{"id":4425,"date":"2024-05-12T11:42:09","date_gmt":"2024-05-12T09:42:09","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4425"},"modified":"2024-05-31T09:27:29","modified_gmt":"2024-05-31T07:27:29","slug":"je-chorus-interactions-chorales","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/je-chorus-interactions-chorales\/","title":{"rendered":"JE Chorus : \u00ab\u00a0Interactions chorales\u00a0\u00bb"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n

Quand<\/h4>\n

Vendredi 17 mai et samedi 18 mai 2024 \u00e0 partir de 9h<\/p>\n

O\u00f9<\/h4>\n

Grands Moulins, Salle 685C (P. Albouy)<\/p>\n

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\u00ab\u00a0INTERACTIONS CHORALES. Interactions entre ch\u0153ur et acteurs dans la trag\u00e9die grecque ancienne : quelle construction commune ?\u00a0\u00bb<\/p>\n

Journ\u00e9es d\u2019\u00e9tude du programme CHORUS organis\u00e9es par Maxime Pierre.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Pr\u00e9sentation<\/h3>\n

Ces derni\u00e8res ann\u00e9es, le ch\u0153ur tragique a fait l\u2019objet d\u2019une attention renouvel\u00e9e\u00a0: comme le rappelle Claude Calame, faisant \u00e9cho \u00e0 Nietzsche, la trag\u00e9die grecque antique est avant tout une \u00ab\u00a0trag\u00e9die chorale\u00a0\u00bb. Cette choralit\u00e9 joue \u00e0 Ath\u00e8nes un r\u00f4le tout \u00e0 fait sp\u00e9cifique\u00a0:\u00a0 les choreutes, recrut\u00e9s parmi les citoyens, participent par leurs danses et leurs chants aux concours th\u00e9\u00e2traux des Grandes Dionysies. Le double ancrage de la performance chorale dans le rituel de la cit\u00e9 d\u00e9mocratique d\u2019Ath\u00e8nes et dans le drame tragique produit une voix collective caract\u00e9ris\u00e9e par une polyphonie. Deux ouvrages r\u00e9cents reviennent sur cette choralit\u00e9\u00a0: dans Choral Constructions in Greek Culture<\/em>, Deborah Tarn Steiner explore l\u2019imaginaire des formes chorales \u00e0 Ath\u00e8nes dans la danse et le chant tandis que Renaud Gagn\u00e9 et Marianne Givers Hopman dans Choral Mediations in Greek Tragedy\u00a0<\/em>rendent compte des ph\u00e9nom\u00e8nes complexes de m\u00e9diation port\u00e9es par le ch\u0153ur.\u00a0 Cette r\u00e9flexion sur le ch\u0153ur s\u2019inscrit dans une plus vaste r\u00e9flexion contemporaine sur le \u00ab\u00a0commun\u00a0\u00bb\u00a0: pour notre modernit\u00e9, l\u2019imaginaire du ch\u0153ur d\u2019\u00e9gaux chantant et dansant \u00e0 l\u2019unisson renvoie \u00e0 l\u2019id\u00e9al d\u00e9mocratique de l\u2019Ath\u00e8nes ancienne. Vincent Azoulay et Paulin Ismard ont rappel\u00e9 comment \u00ab\u00a0faire cit\u00e9\u00a0\u00bb \u00e0 Ath\u00e8nes c\u2019est \u00ab\u00a0faire ch\u0153ur\u00a0\u00bb au travers des formes coll\u00e9giales du politique. Cet horizon d\u00e9mocratique est abord\u00e9 dans l\u2019ouvrage d\u2019Estel Baudou, Cr\u00e9er le ch\u0153ur tragique<\/em>, qui explore la fa\u00e7on dont les mises en sc\u00e8ne modernes des trag\u00e9dies anciennes \u00e0 la fin du vingti\u00e8me si\u00e8cle cherchent, dans leur usage du ch\u0153ur, \u00e0 reconstruire du \u00ab\u00a0commun\u00a0\u00bb dans une Europe o\u00f9 le politique est en crise.<\/p>\n

Les deux journ\u00e9es d\u2019\u00e9tude que nous proposons visent \u00e0 prolonger ces r\u00e9flexions en analysant les interactions entre le ch\u0153ur tragique et les autres acteurs en sc\u00e8ne. Nous en explorerons les modalit\u00e9s spectaculaires dans l\u2019Antiquit\u00e9 grecque et dans les mises en sc\u00e8ne contemporaines.<\/p>\n

Programme<\/h3>\n

Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n

VENDREDI 17 MAI<\/strong>\u00a0<\/strong><\/p>\n

9h<\/strong> Accueil et installation<\/strong><\/p>\n

9h15 Ouverture\u00a0– Maxime Pierre<\/strong> \u2013 CERILAC, Universit\u00e9 Paris Cit\u00e9<\/p>\n

9h30-10h15<\/strong> – Claude Calame<\/strong> \u00a0\u2013 EHESS, AnHIMA, Paris<\/p>\n

\u00ab Polyphonies chorales\u00a0: interactions entre les protagonistes de l’action tragique dramatis\u00e9e, les choreutes et la divinit\u00e9 \u00bb<\/p>\n

Session 1 :\u00a0 Interactions chorales et spectateurs <\/strong><\/p>\n

Pr\u00e9sidence<\/u>\u00a0: Anne-Sophie No\u00ebl<\/strong> \u2013 Hisoma, \u00c9cole Normale Sup\u00e9rieure de Lyon<\/p>\n

10h15-11h <\/strong>– Rocco Marseglia<\/strong> \u2013 AnHIMA, Paris<\/p>\n

Entrer et sortir de l\u2019illusion : l\u2019interaction ch\u0153ur \/ acteur comme op\u00e9rateur multi-modal de th\u00e9\u00e2tralit\u00e9<\/p>\n

Pause caf\u00e9<\/strong><\/p>\n

11h15-12h – <\/strong>D\u00e9borah Bucchi <\/strong>\u00a0\u2013 AnHIMA, Paris<\/p>\n

La relation p\u00e8re-filles dans Les Suppliantes<\/em> et le Prom\u00e9th\u00e9e encha\u00een\u00e9<\/em> d\u2019Eschyle ou la fabrication d\u2019un espace divin collectif<\/p>\n

12h-12h15\u00a0: <\/strong>discussion<\/p>\n

\u00a0<\/strong><\/p>\n

Session 2 : Interactions conflictuelles <\/strong><\/p>\n

Pr\u00e9sidence<\/u>\u00a0: Michel Briand <\/strong>\u00a0\u2013 FoReLLIS, Universit\u00e9 de Poitiers<\/p>\n

14h15-15h<\/strong> – Miku Sueyoshi <\/strong>\u00a0\u2013 University of Cambridge<\/p>\n

Word full of respect, world full of conflict: leaders and creation of tension in the Antigone<\/em><\/p>\n

15h-15h45 – Th\u00e9a Escoubet <\/strong>\u00a0\u2013 Universit\u00e9 Paris Cit\u00e9<\/p>\n

Le ch\u0153ur face au protagoniste dans le premier \u00e9pisode des Suppliantes<\/em> d\u2019Eschyle<\/p>\n

15h45-16h\u00a0: <\/strong>discussion<\/p>\n

Pause caf\u00e9<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Session 3 :\u00a0 Politique des interactions chorales <\/strong><\/p>\n

Pr\u00e9sidence<\/u>\u00a0: Cyril Vettorato <\/strong>\u2013 CERILAC, Universit\u00e9 Paris Cit\u00e9<\/p>\n

16h15-17h – Estel Baudou <\/strong>\u2013 University of Lincoln<\/p>\n

\u00c9motions politiques \/ Politique de l\u2019\u00e9motion. Mises en sc\u00e8ne du ch\u0153ur tragique dans l\u2019Europe n\u00e9o-lib\u00e9rale<\/p>\n

17h17h45<\/strong> – Donato Lacirignola <\/strong>\u00a0\u2013 Universit\u00e9 Bordeaux Montaigne<\/p>\n

Au ch\u0153ur d\u2019Antonia Ngoni de Jean-Felhyt Kimbirima : un \u00ab rituel de gu\u00e9rison \u00bb pour Cr\u00e9on<\/p>\n

17h45-18h\u00a0: <\/strong>discussion<\/p>\n

\u00a0<\/p>\n

SAMEDI 18 MAI<\/strong><\/p>\n

Session 4 :\u00a0 Interactions chor\u00e9graphiques <\/strong><\/p>\n

Pr\u00e9sidence<\/u>\u00a0: Rocco Marseglia<\/strong> \u2013 AnHIMA, Paris<\/p>\n

9h15-10h \u00a0– Michel Briand <\/strong>\u2013 FoReLLIS, Universit\u00e9 de Poitiers<\/p>\n

Interactions kinesth\u00e9siques, choralit\u00e9s et jeux de fiction et performance dans les Bacchantes<\/em> d\u2019Euripide<\/p>\n

10h-10h45 \u00a0<\/strong>– Maxime Pierre<\/strong> \u2013 CERILAC, Universit\u00e9 Paris Cit\u00e9<\/p>\n

Interactions chor\u00e9graphiques dans la premi\u00e8re M\u00e9d\u00e9e<\/em> de Ninagawa (1978)<\/p>\n

Pause caf\u00e9<\/strong><\/p>\n

11h-11h45<\/strong> – Matteo Capponi<\/strong> \u00a0\u2013 Universit\u00e9 de Lausanne<\/p>\n

Re-cr\u00e9er un ch\u0153ur. R\u00e9flexions \u00e0 partir d\u2019une exp\u00e9rience pratique de mise en sc\u00e8ne du Ploutos<\/p>\n

11h45-12h\u00a0: <\/strong>discussion<\/p>\n

12h\u00a0: <\/strong>cl\u00f4ture<\/p>\n

\u00a0<\/p>\n

Ces journ\u00e9es d\u2019\u00e9tude s’inscrivent dans le cadre du programme IDEX Emergence recherche \u00ab\u00a0CHORUS Les arts de la parole, entre voix singuli\u00e8re et corps social\u00a0\u00bb.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n

Informations pratiques<\/strong><\/p>\n

Adresse : Universit\u00e9 Paris Cit\u00e9, B\u00e2timent des Grands Moulins, \/ salle 685C (Pierre Albouy), Esplanade Vidal-Naquet \/ Hall. C, 6e<\/sup> \u00e9t.\/ Paris 13e, <\/sup>M\u00e9tro 14, RER C, Tramway T3A, Bus 62,89 \/ arr\u00eat Biblioth\u00e8que Fran\u00e7ois Mitterrand<\/p>\n

Organisation : Maxime Pierre, Contact\u00a0: maxime.pierre@wordpress-test.app.u-pariscite.fr<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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QuandVendredi 17 mai et samedi 18 mai 2024 \u00e0 partir de 9hO\u00f9Grands Moulins, Salle 685C (P. Albouy) <\/p>\n

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\u00ab\u00a0INTERACTIONS CHORALES. Interactions entre ch\u0153ur et acteurs dans la trag\u00e9die grecque ancienne : quelle construction commune ?\u00a0\u00bbJourn\u00e9es d\u2019\u00e9tude du programme CHORUS organis\u00e9es par Maxime Pierre. <\/p>\n

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Pr\u00e9sentationCes derni\u00e8res ann\u00e9es, le ch\u0153ur tragique a fait l\u2019objet d\u2019une… Lire la suite JE Chorus : \u00ab\u00a0Interactions chorales\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":4429,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[26,22],"tags":[],"class_list":["post-4425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements-passes","category-journee-detude"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=4425"}],"version-history":[{"count":2,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4425\/revisions"}],"predecessor-version":[{"id":4430,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4425\/revisions\/4430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/4429"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=4425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=4425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=4425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}