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Du 14 au 16 d\u00e9cembre 2023\u00a0<\/p>\n
Grands Moulins et H\u00f4tel de Lauzun (IEA)<\/p>\n
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Colloque international \u00ab\u00a0Les e\u0301motions musicales dans la culture me\u0301die\u0301vale. Effets de la musique sur les corps et les a\u0302mes\u00a0\u00bb organis\u00e9 par Claire Donnat-Aracil et Amandine Mussou (CERILAC).<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n Universite\u0301 Paris Cite\u0301|Salle Pierre Albouy<\/p>\n 14 h 00 Accueil des participants<\/p>\n 14 h 30 Introduction, Claire Donnat-Aracil et Amandine Mussou<\/p>\n Pre\u0301sidence : Damien Boquet<\/p>\n 15 h 00 Les effets de la musique selon la le\u0301gende d\u2019Orphe\u0301e rapporte\u0301e par la Musica enchiriadis, <\/em>Violaine Anger Universite\u0301 d\u2019E\u0301vry Val d\u2019Essonne – E\u0301cole Polytechnique<\/p>\n 15 h 30 Le facteur instrumental : vents, cordes, percussions, a\u0300 chaque instrument son effet?, Jean-Marie Fritz Universite\u0301 de Bourgogne<\/p>\n 16 h 00 Discussion<\/p>\n 17 h 00 Ethos modal et e\u0301motion musicale dans la litte\u0301rature the\u0301orique du Moyen A\u0302ge : re\u0301alite\u0301 et chime\u0300re, Florence Mouchet Universite\u0301 Toulouse – Jean Jaure\u0300s<\/p>\n 17 h 30 Aristote et la musique de\u0301viante (parekbasis<\/em>). Lectures scolastiques Brenno Boccadoro Universite\u0301 de Gene\u0300ve<\/p>\n 18 h 00 Discussion<\/p>\n Institut d\u2019E\u0301tudes Avance\u0301es de Paris|Ho\u0302tel de Lauzun<\/p>\n Pre\u0301sidence : Jean-Franc\u0327ois Cottier<\/p>\n 10 h 00 Du cor de Roland a\u0300 la mort de Taillefer. A\u0300 quoi nous entrai\u0302ne le chant e\u0301pique ?, Christopher Lucken Universite\u0301 Paris 8<\/p>\n 10 h 30 Au risque des e\u0301motions : les effets des images de la musique sur les corps et les a\u0302mes autour de 1300, Martine Clouzot Universite\u0301 de Bourgogne<\/p>\n 11 h 00 Discussion | Pause<\/p>\n 11 h 30 Iconographie des mouvements de l\u2019a\u0302me sous l\u2019effet du chant liturgique, He\u0301le\u0300ne Derieux Universite\u0301 Paris Sorbonne<\/p>\n 12 h 00 Faut-il croire au chant du cygne ? Le lai mortel, du Tristan en prose <\/em>a\u0300 Christine de Pizan, Dominique Demartini Universite\u0301 Sorbonne Nouvelle<\/p>\n 12 h 30 Discussion<\/p>\n Pre\u0301sidence : Jacqueline Cerquiglini-Toulet<\/p>\n 14 h 30 La musicalite\u0301 du vers et l\u2019expression des e\u0301motions. Les re\u0300gles de composition poe\u0301tique dans un corpus de troubadours et de trouve\u0300res, Guillaume Oriol Universite\u0301 Bordeaux Montaigne<\/p>\n 15 h 00 Effets du chant fe\u0301minin dans les pie\u0300ces lyriques d\u2019oi\u0308l des XIIe et XIIIe sie\u0300cles, Emmanuelle Dantan Universite\u0301 de Strasbourg<\/p>\n 15 h 30 Discussion | Pause<\/p>\n 16 h 00 Guillaume de Machaut et la consolation musicale, Mathias Sieffert Universite\u0301 Paul Vale\u0301ry – Montpellier 3<\/p>\n 16 h 30 La sourde image. Pierres, ivoires et statues, Agathe Sultan Universite\u0301 de Lausanne<\/p>\n 17 h 00 Discussion<\/p>\n 18 h 00 Concert de l\u2019Ensemble Alla Francesca<\/p>\n Universite\u0301 Paris Cite\u0301 | Salle Pierre Albouy<\/p>\n Pre\u0301sidence : Laurence Moulinier Brogi<\/p>\n 09 h 00 Le corps mystique : musique, extases et ravissementsk, Laurence Wuidar Studio filosofico domenicano Bologne<\/p>\n 09 h 30 Musique et transfiguration des a\u0302mes dans la mystique fe\u0301minine me\u0301die\u0301vale, Anne Ibos-Auge<\/p>\n 10 h 00 Discussion \/ Pause cafe\u0301<\/p>\n 10 h 30 Musique et politique des e\u0301motions au monaste\u0300re byzantin (IXe-XVe sie\u0300cle), Marie-Emmanuelle Torres Aix-Marseille Universite\u0301<\/p>\n 11 h 00 La stupeur comme e\u0301motion de silence au Moyen A\u0302ge central, Vincent Debiais CNRS<\/p>\n 11 h 30 Discussion<\/p>\n 12 h 00 Conclusions, Damien Boquet Aix – Marseille Universite\u0301<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong><\/p>\n CONTACT<\/p>\n Claire Donnat-Aracil : aracil.claire@gmail.com<\/a> et Amandine Mussou\u00a0: amandine.mussou@gmail.com<\/a><\/p>\n INSCRIPTIONS<\/p>\n Pour assister a\u0300 la journe\u0301e du vendredi 15 de\u0301cembre a\u0300 l\u2019Institut d\u2019E\u0301tudes Avance\u0301es, il est obligatoire de s\u2019inscrire avant le 13 de\u0301cembre aupre\u0300s de colloque.emotions.musicales@gmail.com<\/p>\n INFORMATIONS PRATIQUES<\/p>\n Les journe\u0301es du 14 et du 16 de\u0301cembre se de\u0301rouleront a\u0300 l\u2019Universite\u0301 Paris Cite\u0301, Ba\u0302timent des Grands Moulins | aile C, 6e\u0300me e\u0301tage | salle Pierre Albouy (5 rue Thomas Mann | Paris 13e, Me\u0301tro : Bibliothe\u0300que Franc\u0327ois Mitterrand | ligne 14)<\/p>\n La journe\u0301e du 15 de\u0301cembre se de\u0301roulera a\u0300 l\u2019Institut d\u2019E\u0301tudes Avance\u0301es de Paris, Ho\u0302tel de Lauzun (17 quai d\u2019Anjou | 75004 Paris Me\u0301tro : Sully-Morland ou Pont-Marie | ligne 7 | Saint Paul | ligne 1)<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Quand Du 14 au 16 d\u00e9cembre 2023\u00a0 O\u00f9 Grands Moulins et H\u00f4tel de Lauzun (IEA) <\/p>\n Colloque international \u00ab\u00a0Les e\u0301motions musicales dans la culture me\u0301die\u0301vale. Effets de la musique sur les corps et les a\u0302mes\u00a0\u00bb organis\u00e9 par Claire Donnat-Aracil et Amandine Mussou (CERILAC). <\/p>\nJeudi 14 de\u0301cembre<\/h3>\n
Session 1 Savoirs des e\u0301motions<\/h4>\n
Vendredi 15 de\u0301cembre<\/h3>\n
Session 2 Effets du chant, effets des images<\/h4>\n
Session 3 E\u0301motions en chansons<\/h4>\n
Samedi 16 de\u0301cembre<\/h3>\n
Session 4 Suspensions<\/h4>\n
\u00c0<\/span> lire aussi<\/h2>\n