{"id":3438,"date":"2023-02-02T10:50:35","date_gmt":"2023-02-02T09:50:35","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3438"},"modified":"2023-04-17T16:55:59","modified_gmt":"2023-04-17T14:55:59","slug":"seminaire-cerilac-larca","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/seminaire-cerilac-larca\/","title":{"rendered":"S\u00e9minaire interlaboratoire CERILAC – LARCA"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

\n
\n
\n

S\u00e9minaire doctoral propos\u00e9 par Emmanuelle Andr\u00e9 (CERILAC) et Martine Beugnet (LARCA)<\/p>\n

Art, \u00e9tudes visuelles, cin\u00e9ma. De l\u2019\u00e9criture de la th\u00e8se \u00e0 sa publication, 2022-2023<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2023\/01\/Larca.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][et_pb_text admin_label=\u00a0\u00bbTexte image\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbtexte-image\u00a0\u00bb background_color=\u00a0\u00bbrgba(242,242,242,0)\u00a0\u00bb custom_margin=\u00a0\u00bb|-15px||\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Pr\u00e9sentation<\/h3>\n

Ce s\u00e9minaire doctoral a une double ambition\u00a0: mettre en relief de nouveaux territoires de la recherche et promouvoir les voies par lesquelles ceux-ci sont mis \u00e0 la disposition de la communaut\u00e9 universitaire. Les doctorants seront invit\u00e9s \u00e0 explorer diverses facettes de l\u2019actualit\u00e9 de la recherche dans le domaine des \u00e9tudes visuelles, de l\u2019art et du cin\u00e9ma, et \u00e0 s\u2019interroger sur le processus qui conduit \u00e0 la publication d\u2019un projet de recherche (ou \u00e0 la pr\u00e9sentation de ses r\u00e9sultats), sous forme d\u2019exposition ou de programmation. Le s\u00e9minaire permettra ainsi d\u2019approfondir les informations pratiques d\u00e9j\u00e0 diffus\u00e9es sur la publication en fran\u00e7ais ou en anglais, avec des cas d\u2019\u00e9tude r\u00e9cents.[1]<\/a><\/p>\n

On s\u2019int\u00e9ressera tout particuli\u00e8rement \u00e0 la publication de la th\u00e8se : les sujets d\u00e9pos\u00e9s chaque ann\u00e9e refl\u00e8tent les enjeux esth\u00e9tiques, politiques, et historiques propres aux champs culturels de nos disciplines. Il est par cons\u00e9quent important que ces travaux puissent \u00eatre publi\u00e9s dans un d\u00e9lai raisonnable. Or, une th\u00e8se n\u2019est pas un livre. La publication repose sur une refonte et une r\u00e9\u00e9criture partielle de son contenu original. Comment int\u00e9grer ces \u00ab contraintes \u00bb au moment du choix du sujet et tout au long de l\u2019\u00e9criture ?<\/p>\n

Les s\u00e9ances reposeront principalement sur des invitations\u00a0: des chercheurs, en majorit\u00e9 de jeunes chercheurs, pr\u00e9senteront le livre ou la s\u00e9rie d\u2019articles qu\u2019ils ont su extraire ou remodeler \u00e0 partir de leur recherche doctorale. Des \u00e9diteurs pourront \u00e9galement faire l\u2019objet d\u2019invitations. Ces derniers pourront accompagner les auteur.e.s. qu\u2019ils ont publi\u00e9s. D\u2019autres formes de diss\u00e9mination, telles que la curation et la programmation de films par exemple, pourront faire l\u2019objet de pr\u00e9sentations et discussions.<\/p>\n

Le s\u00e9minaire s\u2019adressera tout autant \u00e0 des doctorants avanc\u00e9s qu\u2019\u00e0 des doctorants d\u00e9butants, soucieux d\u2019inscrire leurs travaux dans une communaut\u00e9 intellectuelle.<\/p>\n

Ces s\u00e9ances forment un programme \u00e0 suivre dans son int\u00e9gralit\u00e9\u00a0; les \u00e9tudiants peuvent choisir de n\u2019assister qu\u2019\u00e0 certaines s\u00e9ances.<\/p>\n

Elles auront lieu de 17h \u00e0 19h en salle 674C du b\u00e2timent des Grands Moulins, 5 rue Thomas Mann, 75013 Paris (6e<\/sup> \u00e9tage).<\/strong><\/p>\n

Programme<\/h3>\n

23 janvier<\/strong> Invit\u00e9\u00a0: J\u00e9r\u00e9mie Brugidou,\u00a0Vers une \u00e9cologie de l\u2019apparition. Bioluminescence et cin\u00e9ma<\/em>, \u00c9ditions Mimesis. Coll.\u00a0\u00ab\u00a0Images Mediums\u00a0\u00bb, 2022.<\/p>\n

J\u00e9r\u00e9mie Brigidou est artiste-chercheur, cin\u00e9aste et \u00e9crivain, il fera part lors de cette s\u00e9ance de cette exp\u00e9rience d\u2019\u00e9criture multiforme et de la mani\u00e8re dont sa th\u00e8se en recherche-cr\u00e9ation a donn\u00e9 lieu \u00e0 un ouvrage au moins.<\/p>\n

20 f\u00e9vrier<\/strong> \u2013 Invit\u00e9e\u00a0: Gillian Leslie.<\/p>\n

Gillian Leslie est \u00e9diteur \u00e0 Edinburgh University Press, l’une des principales presses universitaires du Royaume-Uni dans le domaine des sciences humaines et sociales.\u00a0 Elle est responsable, entre autres, de la section Film Studies<\/em>.<\/p>\n

6 mars<\/strong> \u2013 Invit\u00e9s : Robert Bonamy et Olivier Cheval.\u00a0(salle 677C)<\/strong><\/p>\n

Robert Bonamy et Olivier Cheval sont tous deux enseignants-chercheurs \u00e0 l\u2019universit\u00e9. Robert Bonamy est par ailleurs directeur des \u00e9ditions De L\u2019incidence o\u00f9 il a entre autres ouvrages \u00e9dit\u00e9 les derniers livres d\u2019Olivier Cheval, Le Partage de la douleur. Une impolitique du film<\/em> (2018) (tir\u00e9 de sa th\u00e8se de doctorat) et Au royaume des aveugles<\/em> (2022).<\/p>\n

28 mars<\/strong> \u2013 Invit\u00e9es Catherine Marcangeli et Marie-Pierre Burquier, \u00ab\u00a0Chercheuses et curatrices\u00a0\u00bb<\/p>\n

Catherine Marcangeli enseigne l’art britannique et am\u00e9ricain du XXe<\/sup> si\u00e8cle \u00e0 l’Universit\u00e9 de Paris-Cit\u00e9. En tant que curatrice, elle a assur\u00e9 le commissariat de nombreuses expositions en collaboration avec ICA (Institute of Contemporary Art, Londres), la Tate Gallery, et la Whitechapel Art Gallery entre autres.<\/p>\n

Marie-Pierre Burquier est doctorante en \u00e9tudes visuelles et travaille sur les pratiques de r\u00e9appropriations artistiques de l\u2019imagerie classique hollywoodienne. Elle \u00e9tait curatrice invit\u00e9e de la douzi\u00e8me \u00e9dition du Festival of (In)appropriation qui s\u2019est d\u00e9roul\u00e9 \u00e0 Los Angeles en octobre 2022.<\/p>\n

[1]<\/a> La session d\u2019informations pratiques organis\u00e9e au second semestre 2022-2023 par les doctorants du LARCA autour de la publication de volumes et d\u2019articles par exemple.<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

<\/div>\n

S\u00e9minaire doctoral propos\u00e9 par Emmanuelle Andr\u00e9 (CERILAC) et Martine Beugnet (LARCA) Art, \u00e9tudes visuelles, cin\u00e9ma. De l\u2019\u00e9criture de la th\u00e8se \u00e0 sa publication, 2022-2023 <\/p>\n

<\/div>\n

Pr\u00e9sentationCe s\u00e9minaire doctoral a une double ambition\u00a0: mettre en relief de nouveaux territoires de la recherche et promouvoir les voies par lesquelles ceux-ci sont mis \u00e0 la disposition de… Lire la suite S\u00e9minaire interlaboratoire CERILAC – LARCA<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[27],"tags":[],"class_list":["post-3438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-seminaire"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=3438"}],"version-history":[{"count":4,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3438\/revisions"}],"predecessor-version":[{"id":3530,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3438\/revisions\/3530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3439"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=3438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=3438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=3438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}