{"id":3536,"date":"2023-03-02T14:38:44","date_gmt":"2023-03-02T13:38:44","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3536"},"modified":"2023-04-17T16:55:40","modified_gmt":"2023-04-17T14:55:40","slug":"cycle-de-lectures-et-de-rencontres-poesie-en-cours-2022-2023","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/cycle-de-lectures-et-de-rencontres-poesie-en-cours-2022-2023\/","title":{"rendered":"Cycle de lectures et de rencontres \u00ab\u00a0Po\u00e9sie en cours\u00a0\u00bb 2022-2023"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n

Quand<\/h4>\n

Du 15 novembre 2022 au 11 avril 2023<\/p>\n

O\u00f9<\/h4>\n

Salle Pierre Albouy, Grands Moulins<\/p>\n

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Cycle de lectures et rencontres de l’axe D\u00e9centrement lyrique. Organis\u00e9 par Camille Bloomfield, Marik Froidefond, Claire Paulian et Cyril Vettorato.<\/div>\n<\/div>\n<\/div>\n

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Pr\u00e9sentation<\/h2>\n

Plus on proclame sa mort, plus la po\u00e9sie existe. Elle investit de nouveaux m\u00e9diums et de nouveaux lieux, se fait plurilingue, multim\u00e9dia, sociale, bruyante, musicale\u2026 Le cycle de lectures et de rencontres\u00a0Po\u00e9sie en cours<\/i>\u00a0a \u00e9t\u00e9 imagin\u00e9 comme une fen\u00eatre sur ce champ en perp\u00e9tuelle r\u00e9invention, trop remuant pour qu\u2019il nous soit possible de le cartographier de fa\u00e7on exhaustive. Au fil des s\u00e9ances, qui s\u2019articuleront autour de lectures po\u00e9tiques et de discussions avec les personnes invit\u00e9es, nous d\u00e9couvrirons des voix qui conjuguent l\u2019\u00e9criture po\u00e9tique au pr\u00e9sent. Comme autant de filets jet\u00e9s \u00e0 la mer, chaque s\u00e9ance consacr\u00e9e \u00e0 l\u2019une des facettes de la cr\u00e9ation po\u00e9tique actuelle partira \u00e0 la recherche de quelques unes des voix qui la composent, avec un effort tout particulier pour faire entendre des voix \u00e9mergentes.<\/p>\n

Programme<\/h2>\n

Se\u0301ance 1 : 15 novembre 2022<\/h3>\n<\/div>\n<\/div>\n
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Avec Nathalie Koble et Cole Swensen<\/div>\n
18h-20h<\/div>\n<\/div>\n
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S\u00e9ance 2 : 13 d\u00e9cembre 2022<\/h3>\n
Sc\u00e8ne ouverte de po\u00e9sie \/ slam<\/div>\n
18h-20h<\/div>\n<\/div>\n
\u00a0<\/div>\n

S\u00e9ance 3 : 14 f\u00e9vrier 2023<\/span><\/h3>\n
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Avec Estelle Coppolani et Chris Cyrille<\/div>\n
17h30-19h30<\/div>\n<\/div>\n<\/div>\n

S\u00e9ance 4 : 16 mars\u00a0<\/h3>\n

Avec Denise Desautels et Fran\u00e7oise Ascal<\/p>\n

Flyer<\/a><\/p>\n

Fran\u00e7oise Ascal, n\u00e9e en 1944, habite un village de Seine et Marne. Apr\u00e8s avoir \u00e9t\u00e9 poti\u00e8re, elle a commenc\u00e9 \u00e0 publier dans les ann\u00e9es 80. Po\u00e8mes, r\u00e9cits, notes de journal, livres d\u2019artistes (une quarantaine \u00e0 ce jour) relatent sa confrontation, selon les mots de Pav\u00e8se, au \u201cm\u00e9tier de vivre<\/em>\u201d. Elle aime faire dialoguer les mots avec la peinture et la musique. Elle porte une attention particuli\u00e8re \u00e0 la nature, \u00e0 la force de l\u2019\u00e9l\u00e9mentaire autant qu\u2019\u00e0 la pr\u00e9carit\u00e9 de l\u2019humain. Ses deux derniers livres de po\u00e8mes ont paru en 2021 : Brumes<\/em> (avec des peintures de Caroline Fran\u00e7ois-Rubino, Aencrages & co) et Gr\u00fcnewald<\/em>, le temps d\u00e9chir\u00e9 (avec des dessins de G\u00e9rard Titus-Carmel, L\u2019herbe qui tremble), pour lequel elle a re\u00e7u le Grand Prix de Po\u00e9sie de la Maison de po\u00e9sie Emile Bl\u00e9mond.<\/p>\n

Denise Desautels est n\u00e9e \u00e0 Montr\u00e9al en 1945. M\u00e9moire, douleur et deuil \u2013 intimes et universels \u2013 sont au c\u0153ur de son \u00e9criture, celle d\u2019une \u00e9crivaine dont les livres sont marqu\u00e9s par sa conscience d\u2019\u00eatre une femme qui \u00e9crit et par sa passion pour les autres arts. Elle a publi\u00e9 plus de 40 recueils de po\u00e8mes, r\u00e9cits et livres d\u2019artiste, qui lui ont valu de nombreuses distinctions. Avec Dispara\u00eetre<\/em>, \u00e9crit \u00e0 partir de 11 \u0153uvres de Sylvie Cotton, paru \u00e0 L\u2019herbe qui tremble et au Noro\u00eet, elle a re\u00e7u le Prix Apollinaire 2022. En mars dernier, elle est devenue la 2e po\u00e8te qu\u00e9b\u00e9coise, apr\u00e8s Gaston Miron, \u00e0 \u00eatre publi\u00e9e dans la collection Po\u00e9sie \/ Gallimard.<\/p>\n<\/div>\n

18h-20h<\/div>\n<\/div>\n
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S\u00e9ance 5 : 11 avril<\/h3>\n

Les \u00e9ditions de l’Attente<\/em><\/p>\n

Avec Franck Pruja, \u00e9diteur et Sandra Moussemp\u00e8s<\/div>\n
17h30-19h30<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n

Informations pratiques<\/strong> 5 rue Thomas Mann, 75013 Paris Acc\u00e8s : Me\u0301tro Ligne 14 \/ RER C, arre\u0302t Bibliothe\u0300que Franc\u0327ois Mitterrand<\/p>\n

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\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

<\/div>\n

Quand Du 15 novembre 2022 au 11 avril 2023 O\u00f9 Salle Pierre Albouy, Grands Moulins <\/p>\n

<\/div>\n

Cycle de lectures et rencontres de l’axe D\u00e9centrement lyrique. Organis\u00e9 par Camille Bloomfield, Marik Froidefond, Claire Paulian et Cyril Vettorato. <\/p>\n

<\/div>\n

Pr\u00e9sentationPlus on proclame sa mort, plus la po\u00e9sie existe. Elle investit de nouveaux m\u00e9diums et de nouveaux… Lire la suite Cycle de lectures et de rencontres \u00ab\u00a0Po\u00e9sie en cours\u00a0\u00bb 2022-2023<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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Quand<\/h4>

7 avril, 11 mai, 2 juin et 15 novembre de 18h \u00e0 20h<\/p>

O\u00f9<\/h4>

Halle aux Farines\u00a0
Salle 306B<\/p>

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Cycle de lectures et rencontres 2022 de l'axe D\u00e9centrement lyrique. Organis\u00e9 par Camille Bloomfield, Marik Froidefond et Cyril Vettorato.<\/p><\/div><\/div><\/div>

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Pr\u00e9sentation<\/h2>

Plus on proclame sa mort, plus la po\u00e9sie existe. Elle investit de nouveaux m\u00e9diums et de nouveaux lieux, se fait plurilingue, multim\u00e9dia, sociale, bruyante, musicale\u2026 Le cycle de lectures et de rencontres\u00a0Po\u00e9sie en cours<\/i>\u00a0a \u00e9t\u00e9 imagin\u00e9 comme une fen\u00eatre sur ce champ en perp\u00e9tuelle r\u00e9invention, trop remuant pour qu\u2019il nous soit possible de le cartographier de fa\u00e7on exhaustive. Au fil des s\u00e9ances, qui s\u2019articuleront autour de lectures po\u00e9tiques et de discussions avec les personnes invit\u00e9es, nous d\u00e9couvrirons des voix qui conjuguent l\u2019\u00e9criture po\u00e9tique au pr\u00e9sent. Comme autant de filets jet\u00e9s \u00e0 la mer, chaque s\u00e9ance consacr\u00e9e \u00e0 l\u2019une des facettes de la cr\u00e9ation po\u00e9tique actuelle partira \u00e0 la recherche de quelques unes des voix qui la composent, avec un effort tout particulier pour faire entendre des voix \u00e9mergentes.<\/p>

Programme<\/h2>

Se\u0301ance 1 : 7 avril 2022<\/h3><\/div><\/div>

Avec Martin Rueff
Anime\u0301e par Camille Bloomfield, Gabriel Meshkinfam et Dominique Rabate\u0301<\/p><\/div><\/div>

Pr\u00e9sentation de la s\u00e9ance<\/a><\/p>

Martin Rueff est professeur de litte\u0301rature franc\u0327aise du 18e sie\u0300cle et d\u2019histoire des ide\u0301es a\u0300 l\u2019universite\u0301 de Gene\u0300ve. Poe\u0300te, critique, philosophe et traducteur il a publie\u0301 en 2018 : Foudroyante pitie\u0301, Aristote avec Rousseau, Ce\u0301line avec Bassani et Ungaretti ; A\u0300 coups redouble\u0301s, anthropologie des passions et doctrine de l\u2019expression chez Jean-Jacques Rousseau<\/em> (Mime\u0301sis e\u0301ditions). Comme traducteur il est attele\u0301 a\u0300 la retraduction d\u2019Italo Calvino pour les e\u0301ditions Gallimard. Il a ainsi fait parai\u0302tre entre 2017 et 2018 sa retraduction de la trilogie des ance\u0302tres : Le baron perche\u0301, Le vicomte pourfendu<\/em> et Le cavalier inexistant<\/em>. Il traduit aussi Giorgio Agamben et Carlo Ginzburg. Il est pre\u0301sident de la Socie\u0301te\u0301 Jean-Jacques Rousseau (Gene\u0300ve) et a e\u0301dite\u0301 deux ensembles de textes de Jean Starobinski sous le titre La Beaute\u0301 du monde<\/em> (Paris, Gallimard, Quarto, 2016), et Le corps et ses raisons<\/em> (Paris, Le Seuil, 2020). Re\u0301cemment il a postface\u0301 33 e\u0301crits<\/em> de Jacqueline Risset sur Dante (Nous e\u0301ditions, 2021) et Feuille de route<\/em> de Franco Fortini (Nous, 2022). Il est co- re\u0301dacteur en chef de la revue Po&sie<\/em> (Michel Deguy, Humensis). Il a publie\u0301 plusieurs livres de poe\u0301sie : les derniers, La Jonction<\/em>, chez Nous en juin 2019, Verticale Ponte, chez Modo infoshop, Bologna, septembre 2021.<\/p>

Il fait sienne cette conviction de William Carlos Williams dans Paterson<\/em> (dans la traduction d\u2019Yves di Manno) :<\/p><\/div><\/div>

The province of the poem is the world.\/When the sun rises, it rises in the poem and when it sets darkness come down\/ and the poem is dark.<\/em>(Le monde est le lieu d\u2019e\u0301lection du poe\u0300me.\/ Quand le soleil se le\u0300ve, il se le\u0300ve dans le poe\u0300me\/ et quand il se couche l\u2019obscurite\u0301 descend\/et le poe\u0300me s\u2019assombrit.)<\/p>

Il fait siens aussi ces doutes :<\/p><\/div>

So much talk of the language \u2013 when there are no ears. <\/em>(On parle tant du langage \u2013 alors qu\u2019il n\u2019y a personne pour entendre.)<\/p><\/div><\/div>

Et :
Beauty is feared \/ more than death, more than they fear death<\/em>. (La beaute\u0301 est plus redoute\u0301e \/ que la mort, plus que la mort n\u2019est redoute\u0301e.)<\/p>

S\u00e9ance 2 : 11 mai 2022<\/h3>
Avec Souad Labbize et Rita Baddoura<\/div>
Anim\u00e9e par Ryme Ouanane, Francesca Tumia et Cyril Vettorato<\/div><\/div>

Autrice de plusieurs recueils de po\u00e8mes, de r\u00e9cits, d\u2019un roman et d\u2019une anthologie po\u00e9tique, Souad Labbize a re\u00e7u le Prix de la po\u00e9sie M\u00e9diterran\u00e9e 2020 pour Je franchis les barbel\u00e9s <\/em>(Bruno Doucey, 2019). Si la question de la libert\u00e9 des femmes est au c\u0153ur de sa trajectoire, son parcours et de ses textes, Souad Labbize cherche a\u0300 conjuguer, entre intime et collectif, les trames de diverses histoires afin de mettre des mots la\u0300 ou\u0300 r\u00e8gne le silence, a\u0300 l\u2019encontre de toute violence exerc\u00e9e par un individu ou un syst\u00e8me, qu\u2019il s\u2019agisse notamment de d\u00e9faillances psychoaffectives, de patriarcat, de colonialisme, ou de religion. La pens\u00e9e de Labbize et sa pratique de l\u2019\u00e9criture sont empreintes de l\u2019attention qu\u2019elle porte au monde, de sa passion pour les arts et pour l\u2019alchimie de la cuisine, et de la ferveur de son engagement. Elle est aussi traductrice litt\u00e9raire arabe fran\u00e7ais.<\/p>

Ritta Baddoura, n\u00e9e au Liban en 1980, \u00e9crit en fran\u00e7ais. Ses ouvrages de po\u00e9sie ont \u00e9t\u00e9 publi\u00e9s au Liban, en France et en Belgique, et son \u00e9criture traduite en plusieurs langues pour des revues et des anthologies. Parler \u00e9trangement<\/em>, paru chez L\u2019Arbre a\u0300 Paroles (collection iF, 2014) re\u00e7oit le prix de po\u00e9sie \u00ab Max Jacob \u00bb en 2015. Dans sa po\u00e9sie, Ritta Baddoura explore l\u2019exp\u00e9rience de l\u2019\u00e9tranget\u00e9, de l\u2019attente, du mouvement, et du silence puis des retrouvailles avec la langue. A travers son exploration de la langue, elle parcourt \u00ab ce qui fait advenir la po\u00e9sie dans une d\u00e9marche sensorielle [...]. Le lien entre la langue et la mort [...] para\u00eet aussi inextricable que celui entre la po\u00e9sie et l\u2019enfance \u00bb <\/em>(F. Tumia, Il Tolomeo, 12\/2016). Ses lectures ont un climat de pr\u00e9sence et explorent parfois, en solo ou avec des musiciens, les rencontres entre texte, oralit\u00e9, son et mouvement. Ritta Baddoura r\u00e9dige des chroniques dans L\u2019Orient Litt\u00e9raire<\/em>. Elle a \u00e9galement un parcours de psychologue. En mai 2022, elle publie un nouveau recueil a\u0300 l\u2019Arbre a\u0300 paroles (collection iF) : De\u0301salt\u00e8re<\/em>.<\/p><\/div>

\u00a0<\/div>

S\u00e9ance 3 : 2 juin 2022 - \u00ab Instapo\u00e9sies \u00bb\u00a0<\/span><\/h3>
Avec Rim Battal, M\u00e9lanie Leblanc et Louis Ha\u00ebntjens, alias Dors\u00e8ne (@Dorscene)<\/div>
Anim\u00e9e par Camille Bloomfield et Killian Provost<\/div><\/div>

Pr\u00e9sentation de la s\u00e9ance<\/a><\/p>

Po\u00e8te et artiste, form\u00e9e au journalisme et \u00e0 la photographie \u00e0 L'institut sup\u00e9rieur de l'information et de la communication de Rabat et dipl\u00f4m\u00e9e de l\u2019ESJ de Paris, Rim Battal<\/strong> propose un nouveau mod\u00e8le de femme, d\u2019amour et de corps politique \u00e0 travers les mots, la performance et les arts visuels. Elle a publi\u00e9 de nombreux ouvrages de po\u00e9sie parmi lesquels figurent Les quatrains de l\u2019All inclusive<\/em>, paru aux \u00e9ditions Le Castor astral en 2021, et L\u2019eau du bain<\/em>, \u00e9ditions Supernova, prim\u00e9 par le CoPo, prix d\u00e9cern\u00e9 par La Factorie, Maison de po\u00e9sie en Normandie. Mine de rien<\/em> est son dernier ouvrage en date. Il est paru en Poche chez Le Castor Astral en f\u00e9vrier 2022 et il est pr\u00e9fac\u00e9 par Arthur H. Rim Battal co-dirige, avec Zo\u00e9 Besmond de Senneville et Laura Lutard, Le Bordel de la Po\u00e9sie.<\/p>

N\u00e9e \u00e0 Casablanca en 1987, Battal vit et travaille \u00e0 Paris depuis 2013.<\/p>

Instagram\u00a0: @rimbattal<\/p>

www.rimbattal.com<\/a><\/p>

M\u00e9lanie Leblanc<\/strong> est n\u00e9e en 1980 et vit en Normandie. Elle est publi\u00e9e au Castor astral (Le Labyrinthe des jours<\/em>), chez les Venterniers (Eph\u00e9m\u00e9ride, Des \u00e9toiles filantes, Quand mon coeur, Les gens qui osent, Le manifeste du Nous<\/em>), chez Cheyne \u00e9diteur (Des falaises<\/em>) et les \u00e9ditions Derri\u00e8re la salle de bain (traduction de po\u00e8mes de Karen Dalton, Presque je vole<\/em>). Son exposition personnelle au mus\u00e9e Mallarm\u00e9 inclut des \u0153uvres plastiques, sonores et vid\u00e9o : relier-musee-mallarme.com<\/a><\/p>

Elle partage ses po\u00e8mes dans le cadre de lectures qui peuvent \u00eatre musicales, dessin\u00e9es ou souffl\u00e9es sous le d\u00f4me \u00e0 po\u00e8mes qu\u2019elle a construit. Elle enseigne \u00e0 mi-temps la litt\u00e9rature et le cin\u00e9ma.<\/p>

Site : melanieleblanc.fr<\/a><\/p>

Instagram : @melanie___leblanc<\/p>

Louis Ha\u00ebntjens<\/strong> arpente les festivals sous le pseudonyme Dors\u00e8ne pour y mettre en sc\u00e8ne des textes o\u00f9 le son, la vid\u00e9o et la voix participent d'une m\u00eame performance po\u00e9tique. Il est laur\u00e9at de la r\u00e9sidence Cr\u00e9ation en cours des Ateliers M\u00e9dicis en 2020-2021 et publie r\u00e9guli\u00e8rement en revue (Dissonances, L'Ep\u00eetre, l'Allume-feu<\/em>) ainsi que sur Instagram. Son premier recueil non-num\u00e9rique, Le ventre de la ba\u00efne<\/em>, sera publi\u00e9 en 2022 aux \u00e9ditions Le Jardin.<\/p>

Site\u00a0: https:\/\/dorsene.wordpress.com\/<\/a><\/p>

Instagram\u00a0: @dorscene<\/p><\/div><\/div>

S\u00e9ance 4 : 15 novembre<\/h3>

Pr\u00e9sentation de la s\u00e9ance<\/a><\/p>

Avec Nathalie Koble et Cole Swensen
S\u00e9ance anim\u00e9e par Claire Paulian et Marik Froidefond<\/p>

Nathalie Koble<\/strong> enseigne la litt\u00e9raturev\u00e0 l\u2019\u00c9cole normale sup\u00e9rieure de Paris. Ses travaux portent sur la m\u00e9moire inventive de la litt\u00e9rature m\u00e9di\u00e9vale, et sur la traduction et la pratique de la po\u00e9sie. Derniers livres parus :
Dr\u00f4les de Valentines. La tradition po\u00e9tique de la Saint-Valentin<\/em>, Gen\u00e8ve, H\u00e9ros limite, 2016.
Donner suite. Les Suites du Merlin en prose : des romans de lecteurs<\/em>, Paris Champion, 2020.
D\u00e9cam\u00e9rez. Des nouvelles de Boccace,<\/em> Paris, Macula, 2021.
La Dame \u00e0 la Licorne et le Beau Chevalier<\/em>, Paris, Ph\u00e9bus, 2021.
Ext\u00e9rieur chambres<\/em>, Caen, NOUS, 2022<\/p>

Cole Swensen<\/strong> est l\u2019auteur de 19 recueils de po\u00e9sie, d\u2019essais, et d\u2019autres \u00e9crits, les plus r\u00e9cents \u00e9tant And And And et Art in Time<\/em>. Plusieurs volumes ont \u00e9t\u00e9 traduits en fran\u00e7ais, dont quatre par Ma\u00eftreyi et Nicolas Pesqu\u00e8s\u2009; le plus r\u00e9cent est Po\u00e8mes \u00e0 pied<\/em> (Jos\u00e9 Corti, 2021). Elle a \u00e9galement traduit plus de 20 ouvrages fran\u00e7ais contemporains, po\u00e9sie et fiction, ainsi que des textes sur l\u2019art contemporain et l\u2019histoire d\u2019art. Elle est professeur au d\u00e9partement des arts litt\u00e9raires de la Brown University aux \u00c9tats-Unis.<\/p><\/div><\/div>

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Informations pratiques<\/strong>
5 rue Thomas Mann, 75013 Paris<\/p>

Acc\u00e8s : Me\u0301tro Ligne 14 \/ RER C, arre\u0302t Bibliothe\u0300que Franc\u0327ois Mitterrand<\/p>

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\u00c0<\/span> lire aussi<\/h2>

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