{"id":3821,"date":"2023-07-24T11:05:57","date_gmt":"2023-07-24T09:05:57","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3821"},"modified":"2023-07-24T11:05:57","modified_gmt":"2023-07-24T09:05:57","slug":"alain-guiheux-architectures-paradis","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/alain-guiheux-architectures-paradis\/","title":{"rendered":"Alain Guiheux \u00ab\u00a0Architectures paradis\u00a0\u00bb"},"content":{"rendered":"

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Alain Guiheux est professeur d’architecture \u00e0 l’ENSAPVS, membre du CERILAC il a \u00e9t\u00e9 co-responsable de l’axe \u00ab\u00a0Architecture et arts\u00a0\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Metispresses<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Le paradis r\u00e9unit ce qui est \u00abirraprochable\u00bb, dans la qu\u00eate d\u2019un bonheur sans fin. Oser le convier dans le discours architectural, c\u2019est inventer l\u2019architecture en questionnant son absence initiale. Alain Guiheux affronte ainsi un paradoxe: si le paradis se caract\u00e9rise par le manque d\u2019architecture, s\u2019il n\u2019y a pas d\u2019architecture en \u00c9den, comment emprunter ce concept pour faire l\u2019histoire (sinon la contre-histoire) de l\u2019architecture\u00a0? Car le mythe du paradis, qui engendre attitudes et d\u00e9sirs,\u00a0a transform\u00e9 en continu l\u2019architecture.
\u00a0
Architectures Paradis<\/i>\u00a0confronte le lecteur au retour du syst\u00e8me \u00e9d\u00e9nique et propose un voyage envo\u00fbtant dans cette autre sc\u00e8ne de l\u2019architecture. Le paradis y est la figure de l\u2019impensable, de l\u2019invisible et de l\u2019ind\u00e9termin\u00e9, contre la tyrannie de l\u2019ordre et de l\u2019\u00abespace\u00bb. Avec un r\u00e9seau icono-s\u00e9mantique particuli\u00e8rement riche, juxtaposant l\u2019enluminure m\u00e9di\u00e9vale, les projets radicaux des avant-gardes des ann\u00e9es 1960, les r\u00e9alisations architecturales contemporaines ainsi que le roman et le cin\u00e9ma, cet ouvrage dresse ici un r\u00e9cit qui repense en profondeur l\u2019architecture et ses cons\u00e9quences \u2013 aussi bien en pr\u00e9sence qu\u2019en absence \u2013 sur l\u2019humain.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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