[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n
8 et 9 juin 2023<\/p>\n
Biblioth\u00e8que polonaise et universit\u00e9 Paris Cit\u00e9<\/p>\n
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Colloque international organis\u00e9 par Patricia Limido (Universit\u00e9 Paris Cit\u00e9) et Bernard Gendrel (UPEC). Avec le soutien de la Facult\u00e9 Soci\u00e9t\u00e9s et Humanit\u00e9s (UPC).<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Vilhelm Hammersh\u00f8i, Interior with young man reading, 1898, Hirschsprung Collection<\/p>\n
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L\u2019esth\u00e9tique de Roman Ingarden constitue l\u2019une des derni\u00e8res grandes esth\u00e9tiques ph\u00e9nom\u00e9nologiques du 20e si\u00e8cle. Elle se distingue par son ambition de penser la possibilit\u00e9 d\u2019une th\u00e9orie unifi\u00e9e des arts. Sa d\u00e9marche s\u2019est inaugur\u00e9e sur le terrain litt\u00e9raire avec la publication de L\u2019\u0152uvre d\u2019art litt\u00e9raire<\/em> en 1931. Ce projet, fondamentalement ontologique, a trouv\u00e9 son prolongement ph\u00e9nom\u00e9nologique en 1937 avec La Connaissance de l\u2019\u0153uvre d\u2019art litt\u00e9raire<\/em> qui, pour la premi\u00e8re fois, donne une place centrale au lecteur et au spectateur, autrement dit, inaugure ce que l\u2019on appelle d\u00e9sormais l\u2019esth\u00e9tique de la r\u00e9ception.<\/p>\n La publication imminente de la traduction de ce texte majeur en fran\u00e7ais est l\u2019occasion d\u2019organiser un large colloque autour de l\u2019actualit\u00e9 de la pens\u00e9e litt\u00e9raire et esth\u00e9tique de Roman Ingarden. Il s\u2019agira de favoriser la rencontre entre les points de vue philosophique et litt\u00e9raire autour du statut des actes de lecture, d\u2019une part, et des diff\u00e9rentes dimensions de la cr\u00e9ation, de l\u2019adaptation et de la r\u00e9ception esth\u00e9tique d\u2019autre part.<\/p>\n Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n \u00a0<\/p>\n 9h > Accueil \u00e0 la Biblioth\u00e8que Polonaise<\/p>\n \u00a0<\/p>\n 9h30 > Ouverture du colloque<\/p>\n Patricia Limido (Paris Cit\u00e9) et Olivier Malherbe (ULBruxelles) et Circ\u00e9 Furtw\u00e4ngler (Paris 1)<\/p>\n Qu\u2019est-ce que conna\u00eetre une \u0153uvre d\u2019art litt\u00e9raire ?<\/em><\/p>\n \u00a0<\/p>\n 10h10 > Bernard Gendrel (Paris 12)<\/p>\n Entre \u0153uvre d\u2019art et objet esth\u00e9tique : la th\u00e9orie litt\u00e9raire \u00e0 la lumi\u00e8re d\u2019Ingarden<\/em><\/p>\n \u00a0<\/p>\n 11h > Micha\u0142 Mrugalski (universit\u00e9 Humboldt de Berlin)<\/p>\n Ingarden incarn\u00e9 : l\u2019inf\u00e9rence pr\u00e9dictive de la lecture chez Ingarden et dans les approches \u00e9nactivistes de la cognition.<\/em><\/p>\n Cette communication sera suivie d\u2019une discussion avec Sylvie Patron (Paris Cit\u00e9) \u00e0 titre de r\u00e9pondante.<\/p>\n \u00a0<\/p>\n D\u00e9jeuner<\/p>\n \u00a0<\/p>\n 14h 15 > Anne Coignard (Toulouse)<\/p>\n Ingarden et le travail de l\u2019attention.<\/em><\/p>\n \u00a0<\/p>\n 14h50 > Numa Vittoz (Zurich)<\/p>\n Une d\u00e9termination extra-textuelle ? Quand le texte appelle \u00e0 lever les yeux de son livre.<\/em><\/p>\n \u00a0<\/p>\n Pause<\/p>\n \u00a0<\/p>\n 15h50 > Maxime Decout (Paris Sorbonne)<\/p>\n Comment et pourquoi mal lire les \u0153uvres ?<\/em><\/p>\n \u00a0<\/p>\n 16h20 > Ioana Vultur (Paris Cral)<\/p>\n La dimension cr\u00e9atrice de l\u2019acte de lecture.<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n 9h15 > Accueil \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9<\/p>\n \u00a0<\/p>\n 9h30 > Adnen Jdey (universit\u00e9 catholique de Louvain)<\/p>\n La lecture \u00e9valuative chez Ingarden : port\u00e9e et limites<\/em><\/p>\n \u00a0<\/p>\n 10h10 > Jean-Marie Schaeffer (EHESS-Cral)<\/p>\n Le texte litt\u00e9raire et son adaptation cin\u00e9matographique.<\/em><\/p>\n \u00a0<\/p>\n Pause<\/p>\n \u00a0<\/p>\n 11h > Anastasiia Cherepanova (universit\u00e9 Masaryk de Brno, Tch\u00e9quie)<\/p>\n L\u2019utilisation des th\u00e9ories de Roman Ingarden dans l\u2019adaptation cin\u00e9matographique du roman de Romain Gary \u00ab La promesse de l\u2019aube \u00bb.<\/em><\/p>\n \u00a0<\/em><\/p>\n 11h40 > Edward M. Swiderski (Fribourg)<\/p>\n Ontologie et\/ou esth\u00e9tique musicales : quelques questions adress\u00e9es \u00e0 Ingarden.<\/em><\/p>\n \u00a0<\/p>\n D\u00e9jeuner<\/p>\n \u00a0<\/p>\n 14h30 > Isabelle Barb\u00e9ris (Paris Cit\u00e9)<\/p>\n Faut-il condamner les metteurs en sc\u00e8ne ?<\/em><\/p>\n \u00a0<\/p>\n 15h10 > Maud Pouradier (Caen)<\/p>\n L\u2019impens\u00e9 de l\u2019op\u00e9ra<\/em><\/p>\n \u00a0<\/p>\n 15h50 > Pierre Fasula (Paris 1)<\/p>\n Ingarden et le syst\u00e8me des arts. <\/em><\/p>\n \u00a0<\/p>\n Cl\u00f4ture du colloque<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ 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header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Quand 8 et 9 juin 2023 O\u00f9 Biblioth\u00e8que polonaise et universit\u00e9 Paris Cit\u00e9 <\/p>\n Colloque international organis\u00e9 par Patricia Limido (Universit\u00e9 Paris Cit\u00e9) et Bernard Gendrel (UPEC). Avec le soutien de la Facult\u00e9 Soci\u00e9t\u00e9s et Humanit\u00e9s (UPC). Vilhelm Hammersh\u00f8i, Interior with young man reading, 1898, Hirschsprung Collection <\/p>\nProgramme<\/h3>\n
8 juin 2023<\/h4>\n
9 juin 2023<\/h4>\n
Biblioth\u00e8que Polonaise : 6 quai d\u2019Orl\u00e9ans, Paris 75004<\/h5>\n
(M\u00e9tro ligne 7 – Bus 67, 86, 87)<\/h5>\n
Universit\u00e9 Paris Cit\u00e9 (Paris 7) : 5 rue Thomas Mann, Entr\u00e9e C, 6e \u00e9tage, Salle Pierre Albouy<\/h5>\n
(M\u00e9tro ligne 6, 14 – RER C – Bus 62, 89)<\/h5>\n
Vous pouvez \u00e9crire aux organisateurs pour obtenir les liens de connexion : patricia.limido@parisdescartes.fr<\/a>, bernard.gendrel@u-pec.fr<\/a><\/h5>\n
\u00c0<\/span> lire aussi<\/h2>\n