{"id":4484,"date":"2024-06-03T09:14:20","date_gmt":"2024-06-03T07:14:20","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4484"},"modified":"2024-07-05T10:49:05","modified_gmt":"2024-07-05T08:49:05","slug":"paule-petitier-la-pensee-sorciere-michelet-1862","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/paule-petitier-la-pensee-sorciere-michelet-1862\/","title":{"rendered":"Paule Petitier \u00ab\u00a0La Pens\u00e9e sorci\u00e8re, Michelet 1862\u00a0\u00bb"},"content":{"rendered":"

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Paule Petitier est professeure des universit\u00e9s en litt\u00e9rature du XIX\u00e8me si\u00e8cle au sein de l\u2019UFR Lettres, Arts et Cin\u00e9ma. Ses recherches au CERILAC sont int\u00e9gr\u00e9es \u00e0 l\u2019axe EPH (Ecrire et penser avec l\u2019histoire).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Au moment o\u00f9 la figure des sorci\u00e8res revient en force par le biais de la culture f\u00e9ministe, l\u2019historien Jules Michelet, avec La Sorci\u00e8re paru en 1862, s\u2019affirme comme l\u2019un des inventeurs de ce mythe moderne mais aussi comme le pr\u00e9curseur de contestations tout \u00e0 fait actuelles.
S\u2019identifiant \u00e0 sa Sorci\u00e8re, Michelet, penseur bien souvent jug\u00e9 h\u00e9r\u00e9tique, rompt avec une histoire classique et part en exploration dans le continent perdu de la sorcellerie, qui \u00e0 son \u00e9poque n\u2019a pas encore donn\u00e9 lieu \u00e0 de v\u00e9ritables recherches. Il s\u2019appuie sur sa connaissance g\u00e9n\u00e9rale de l\u2019histoire m\u00e9di\u00e9vale mais aussi sur la fiction, la po\u00e9sie, le conte et le mythe pour reconstituer la figure de la sorci\u00e8re. \u00c0 travers elle, il \u00e9voque la femme cr\u00e9atrice, son rapport alternatif avec le monde naturel et d\u00e9nonce le grand enfermement des femmes aux Temps modernes.<\/p>\n

Paule Petitier, attentive \u00e0 la richesse du texte de Michelet, en d\u00e9ploie le subtil feuilletage et les enjeux relatifs \u00e0 la place des femmes dans le monde et l\u2019histoire.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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