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10 octobre 2023 de 18h \u00e0 20h<\/p>\n
Salle 677C, Grands Moulins<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n
Conf\u00e9rence d’ouverture du s\u00e9minaire de l’axe EMOI \u00ab\u00a0Mati\u00e8res et r\u00e9gimes sensibles des virtuels num\u00e9riques\u00a0\u00bb par Lev Manovich, Professor of Computer Science at the City University of New York\u2019s Graduate Center, director of the Cultural Analytics Lab.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Lev Manovich, On Broadway, 2015. The interactive installation and web application<\/p>\n
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Pr\u00e9sentation t\u00e9l\u00e9chargeable<\/a><\/p>\n Conf\u00e9rence suivie d\u2019une discussion avec Antonio Somaini, professeur en \u00e9tudes cin\u00e9matographiques, \u00e9tudes visuelles et th\u00e9orie des m\u00e9dias \u00e0 l\u2019Universit\u00e9 Sorbonne Nouvelle.<\/p>\n \u00c0 l\u2019occasion de cette conf\u00e9rence Lev Manovich reviendra d\u2019abord sur la gen\u00e8se de son \u0153uvre majeure The Language of New Media,<\/em> MIT Press, 2001 (Le Langage des nouveaux m\u00e9dias<\/em>, Les Presses du R\u00e9el, 2010). Cet ouvrage constitue une r\u00e9f\u00e9rence importante dans le domaine de la r\u00e9flexion sur l\u2019histoire, l\u2019arch\u00e9ologie et la th\u00e9orie des m\u00e9dias num\u00e9riques. A travers de nombreuses analyses de films, Lev Manovich \u00e9labore un grand nombre de concepts et de discours-cl\u00e9s, notamment : po\u00e9tique de la navigabilit\u00e9, interface homme-machine, montage spatial et composition, imagerie num\u00e9rique en tant que passage de \u00ab remaniement de la r\u00e9alit\u00e9 au remaniement de ses images \u00bb.<\/p>\n Il pr\u00e9sentera ensuite ses r\u00e9centes recherches artistiques et th\u00e9oriques qui portent sur l\u2019esth\u00e9tique et les th\u00e9ories de l\u2019intelligence artificielle. Celles-ci sont expos\u00e9es dans l\u2019ouvrage co- \u00e9crit avec Emanuele Arielli Artificial Aesthetics: A Critical Guide to AI, Media and Design<\/em> Les travaux de Lev Manovich ont contribu\u00e9 \u00e0 la cr\u00e9ation et au d\u00e9veloppement des domaines de recherche suivants : new media studies<\/em> (1991-), software studies<\/em> (2001- ), cultural analytics<\/em> (2007-) et l\u2019esth\u00e9tique de l\u2019IA (2018-). Il est l\u2019auteur de nombreux ouvrages, dont Artificial Aesthetics, Cultural Analytics, Instagram and Contemporary Image, Software Takes Command<\/em> et The Language of New Media<\/em>. Antonio Somaini est professeur en th\u00e9orie du cin\u00e9ma, des m\u00e9dias et de la culture visuelle \u00e0 l\u2019Universit\u00e9 Sorbonne Nouvelle, et membre senior de l\u2019Institut Universitaire de France (IUF). Parmi ses publications r\u00e9centes, le livre Culture visuelle. Images, regards, m\u00e9dias, dispositifs<\/em> (avec Andrea Pinotti, Dijon, Les Presses du R\u00e9el, 2022) et la direction des ouvrages collectifs, notamment : Repenser le m\u00e9dium. Art contemporain et cin\u00e9ma<\/em> (dir. par Larisa Dryansky, Antonio Somaini et Riccardo Venturi, Dijon, Les Presses du R\u00e9el, 2022) et La haute et la basse d\u00e9finition des images<\/em> (dir. par Francesco Casetti et Antonio Somaini, Milan-Udine, Mim\u00e9sis, 2021). Son projet pour l\u2019IUF (2022-2027) concerne l\u2019impact de l\u2019intelligence artificielle sur les images, la culture visuelle et les champs de la photographie, du cin\u00e9ma et de l\u2019art contemporain.<\/p>\n Conf\u00e9rence propos\u00e9e dans le cadre du s\u00e9minaire \u00ab\u00a0Mati\u00e8res et r\u00e9gimes sensibles des virtuels num\u00e9riques. Une cartographie conceptuelle des \u00e9critures et des formes visuelles et sonores exp\u00e9rimentales issues du d\u00e9veloppement des technologies num\u00e9riques et cybern\u00e9tiques\u00a0\u00bb organis\u00e9 par Elsa Boyer (ENSAD, M\u00e9ridien Cultures et pratiques du num\u00e9rique), Olga Kobryn (Cerilac, Universit\u00e9 Paris Cit\u00e9) et Giusy Pisano (IRCAV, Sorbonne Nouvelle,ENS Louis-Lumi\u00e8re)<\/em><\/p>\n S\u00e9ance con\u00e7ue en collaboration avec Charlie Hewison (Universit\u00e9 Paris Cit\u00e9, Cerilac).<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ 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custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong> Cette conf\u00e9rence est \u00e9galement organis\u00e9e dans le cadre du s\u00e9minaire de master \u00ab Images de la recherche en \u00e9tudes cin\u00e9matographiques \u00bb.<\/p>\n \u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Quand10 octobre 2023 de 18h \u00e0 20hO\u00f9Salle 677C, Grands Moulins <\/p>\n Conf\u00e9rence d’ouverture du s\u00e9minaire de l’axe EMOI \u00ab\u00a0Mati\u00e8res et r\u00e9gimes sensibles des virtuels num\u00e9riques\u00a0\u00bb par Lev Manovich, Professor of Computer Science at the City University of New York\u2019s Graduate Center, director of the Cultural Analytics Lab. Lev Manovich, On Broadway, 2015. The interactive… Lire la suite Conf\u00e9rence de Lev Manovich<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,26,27],"tags":[],"class_list":["post-3986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac","category-evenements-passes","category-seminaire"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=3986"}],"version-history":[{"count":2,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3986\/revisions"}],"predecessor-version":[{"id":3990,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3986\/revisions\/3990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3987"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=3986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=3986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=3986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
(manovich.net, November 2021\u2013September 2023). Artiste et th\u00e9oricien, Lev Manovich est professeur au Graduate Center de la City University de New York et directeur du Cultural Analytics Lab. Il a \u00e9galement enseign\u00e9 la pratique des arts num\u00e9riques ainsi que l\u2019histoire et la th\u00e9orie des cultures num\u00e9riques au D\u00e9partement des arts visuels de l\u2019universit\u00e9 de Californie \u00e0 San Diego. Apr\u00e8s avoir \u00e9tudi\u00e9 la peinture, l\u2019architecture et le cin\u00e9ma, Manovich commence \u00e0 utiliser des ordinateurs pour cr\u00e9er les \u0153uvres num\u00e9riques d\u00e8s 1984. En tant qu\u2019artiste, Manovich a particip\u00e9 \u00e0 de nombreuses expositions internationales notamment \u00e0 l\u2019Institute of Contemporary Art (Londres), au Centre Pompidou, lors de la Biennale de Shanghai et au ZKM Centre d\u2019art et de m\u00e9dias en Allemagne.<\/p>\n
http:\/\/manovich.net\/<\/a><\/p>\n
Conf\u00e9rence en anglais – traduction simultan\u00e9e en fran\u00e7ais<\/p>\n\u00c0<\/span> lire aussi<\/h2>\n