{"id":3884,"date":"2024-05-12T08:52:40","date_gmt":"2024-05-12T06:52:40","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3884"},"modified":"2024-10-15T10:23:52","modified_gmt":"2024-10-15T08:23:52","slug":"seminaire-2023-2024-politiques-du-style","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/seminaire-2023-2024-politiques-du-style\/","title":{"rendered":"S\u00e9minaire 2023-2024 \u00ab\u00a0Politiques du style\u00a0\u00bb"},"content":{"rendered":"

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Quand<\/h4>\n

Un vendredi par mois d’octobre \u00e0 mai<\/p>\n

O\u00f9<\/h4>\n

Universit\u00e9 Paris Cit\u00e9 et Sorbonne universit\u00e9<\/p>\n

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S\u00e9minaire organis\u00e9 par Christelle Reggiani (Sorbonne Universit\u00e9), Vincent Berthelier et Jacques-David Ebguy (Universit\u00e9 Paris Cit\u00e9).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2023\/09\/Guston-2.jpg\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

\u00a9Philip Guston, Floor<\/i>, 1976<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Argumentaire<\/h3>\n

Consid\u00e9rant que, dans l\u2019histoire litt\u00e9raire, des rapprochements spontan\u00e9s sont faits entre des styles, individuels ou collectifs, et des positions politiques, le s\u00e9minaire de recherche \u00ab\u00a0Politiques du style\u00a0\u00bb a d\u00e9cid\u00e9 d\u2019interroger les interactions entre ces deux domaines, et d\u2019identifier leurs modalit\u00e9s.<\/p>\n

Pour ce faire, nous invitons des chercheurs dont les publications \u00e9clairent les rapports entre politique et style sous un angle nouveau\u00a0; certaines s\u00e9ances sont en outre consacr\u00e9es \u00e0 des travaux in\u00e9dits, qui constituent autant de prises de recul th\u00e9orique et m\u00e9thodologique sur les disciplines litt\u00e9raires et stylistiques.<\/p>\n

Le s\u00e9minaire s\u2019int\u00e9resse \u00e0 ce que l\u2019on pourrait appeler l\u2019environnement politique des styles litt\u00e9raires. Ce premier mode de rapprochement d\u00e9coule d\u2019une simple juxtaposition\u00a0: qu\u2019un \u00e9crivain soit lib\u00e9ral, r\u00e9actionnaire, f\u00e9ministe ou raciste, il aura toujours un style, susceptible d\u2019\u00eatre caract\u00e9ris\u00e9 en termes politiques par un simple effet de contigu\u00eft\u00e9. Au prix d\u2019un saut logique, le style des auteurs libertaires deviendrait ainsi le style libertaire. L\u2019environnement politique inclut \u00e9galement les \u00ab\u00a0imaginaires stylistiques\u00a0\u00bb, ces discours qui circulent sur le style, et qui sont r\u00e9guli\u00e8rement travers\u00e9s d\u2019enjeux et de repr\u00e9sentations politiques. La vocation des stylisticien\u00b7ne\u00b7s est entre autres d\u2019\u00e9prouver la congruence des discours et des pratiques, en portant une attention particuli\u00e8re \u00e0 la source des jugements stylistiques (les critiques, les savant\u00b7e\u00b7s, le grand public, l\u2019auteur lui-m\u00eame).<\/p>\n

Mais le s\u00e9minaire entend surtout saisir la dimension politique des mani\u00e8res d\u2019\u00e9crire elles-m\u00eames. Il a vocation \u00e0 accueillir diverses approches. Certaines sont d\u2019ordre sociologique\u00a0: le style est toujours style en langue, il est symptomatique d\u2019un ancrage de classe\u00a0; il est aussi une prise de position dans le champ litt\u00e9raire, distinguant un\u00b7e \u00e9crivain\u00b7e de ses confr\u00e8res et cons\u0153urs. D\u2019autres empruntent \u00e0 la pragmatique\u00a0: le style est une mise en forme du discours qui a une vis\u00e9e (argumentative ou affective)\u00a0; en s\u00e9lectionnant des allocutaires, il dessine une communaut\u00e9 politique. Quelques approches, enfin, soul\u00e8vent des enjeux cognitifs ou psychologiques\u00a0: le style, quoique en apparence ext\u00e9rieur aux rapports sociaux, est un lieu de \u00ab\u00a0r\u00e9solution symbolique\u00a0\u00bb (Jameson) des contradictions et des conflits (de classe, mais aussi de d\u00e9sir)\u00a0; en tant que mise en forme langagi\u00e8re d\u2019une vision du monde, d\u2019un d\u00e9coupage particulier du r\u00e9el, un style engage un rapport au temps, \u00e0 l\u2019espace, \u00e0 la rationalit\u00e9, \u00e0 autrui, etc., et en tant que telle invite \u00e0 \u00e9laborer une ph\u00e9nom\u00e9nologie stylistique (elle-m\u00eame amen\u00e9e \u00e0 aborder les enjeux politiques \u00e0 travers sa grille conceptuelle propre, selon qu\u2019on s\u2019appuie sur une ph\u00e9nom\u00e9nologie heideggerienne, sartrienne, levinassienne, etc.).<\/p>\n

Enfin, les productions litt\u00e9raires sont conjointement langagi\u00e8res (que ce soit sous une forme discursive ou narrative) et id\u00e9ologiques. Ainsi, une p\u00e9riode historique donn\u00e9e produit des n\u0153uds id\u00e9ologiques (ou \u00ab\u00a0id\u00e9olog\u00e8mes\u00a0\u00bb) qui se cristallisent dans certaines formes litt\u00e9raires. Analyser les pratiques stylistiques sur un mode historique doit permettre d\u2019articuler l\u2019interpr\u00e9tation litt\u00e9raire \u00e0 une p\u00e9riodisation des rapports sociaux et \u00e9conomiques.<\/p>\n

Calendrier<\/h3>\n
13 octobre : Oliver Gloag (Oublier Camus<\/i>)<\/div>\n
24 novembre : Jean-Jacques Lecercle (Syst\u00e8me et style<\/i>) & Hugo Dumoulin<\/div>\n
26 janvier : Le style de Marx, avec \u00c9ric Vuillard (prix Goncourt), Alain Lhomme & Vincent Berthelier\u00a0(\u00e0 confirmer)<\/div>\n
16 f\u00e9vrier : \u00c9lodie Pinel (Pour en finir avec la passion<\/i>) & Az\u00e9lie Fayolle (Des femmes et du style<\/i>)<\/div>\n
22 mars : Le \u00ab\u00a0point de vue\u00a0\u00bb, genre et narratologie, avec Sylvie Patron & Marie-Jeanne Zenetti<\/div>\n
5 avril : Tel Quel<\/i>\u00a0et Change<\/i>, th\u00e9ories et pratiques linguistiques, avec Margaux Coquelle-Roehm & Juliette Drigny<\/div>\n
17 mai : Style anti-intellectuel, style parano\u00efaque, avec Chlo\u00e9 Chaudet & Sarah Al-Matary (\u00e0 confirmer)<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n

Informations pratiques<\/strong><\/p>\n

Salles : 679C (Grands Moulins) ; Maison de la Recherche de la Sorbonne (D421) \u00e0 partir de f\u00e9vrier\u00a0<\/div>\n
Contact : vincent.berthelier@wordpress-test.app.u-pariscite.fr<\/a><\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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Quand Un vendredi par mois d’octobre \u00e0 mai O\u00f9 Universit\u00e9 Paris Cit\u00e9 et Sorbonne universit\u00e9 <\/p>\n

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S\u00e9minaire organis\u00e9 par Christelle Reggiani (Sorbonne Universit\u00e9), Vincent Berthelier et Jacques-David Ebguy (Universit\u00e9 Paris Cit\u00e9). \u00a9Philip Guston, Floor, 1976 <\/p>\n

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Argumentaire Consid\u00e9rant que, dans l\u2019histoire litt\u00e9raire, des rapprochements spontan\u00e9s sont faits entre des styles, individuels ou collectifs, et… Lire la suite S\u00e9minaire 2023-2024 \u00ab\u00a0Politiques du style\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3899,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[27],"tags":[],"class_list":["post-3884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-seminaire"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=3884"}],"version-history":[{"count":5,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3884\/revisions"}],"predecessor-version":[{"id":3967,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3884\/revisions\/3967"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3899"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=3884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=3884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=3884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}