{"id":3396,"date":"2022-12-08T14:59:28","date_gmt":"2022-12-08T13:59:28","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3396"},"modified":"2022-12-08T15:26:29","modified_gmt":"2022-12-08T14:26:29","slug":"emmanuelle-andre-insectes-cinema-le-visible-qui-palpite","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/emmanuelle-andre-insectes-cinema-le-visible-qui-palpite\/","title":{"rendered":"Emmanuelle Andr\u00e9 \u00ab\u00a0Insectes, cin\u00e9ma – le visible qui palpite\u00a0\u00bb"},"content":{"rendered":"

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Emmanuelle Andr\u00e9 est professeure des universit\u00e9s en \u00e9tudes cin\u00e9matographiques au sein de l\u2019UFR Lettres, Arts et Cin\u00e9ma. Ses recherches au CERILAC sont int\u00e9gr\u00e9es \u00e0 l\u2019axe EMOI dont elle est co-responsable.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Au cin\u00e9ma, les insectes fascinent, suscitent la surprise et donnent le go\u00fbt de voir. Loin d\u2019\u00eatre des pr\u00e9sences ornementales ou fortuites, ils v\u00e9hiculent les puissances plastiques propres au film : modules de couleurs, pratique des proportions, sort des figurants d\u2019arri\u00e8re-plan, invention du gros plan, mouvements de cam\u00e9ra. Tous les films sont concern\u00e9s, des productions de genre aux films d\u2019auteur, des fictions aux documentaires, du film exp\u00e9rimental \u00e0 l\u2019art vid\u00e9o\u2026 Les modalit\u00e9s qui leur sont propres sont r\u00e9parties dans ce livre en cinq parties, chacune d\u2019entre elles correspondant \u00e0 une \u00e9nigme que l\u2019animal pose aux films : l\u2019\u00e9nigme de la distance, l\u2019\u00e9nigme de l\u2019illusion, l\u2019\u00e9nigme de la vision, l\u2019\u00e9nigme de la nature, l\u2019\u00e9nigme de l\u2019\u00eatre humain. Avec l\u2019insecte, c\u2019est tout le visible qui palpite. Suivre ses cheminements demande d\u2019\u00e9largir le champ : vers la photographie, la peinture, ou encore l\u2019imagerie scientifique, auxquels les films empruntent volontiers. L\u2019histoire des arts, la litt\u00e9rature et la philosophie, l\u2019anthropologie et la zoologie ont \u00e9t\u00e9 aussi sollicit\u00e9es quand elles aidaient \u00e0 r\u00e9soudre les myst\u00e8res de la nature. Ce volume est travers\u00e9 par de nombreux visuels (plus de 670) qui, d\u2019un insecte \u00e0 l\u2019autre, mouches et araign\u00e9es, abeilles et moustiques, tiques et papillons, cafards et scarab\u00e9es, dessinent des trajectoires singuli\u00e8res<\/strong>. \u00c0 la mani\u00e8re des trait\u00e9s scientifiques, des planches th\u00e9matiques tracent d\u2019autres horizons \u00e0 travers\u00a0l\u2019histoire des films<\/strong>\u00a0et des images.<\/p>\n

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