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Yannick S\u00e9it\u00e9 a \u00e9t\u00e9 MCF HDR en litt\u00e9rature \u00e0 l\u2019UFR LAC et au CERILAC jusqu\u2019en 2021. Aujourd\u2019hui il est professeur \u00e0 l\u2019universit\u00e9 de Tours. Cet ouvrage a \u00e9t\u00e9 financ\u00e9 avec l’aide du CERILAC.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a9 Hermann<\/p>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n
Nul hasard si, d\u00e8s 1971, le pianiste Ben Sidran sous-titrait son ouvrage\u00a0Black Talk\u00a0\u00a0<\/i>par la formule\u00a0 :\u00a0How the Music of Black America Created a Radical Alternative to the Values of Western Literary Tradition<\/i>. Dans une tradition qui a largement revaloris\u00e9 la place et la fonction de l\u2019oralit\u00e9, dans une pratique musicale qui a parfois supprim\u00e9 tout recours \u00e0 la trace \u00e9crite et qui a souvent fait de l\u2019improvisation un moyen d\u2019expression per\u00e7u comme plus direct voire plus \u00ab\u00a0 naturel\u00a0 \u00bb, que nous disent les \u00e9crits de musiciens\u00a0 ? Notons que parmi les r\u00e9ponses de musiciens \u00e0 la question pos\u00e9e en 1974 par Stanley Dance dans\u00a0The World of Swing<\/i>\u00a0(\u00ab\u00a0 Musique mise \u00e0 part, quelle est votre forme d\u2019art favorite ?\u00a0 \u00bb), seules celles de Bud Freeman (\u00ab\u00a0 Literature and Theater\u00a0 \u00bb) et de Gene Ramey (\u00ab\u00a0 Poetry\u00a0 \u00bb) renvoient \u00e0 l\u2019univers des mots. Quant \u00e0 la question \u00ab\u00a0 Si vous n\u2019aviez pas fait de la musique votre m\u00e9tier, quelle profession embrasseriez-vous aujourd\u2019hui\u00a0 ?\u00a0 \u00bb, un seul se r\u00eave en \u00e9crivain (Freeman) et il n\u2019est que Milt Hinton pour s\u2019imaginer \u00ab\u00a0 writing about musicians\u00a0 \u00bb. Pourquoi cette apparente distance\u00a0 ? Et parmi ceux que l\u2019on a pris l\u2019habitude d\u2019appeler\u00a0jazzmen<\/i>, qui \u00e9crit volontiers et qui n\u2019\u00e9crit pas\u00a0 ? Pourquoi et \u00e0 qui \u00e9crivent-ils, sous quelle forme, dans quel but et dans quelle relation avec leur pratique musicale quotidienne\u00a0 ?<\/p>\n
Avec les contributions de :<\/em>\u00a0 Philippe Baudoin, Christian B\u00e9thune, Jean-Jacques Birg\u00e9, Adriana Carrillo, Vincent Cotro, Laurent Cugny, Brent Hayes Edwards, Pierre Fargeton, Ludovic Florin, Martin Guerpin, Yohan Giaume, Philippe Gumplowicz, Pim Higginson, Rapha\u00ebl Imbert, Didier Levallet, Frederico Lyra, Le\u00efla Olivesi, William Parker, Alexandre Pierrepont, Yannick S\u00e9it\u00e9, Alyn Shipton, Jacques Siron, Beno\u00eet Tadi\u00e9, Dan Vernhettes et Cyril Vettorato.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbD\u00e9tails\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Yannick S\u00e9it\u00e9 a \u00e9t\u00e9 MCF HDR en litt\u00e9rature \u00e0 l\u2019UFR LAC et au CERILAC jusqu\u2019en 2021. Aujourd\u2019hui il est professeur \u00e0 l\u2019universit\u00e9 de Tours. Cet ouvrage a \u00e9t\u00e9 financ\u00e9 avec l’aide du CERILAC. <\/p>\n\n