{"id":4069,"date":"2023-10-26T15:08:00","date_gmt":"2023-10-26T13:08:00","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4069"},"modified":"2023-10-26T15:56:07","modified_gmt":"2023-10-26T13:56:07","slug":"colloque-une-autre-clarte-poesie-et-poetique-de-philippe-beck","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/colloque-une-autre-clarte-poesie-et-poetique-de-philippe-beck\/","title":{"rendered":"Colloque \u00ab\u00a0Une autre clart\u00e9. Po\u00e9sie et po\u00e9tique de Philippe Beck\u00a0\u00bb"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n

Quand<\/h4>\n

Du 28 au 30 novembre 2023<\/p>\n

O\u00f9<\/h4>\n

Biblioth\u00e8que Seebacher, Grands Moulins<\/p>\n

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Colloque international organis\u00e9 par A. Dickow (Virginia tech.) et L. Zimmermann (U Paris Cit\u00e9)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Odilon Redon, \u00ab\u00a0Le Char d’Apollon\u00a0\u00bb, vers 1910<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Pr\u00e9sentation<\/h3>\n

Le \u00ab lyrisme sec \u00bb ou \u00ab chant objectif \u00bb de Philippe Beck refuse la facilit\u00e9 d\u2019une expression telle qu\u2019elle croit s\u2019accorder imm\u00e9diatement au monde ; la s\u00e9cheresse est la condition de l\u2019objectivit\u00e9 dans le rapport indirect \u00e0 un monde \u00e9mu et \u00e9mouvant. \u0152uvre po\u00e9tique majeure du contemporain, le travail de Philippe Beck a connu en cette ann\u00e9e 2023 une triple actualit\u00e9 importante. Un nouveau livre de po\u00e9sie, Ryrka\u00cfpii (Flammarion), a pour point de d\u00e9part une subite invasion d\u2019ours polaires dans Ryrka\u00efpii<\/em>, ville de l\u2019extr\u00eame nord de l\u2019Asie. Ce livre relance la po\u00e9tique de l\u2019auteur, questionne la langue et le chant, affronte et embrasse un aujourd\u2019hui tr\u00e8s ancien, dans la confrontation avec l\u2019animal, et un aujourd\u2019hui du p\u00e9ril venu par l\u2019homme. Une autre clart\u00e9<\/em> (Le Bruit du temps), \u00e9galement paru d\u00e9but 2023, est un recueil des entretiens donn\u00e9s par l\u2019auteur sur une p\u00e9riode de 25 ans : 1997- 2022. Ce sont ainsi de nombreux propos, dans l\u2019\u00e9change avec des journalistes, avec d\u2019autres \u00e9crivains ou avec des philosophes, qui se trouvent rassembl\u00e9s pour exposer les enjeux de l\u2019\u0153uvre ; ce livre rattache le pass\u00e9 de l\u2019\u0153uvre \u00e0 son pr\u00e9sent. Beck y \u00e9voque, par exemple, la capacit\u00e9 analytique et pensante de la po\u00e9sie, son rapport aux catastrophes actuelles et \u00e0 l\u2019actualit\u00e9 en g\u00e9n\u00e9ral, l\u2019importance du travail rythmique du po\u00e8te, comme rythme de v\u00e9rit\u00e9 dans l\u2019\u00e9poque… Enfin, Id\u00e9es de la Nuit<\/em> suivi de L\u2019homme-balai<\/em> (Le Bruit du temps) sont deux suites pensantes. La premi\u00e8re interroge l\u2019id\u00e9e d\u2019une clart\u00e9 propre \u00e0 la po\u00e9sie, \u00ab une autre clart\u00e9 \u00bb, en effet, \u00e0 reconqu\u00e9rir sur l\u2019obscurit\u00e9 de l\u2019\u00e9poque, dans une critique de la nuit comme condition de possibilit\u00e9 de la lumi\u00e8re, et une r\u00e9habilitation du seul soleil, qui est le soleil sensible. L\u2019homme-balai<\/em> aborde de m\u00eame notre pr\u00e9sent, celui du v\u00e9cu pand\u00e9mique. Dans L\u2019homme balai <\/em>comme dans Ryrka\u00efpii<\/em>, les noms de La Fontaine, de Swift viennent \u00e0 l\u2019esprit, car la fable ou la parabole affleure cette fois dans la po\u00e9sie de Beck. Sur la base de ces trois nouveaut\u00e9s, le colloque sera l\u2019occasion d\u2019une r\u00e9ponse et de reprises, afin de dire ce qui peut s\u2019en entendre. Des sp\u00e9cialistes de l\u2019\u0153uvre, des critiques, des philosophes, des po\u00e8tes, des artistes, venus de divers pays, viendront dire \u00e0 leur fa\u00e7on ce qui fait pour elles et pour eux dates et jalons dans l\u2019\u0153uvre de Philippe Beck en g\u00e9n\u00e9ral, et avec cette triple parution en particulier.<\/p>\n

Programme<\/h3>\n

Mardi 28 novembre<\/h4>\n

14\u200ah\u200a15 : Alexander Dickow, Laurent Zimmermann, Ouverture du colloque<\/p>\n

Lectures de Ryrka\u00efpii (1)<\/strong><\/p>\n

Pr\u00e9sidente de s\u00e9ance Elena Truuts<\/p>\n

14\u200ah\u200a30 : Tim Trzaskalik, Chocs de commensurabilit\u00e9. Notes en marge de Ryrka\u00efpii<\/em>,\u00a0<\/p>\n

15\u200ah : Alexander Dickow, Ryrka\u00efpii,<\/em> suite de Dans de la nature<\/em> ?<\/p>\n

15\u200ah\u200a30 : Paul \u00c9chinard-Garin, L\u2019Ours, l\u2019\u00c2ne et le Rieur : la piste animale et le pouvoir des fables dans Ryrka\u00efpii<\/p>\n

16\u200ah : Hassaine Benzbir, Ryrka\u00efpi ou la clart\u00e9 d\u2019une hilarotrag\u00e9die<\/p>\n

Po\u00e9tique de l\u2019entretien (1)<\/strong><\/p>\n

16\u200ah\u200a30 : Ludovic Duhem, L\u2019entretien des marges. Depuis Une autre clart\u00e9 de Philippe Beck.<\/p>\n

Mercredi 29 novembre<\/h4>\n

Pr\u00e9sident de s\u00e9ance Paul \u00c9chinard-Garin<\/p>\n

Po\u00e9tique de l\u2019entretien (2)<\/strong><\/p>\n

10\u200ah : David Christoffel, La pens\u00e9e beckienne au micro<\/p>\n

\u00c9l\u00e9ments de po\u00e9tique<\/strong><\/p>\n

10\u200ah\u200a30 : Pierre Jamet, G\u00e9opo\u00e9tique de Philippe Beck<\/p>\n

11\u200ah : Hisato Kuriwaki, Pour une \u00e9ducation po\u00e9tique. Vers \/ \u00e0 partir de Philippe Beck<\/p>\n

11\u200ah\u200a30 : Jonathan Rousseau, \u00c9tude n\u00b0 1, \u00ab M\u00e9moriale \u00bb. Lyre-t\u00e9moin.<\/p>\n

12\u200ah : Pause d\u00e9jeuner<\/p>\n

Pr\u00e9sidente de s\u00e9ance Armelle Cloarec<\/p>\n

14\u200ah\u200a30 : Judith Balso, Forme et id\u00e9e selon le po\u00e8me \u2013 de Philippe Beck et d\u2019autres<\/p>\n

15\u200ah : Jennifer K. Dick, Cr\u00e9ation et didactique : la place de la pens\u00e9e dans l\u2019\u0153uvre r\u00e9cente de Philippe Beck<\/p>\n

15\u200ah\u200a30 : Laurent Zimmermann, Pr\u00e9, langue, largeur : le vers de Philippe Beck<\/p>\n

16\u200ah : \u00c9lodie La\u00fcgt, De l\u2019essentielle traductibilit\u00e9 au geste du po\u00e8me. \u00c0 propos du Sillon du po\u00e8me. En lisant Philippe Beck de Jacques Ranci\u00e8re<\/p>\n

16\u200ah\u200a30 : Elisabeth Gailledrat, Marcher-jeter-sauter<\/p>\n

17\u200ah : Aurore Dupaquier, Devenir. Sir\u00e8nes, rhapsodes.<\/p>\n

Lectures de Ryrka\u00efpii (2)<\/strong><\/p>\n

17\u200ah\u200a30 : Danielle Cohen-Levinas, Le chant des sir\u00e8nes, l\u2019ours blanc et la poign\u00e9e de main<\/p>\n

18\u200ah : Philippe Beck, Lecture de Ryrka\u00efpii<\/p>\n

Jeudi 30 novembre<\/h3>\n

Lectures de Ryrka\u00efpii (3)<\/strong><\/p>\n

Pr\u00e9sident de s\u00e9ance Pierre Jamet<\/p>\n

10\u200ah : Elena Truuts, De la \u00ab musique qui ne r\u00e9sonne pas \u00bb (Ryrka\u00efpii)<\/p>\n

Dialogues<\/strong><\/p>\n

10\u200ah\u200a30 : Christian Rosset, Cartographie d\u2019\u00e9changes (\u00e9pisode X) : esquisses<\/p>\n

11\u200ah : Yves di Manno, Nuit et jour \u00e0 Ryrka\u00efpii – Dialogue avec Philippe Beck<\/p>\n

12\u200ah : Pause d\u00e9jeuner<\/p>\n

Pr\u00e9sidente de s\u00e9ance Jennifer K. Dick<\/p>\n

14\u200ah\u200a30 : Philippe Soussan, Qu\u2019est-ce que je vois en lisant Philippe Beck ? Exp\u00e9rience de lecture d\u2019un artiste visuel<\/p>\n

Id\u00e9es de la Nuit, L\u2019homme-balai<\/strong><\/p>\n

15\u200ah : Johan Faerber, La pes\u00e9e du Dehors – Sur L\u2019homme-balai<\/p>\n

15\u200ah\u200a30 : Artin Bassiri, La nuit du langage<\/p>\n

16\u200ah : Armelle Cloarec, Sens commun et sens du commun dans L\u2019homme-balai<\/p>\n

16\u200ah\u200a30 : Alexander Dickow, Laurent Zimmermann, Cl\u00f4ture et bilan du colloque<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

<\/div>\n

Quand Du 28 au 30 novembre 2023 O\u00f9 Biblioth\u00e8que Seebacher, Grands Moulins <\/p>\n

<\/div>\n

Colloque international organis\u00e9 par A. Dickow (Virginia tech.) et L. Zimmermann (U Paris Cit\u00e9) \u00a9 Odilon Redon, \u00ab\u00a0Le Char d’Apollon\u00a0\u00bb, vers 1910 <\/p>\n

<\/div>\n

Pr\u00e9sentation Le \u00ab lyrisme sec \u00bb ou \u00ab chant objectif \u00bb de Philippe Beck refuse la facilit\u00e9 d\u2019une… Lire la suite Colloque \u00ab\u00a0Une autre clart\u00e9. Po\u00e9sie et po\u00e9tique de Philippe Beck\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":4070,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[21],"tags":[],"class_list":["post-4069","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloque"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=4069"}],"version-history":[{"count":5,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4069\/revisions"}],"predecessor-version":[{"id":4079,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/4069\/revisions\/4079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/4070"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=4069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=4069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=4069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}