{"id":4233,"date":"2024-01-23T11:48:18","date_gmt":"2024-01-23T10:48:18","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4233"},"modified":"2024-01-23T14:43:28","modified_gmt":"2024-01-23T13:43:28","slug":"annabelle-marion-renaissance-de-giono","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/annabelle-marion-renaissance-de-giono\/","title":{"rendered":"Annabelle Marion \u00ab\u00a0Renaissance de Giono\u00a0\u00bb"},"content":{"rendered":"

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Annabelle Marion est docteure en Histoire et s\u00e9miologie du texte et de l\u2019image et chercheuse associ\u00e9e au CERILAC. En 2022, elle a soutenu une th\u00e8se intitul\u00e9e \u00ab\u00a0\u00c9tude d’une \u00ab renaissance \u00bb d’\u00e9crivain. La reconstruction de la figure d’auteur de Jean Giono apr\u00e8s la Seconde Guerre mondiale (1945-1957)\u00a0\u00bb sous la direction d’Eric Marty.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Au lendemain de la Lib\u00e9ration, Jean Giono traverse une crise majeure\u00a0: les \u00e9preuves de la guerre et de la prison, l\u2019inscription sur la \u00ab\u00a0liste noire\u00a0\u00bb des auteurs accus\u00e9s de collaboration, ont brutalement remis en cause son mod\u00e8le auctorial et esth\u00e9tique des ann\u00e9es trente ainsi que sa place dans le monde des lettres. Giono s\u2019engage d\u00e8s lors dans une profonde r\u00e9invention de soi, poursuivant une qu\u00eate identitaire ins\u00e9parable d\u2019une entreprise de reconqu\u00eate. \u00c0 travers l\u2019\u00e9tude de cette reconstruction complexe, cet ouvrage entend interroger la fa\u00e7on dont se fait, se d\u00e9fait et se refait un auteur, dans une interaction constante avec les r\u00e9actions du public et les \u00e9volutions d\u2019un champ litt\u00e9raire lui-m\u00eame traverse\u0301 par les mouvements de l\u2019Histoire.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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