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Fr\u00e9d\u00e9rique Berthet est Professeure des universit\u00e9s, elle enseigne les \u00e9tudes cin\u00e9matographiques \u00e0 l’UFR LAC. Co-directrice du laboratoire CERILAC, elle est membre et ancienne co-responsable de l’axe \u00ab\u00a0Ecrire et penser avec l’histoire\u00a0\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n
Le pr\u00e9sent num\u00e9ro explore la dimension m\u00e9diale de l\u2019acte et du geste de \u00ab\u00a0confier\u00a0\u00bb au prisme des pratiques et des \u0153uvres qui en permettent l\u2019exploration. Y sont abord\u00e9s les rapports de confiance dans l\u2019acte de cr\u00e9ation et les formes qui en permettent l\u2019expression et le ressenti. Comment les m\u00e9dias fa\u00e7onnent-ils ces rapports de confiance\u00a0? Comment les formes \u2013 ou puissances m\u00e9diumniques de la narration, de la figuration, de la mise en sc\u00e8ne ou en \u00e9criture\u00a0\u2013 les transmettent-elles\u00a0? Les\u00a0onze\u00a0articles rassembl\u00e9s tiennent compte de l\u2019histoire des pratiques culturelles, des potentialit\u00e9s ouvertes par les techniques de reproduction et de diffusion, des savoirs-faire\u00a0n\u00e9cessaires comme des impromptus et des prises de risques qui nouent les rapports de confiance\u00a0depuis l\u2019\u00e9poque m\u00e9di\u00e9vale, ainsi que de l\u2019espace m\u00e9diatique dans lequel les \u0153uvres\u00a0contemporaines\u00a0sont appel\u00e9es \u00e0 circuler. Une longue introduction replace l\u2019acte et le geste de confier dans des probl\u00e9matiques plus larges\u00a0: le partage de l\u2019intime au cin\u00e9ma, les modalit\u00e9s de la transmission de la m\u00e9moire\u00a0filiale\u00a0pour faire histoire, les doubles \u00e9chelles micro et macro de l\u2019analyse, et la vertu \u00e9pist\u00e9mique de la confiance ici plac\u00e9e dans les pratiques et les \u0153uvres, notamment visuelles, sonores et litt\u00e9raires.<\/p>\n
Gr\u00e2ce aux contributeurs\u00a0(philosophes, litt\u00e9raires, et sp\u00e9cialistes d\u2019\u00e9tudes cin\u00e9matographiques)\u00a0de ce num\u00e9ro, vous retournerez au temps de saint Augustin (Stout, M\u00e9choulan, Trudeau-Beaunoyer) pour y voir surgir l\u2019acte\u00a0auteuriste\u00a0de confier dans le m\u00e9dium de l\u2019\u00e9criture, pratiquerez une \u00e9coute intensifi\u00e9e sur une sc\u00e8ne relationnelle\u00a0ou compassionnelle\u00a0imaginaire (Garneau, Pi\u00e9gay), suivrez les trajectoires interm\u00e9diales de ce que la vie nous oblige \u00e0 confier (aux m\u00e9diums) sous menace de disparition, et \u00e0 en partager ainsi le bonheur ou le fardeau\u00a0: une pr\u00e9sence au monde (Sarrazy),\u00a0une communaut\u00e9 du souvenir\u00a0(Mariniello), un trauma cryptique (Lamoureux). Les artistes invit\u00e9s de ce num\u00e9ro (Suzanne Beth et Anne Lardeux, et Christophe Loizillon) vous feront d\u00e9couvrir, de l\u2019int\u00e9rieur, l\u2019acte de confiance qui est au c\u0153ur de leur pratique\u00a0de r\u00e9alisatrices et r\u00e9alisateur,\u00a0que cet acte\u00a0\u00e9thique, politique et esth\u00e9tique\u00a0soit esp\u00e9r\u00e9, emp\u00each\u00e9 ou accompli.<\/p>\n