University of Paris \u2013 Setting the Tone With Papier Japon in Fin-De-Sie\u0300cle France<\/p>\n

Heidi Brevik-Zender, University of California – Riverside \u2013 Disde\u0301ri\u2019s Photographs of Breton Architectonics<\/p>\n

\u00a0<\/p>\n

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Comite\u0301 d\u2019organisation: Gayle Zachmann, Richard Shryock, Jacques-David Ebguy, Paule Petitier, Sonya Stephens<\/em><\/p>\n

Nos remerciements chaleureux a\u0300 Universite\u0301 Paris Cite\u0301, University of Florida, Virginia Tech, The American University of Paris, Bob and Bea Mahan.<\/em><\/p>\n

Special thanks to Alexa Lisanti, Program Assistant.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Informations pratiques<\/strong><\/p>\n

The American University of Paris : 6, rue du Colonel Combes Paris 75007<\/p>\n

Universite\u0301 Paris Cite\u0301, Centre de Ressources Jacques Seebacher : 5 rue Thomas Mann, Grands Moulins, Aile A, 2\u00e8me \u00e9tage<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

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Quand24-25 juin 2024O\u00f9The American University of Paris et Universite\u0301 Paris Cite\u0301 <\/p>\n

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Organise\u0301 par Gayle Zachmann (University of Florida), Richard Shryock (Virginia Tech), avec Jacques-David Ebguy et Paule Petitier (Universite\u0301 Paris Cite\u0301) et Sonya Stephens (The American University of Paris) <\/p>\n

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