{"id":4039,"date":"2023-10-18T16:59:48","date_gmt":"2023-10-18T14:59:48","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=4039"},"modified":"2023-10-18T17:00:10","modified_gmt":"2023-10-18T15:00:10","slug":"gaspard-delon-john-carpenter-au-dela-de-lhorreur","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/gaspard-delon-john-carpenter-au-dela-de-lhorreur\/","title":{"rendered":"Gaspard Delon \u00ab\u00a0John Carpenter. Au-del\u00e0 de l’horreur\u00a0\u00bb"},"content":{"rendered":"

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Gaspard Delon est ma\u00eetre de conf\u00e9rences en \u00e9tudes cin\u00e9matographiques \u00e0 l\u2019UFR LAC. Au sein du CERILAC, il centre ses recherches sur les interactions \u00e9conomiques, industrielles, esth\u00e9tiques et id\u00e9ologiques \u00e0 l\u2019\u0153uvre dans le blockbuster hollywoodien contemporain.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Premier ouvrage universitaire en langue fran\u00e7aise d\u00e9di\u00e9 \u00e0 la carri\u00e8re du cin\u00e9aste am\u00e9ricain John Carpenter, ce volume offre de nouveaux \u00e9clairages sur la filmographie, aussi composite que foisonnante, du \u00ab\u00a0ma\u00eetre de l\u2019horreur\u00a0\u00bb. En 50 ans d\u2019un parcours marqu\u00e9 par autant de r\u00e9ussites que d\u2019\u00e9checs, de collaborations fructueuses que de d\u00e9boires avec les studios, le r\u00e9alisateur a altern\u00e9 des projets aux moyens modestes ou importants, personnels ou de commande, d\u00e9velopp\u00e9s de fa\u00e7on plus ou moins contrainte. Tant\u00f4t attribu\u00e9s \u00e0 un professionnel aguerri, \u00e0 un artisan du cin\u00e9ma ou \u00e0 un \u00ab auteur frondeur \u00bb, ses films (Halloween<\/em>, The Thing<\/em>, Christine<\/em>\u2026) ont \u00e9t\u00e9 per\u00e7us selon les cas comme politiquement de gauche ou de droite, subversifs ou conservateurs. Dans une perspective pluridisciplinaire, cet ouvrage interroge d\u00e8s lors, au sein de l\u2019\u0153uvre de Carpenter, les tensions entre art et industrie, politique et divertissement, logiques cr\u00e9atives et \u00e9conomiques, r\u00e9gime de singularit\u00e9 et culture de masse, cin\u00e9philies savantes et populaires. Rassemblant des approches vari\u00e9es (technique et industrielle, pragmatique, musicologique, formelle, g\u00e9n\u00e9rique, culturelle et genr\u00e9e), il couvre un large spectre allant de ses longs-m\u00e9trages distribu\u00e9s en salles \u00e0 ses t\u00e9l\u00e9films et ses bandes originales, de ses r\u00e9alisations les plus fameuses aux moins \u00e9tudi\u00e9es ou aux plus obscures.<\/p>\n

Avec les contributions de Diane Arnaud, Xavier Bittar, Alain Boillat, Teresa Castro, Claire Cornillon, Simon Daniellou, Pascale Fakhry, Chlo\u00e9 Huvet, Pierre Jailloux, Sophie L\u00e9cole Solnychkine, Jean-Baptiste Massuet, Gilles Menegaldo, Philippe Met, Jean Montarnal, David Roche, Jules Sandeau, Pierre-Olivier Toulza et Arnaud Widenda\u00eble.<\/p>\n

http:\/\/www.pub-editions.fr\/index.php\/nouveautes\/john-carpenter-au-dela-de-l-horreur.html<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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