{"id":4323,"date":"2024-03-13T10:18:42","date_gmt":"2024-03-13T09:18:42","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4323"},"modified":"2024-03-27T15:37:17","modified_gmt":"2024-03-27T14:37:17","slug":"paule-petitier-dechiffrer-la-tempete","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/paule-petitier-dechiffrer-la-tempete\/","title":{"rendered":"Paule Petitier \u00ab\u00a0D\u00e9chiffrer la temp\u00eate\u00a0\u00bb"},"content":{"rendered":"

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Paule Petitier est professeure des universit\u00e9s en litt\u00e9rature du XIX\u00e8me si\u00e8cle au sein de l\u2019UFR Lettres, Arts et Cin\u00e9ma. Ses recherches au CERILAC sont int\u00e9gr\u00e9es \u00e0 l\u2019axe EPH (Ecrire et penser avec l\u2019histoire).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Tourmente fondatrice ou faille terrifiante, la R\u00e9volution fran\u00e7aise offre au si\u00e8cle qui la suit une \u00e9nigme sans cesse interrog\u00e9e par les diff\u00e9rents genres litt\u00e9raires, les arts, la politique et l\u2019historiographie. \u00c9crite au milieu du XIXe si\u00e8cle, l\u2019Histoire de la R\u00e9volution fran\u00e7aise de Jules Michelet est, parmi l\u2019abondante production contemporaine, l\u2019un des ouvrages dont la puissance d\u2019\u00e9vocation, la complexit\u00e9, la pens\u00e9e politique, la force d\u2019actualisation du discours r\u00e9volutionnaire sont in\u00e9gal\u00e9es. On trouvera chez d\u2019autres auteurs de la m\u00eame \u00e9poque (Lamartine, Louis Blanc, Tocqueville) l\u2019une ou l\u2019autre de ces qualit\u00e9s port\u00e9es \u00e0 leur comble, mais non la r\u00e9union de toutes, qui donne un caract\u00e8re particuli\u00e8rement marquant \u00e0 l\u2019\u0153uvre de Michelet.
Comment cette histoire magistrale a-t-elle \u00e9t\u00e9 pens\u00e9e, \u00e9labor\u00e9e? \u00c0 partir de quelles sources, de quels d\u00e9bats avec les opinions politiques d\u2019un si\u00e8cle riche en convulsions? Quel regard porte-t-elle sur les diff\u00e9rents acteurs de l\u2019\u00e9v\u00e9nement monstre, la foule, le peuple, Paris, les clubs, les sections, les provinciaux, les meneurs de la capitale? Quelle po\u00e9tique de l\u2019Histoire s\u2019y tisse-t-elle \u00e0 travers l\u2019ind\u00e9niable qualit\u00e9 litt\u00e9raire d\u2019une \u00e9criture inimitable? Il \u00e9tait temps de proposer, par le biais de regards crois\u00e9s, un ouvrage offrant un panorama critique sur ce classique de l\u2019historiographie admir\u00e9, contest\u00e9 et, comme l\u2019\u00e9v\u00e9nement dont il traite, lui aussi \u00e0 bien des \u00e9gards superbement d\u00e9routant.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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