{"id":3593,"date":"2023-03-29T10:32:32","date_gmt":"2023-03-29T08:32:32","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3593"},"modified":"2023-04-07T09:31:44","modified_gmt":"2023-04-07T07:31:44","slug":"gaspard-delon-vivre-la-bataille-experience-et-participation-dans-les-arts-xve-xxie-siecle","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/gaspard-delon-vivre-la-bataille-experience-et-participation-dans-les-arts-xve-xxie-siecle\/","title":{"rendered":"Gaspard Delon \u00ab\u00a0Vivre la bataille ? Exp\u00e9rience et participation dans les arts. XVe-XXIe si\u00e8cle\u00a0\u00bb"},"content":{"rendered":"

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Gaspard Delon est ma\u00eetre de conf\u00e9rences en \u00e9tudes cin\u00e9matographiques \u00e0 l\u2019UFR LAC. Au sein du CERILAC, il centre ses recherches sur les interactions \u00e9conomiques, industrielles, esth\u00e9tiques et id\u00e9ologiques \u00e0 l\u2019\u0153uvre dans le blockbuster hollywoodien contemporain.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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\u00ab\u00a0Une bataille vraie n\u2019est pas un tableau<\/em>\u00a0\u00bb, dit Baudelaire dans son Salon<\/em> de 1859. L\u2019art poss\u00e8de-t-il une capacit\u00e9 r\u00e9elle \u00e0 rendre compte du combat ? Par sa d\u00e9mesure spatiale et temporelle comme par sa violence et par son d\u00e9sordre, la bataille conduit \u00e0 des innovations artistiques de forme comme de technique. Elle pousse \u00e0 l\u2019\u00e9mergence de dispositifs toujours plus immersifs, d\u00e9passant les limites expressives des m\u00e9diums afin de faire revivre des \u00e9v\u00e9nements insaisissables ainsi qu\u2019une exp\u00e9rience hors du commun. Face aux ambitions des artistes, jusqu\u2019o\u00f9 le spectateur devient-il acteur de la sc\u00e8ne de bataille ?
La spire histori\u00e9e de la colonne Trajane, les galeries de batailles et les tentures modernes, les rotondes des panoramas ou encore les larges \u00e9crans du cin\u00e9ma sont autant de dispositifs visant \u00e0 produire une restitution vivante des faits militaires. Modernistes et contemporan\u00e9istes, historiens de l\u2019art et de l\u2019audiovisuel envisagent ici les usages, les r\u00e9ceptions et les \u00e9motions engendr\u00e9s par les repr\u00e9sentations de batailles. Celles-ci touchent puissamment au regard, \u00e0 l\u2019esprit et au corps du spectateur aux prises avec la fiction du combat.<\/p>\n

Avec le soutien le soutien du\u00a0LARHRA \u2013 UMR 5190, de l\u2019universit\u00e9 Lumi\u00e8re Lyon 2, de l\u2019Institut universitaire de France, du\u00a0CERILAC d\u2019Universit\u00e9 Paris Cit\u00e9, de\u00a0Saprat \u2013 EA de l\u2019EPHE-PSL (Sciences historiques et philologiques)\u00a0et de l\u2019Acad\u00e9mie de France \u00e0 Rome \u2013 Villa M\u00e9dicis.<\/p>\n

Une rencontre autour de la sortie de l’ouvrage aura lieu mardi 18 avril 2023<\/strong> de 18h <\/strong>\u00e0 <\/strong>20h en biblioth<\/strong>\u00e8<\/strong>que Seebacher (Grands Moulins, b<\/strong>\u00e2timent A, 2e \u00e9tage).<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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