{"id":3260,"date":"2022-09-26T15:55:58","date_gmt":"2022-09-26T13:55:58","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=3260"},"modified":"2022-11-30T14:42:06","modified_gmt":"2022-11-30T13:42:06","slug":"colloque-musicaliser-la-langue-le-flow-et-la-voix-dans-le-rap","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/colloque-musicaliser-la-langue-le-flow-et-la-voix-dans-le-rap\/","title":{"rendered":"Colloque \u00ab\u00a0Musicaliser la langue:  le flow et la voix dans le rap\u00a0\u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; next_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2&Prime;][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; 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header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n<h4>Quand<\/h4>\n<p>18-19 novembre 2022<\/p>\n<h4>O\u00f9<\/h4>\n<p>Salles 682 et 677, Grands Moulins<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<p><strong>Musicaliser la langue :\u00a0<\/strong><strong>le flow et la voix dans le rap<\/strong><\/p>\n<p><strong><em>Musicalizing language: flow and voice in rap music<\/em><\/strong><\/p>\n<h3>Programme<\/h3>\n<p><a href=\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2022\/10\/Programme-web-RAP.pdf\">Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n<h4>Vendredi 18 novembre \/ <em>Friday 18 November<\/em><\/h4>\n<p><em>\u00a0<\/em>Journ\u00e9e en pr\u00e9sentiel \/ <em>On-site day<\/em><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><strong>Salles 682 C (matin) et 677 C (apr\u00e8s-midi), Grands Moulins (b\u00e2timent C)<\/strong><\/p>\n<p><strong>10h\u00a0: <\/strong>accueil des intervenant.e.s et du public.<\/p>\n<p><strong>10h30\u00a0: <\/strong>pr\u00e9sentation du colloque<\/p>\n<p><strong>11h\u00a0: Flows et voix du rap fran\u00e7ais <\/strong><\/p>\n<p><em>Pr\u00e9sidente de session\u00a0: Marion Coste (CY Cergy Paris Universit\u00e9)<\/em><\/p>\n<p>Juliette Hubert (Universit\u00e9 Polytechnique des Hauts-de-France), \u00ab\u00a0Le flow \u201cgang\u201d selon Niska : comment faire de la trap qui fait \u201cdanser les gars\u201d\u00a0\u00bb.<\/p>\n<p>Francesca Aiuti (Universit\u00e9 Degli Studi Roma Tre), \u00ab\u00a0\u201cVol 99 pour Neptune\u201d\u00a0: le flow afro-futuriste de Youssoupha\u00a0\u00bb.<\/p>\n<p>Hector Jenni (Universit\u00e9 Paris 3 \u2013 Sorbonne Nouvelle), \u00ab Le flow qui surine : violence de la performance rapp\u00e9e chez Booba \u00bb.<\/p>\n<p>Garance Bressaud (EHESS), \u00ab\u00a0R\u00e9ceptions et usages de l\u2019Auto-Tune dans le rap fran\u00e7ais amateur aujourd\u2019hui\u00a0\u00bb.<\/p>\n<p><strong>13h\u00a0<\/strong>: pause d\u00e9jeuner<\/p>\n<p><strong>14h30\u00a0: Approches <\/strong><strong>genr\u00e9es<\/strong><strong> du flow<\/strong><\/p>\n<p><em>Pr\u00e9sidente de session\u00a0: Virginie Brinker (Universit\u00e9 de Bourgogne)<\/em><\/p>\n<p>Sara Federico (Universit\u00e9 de Sassari), \u00ab\u00a0\u201cJe suis qu&rsquo;une nana\/ d\u00e9gun, niet, makach, walou, nada\u201d\u00a0: les voix et les flows des rappeuses de Marseille\u00a0\u00bb.<\/p>\n<p>Marion Coste (Universit\u00e9 Cergy-Pontoise), \u00ab\u00a0Le flow liquide de Lala &amp;ce\u00a0\u00bb.<\/p>\n<p><strong>15h45\u00a0: Le flow au carrefour des <\/strong><strong>oralit\u00e9s<\/strong><\/p>\n<p><em>Pr\u00e9sidente de session\u00a0: Virginie Brinker (Universit\u00e9 de Bourgogne) <\/em><\/p>\n<p>Jomal Jose (National Institute of Science Education and Research, An OCC of Homi Bhabha National Institute, Bhubaneswar), \u00ab\u00a0Arivu&rsquo;s sonic mimesis: Dalit Rap that flows from folk music\u00a0\u00bb.<\/p>\n<p>Cyril Vettorato (Universit\u00e9 Paris Cit\u00e9), \u00ab\u00a0Ce que l\u2019<em>ax\u00e9<\/em> fait au flow : pr\u00e9sence des oralit\u00e9s rituelles du candombl\u00e9 et de l\u2019umbanda dans le rap\u00a0br\u00e9silien \u00bb.<\/p>\n<p><strong>17h\u00a0<\/strong>: pause caf\u00e9<\/p>\n<p><strong>17h30\u00a0: table ronde\u00a0<\/strong>: <strong>comment parler du flow\u00a0?<\/strong><\/p>\n<p>Table ronde anim\u00e9e par Emmanuelle Carinos (CRESPPA).<\/p>\n<p>Invit\u00e9.e.s\u00a0: Tristan Chac\u00e9, r\u00e9dacteur \u00e0 l&rsquo;<em>Abcdr du Son<\/em>, Ouafae Mameche, journaliste et \u00e9ditrice, et Y\u00e9rim Sar, journaliste ind\u00e9pendant.<\/p>\n<p><strong>18h30\u00a0: fin de la premi\u00e8re journ\u00e9e du colloque.<\/strong><\/p>\n<h4>Samedi 19 novembre \/ <em>Saturday 19 November<\/em><\/h4>\n<p>Journ\u00e9e en hybride pr\u00e9sentiel et distanciel \/ <em>Both on site and remote day<\/em><\/p>\n<p><strong>Salle 677 C, Grands Moulins (b\u00e2timent C)<\/strong><\/p>\n<p><strong>9h\u00a0: <\/strong>accueil des intervenant.e.s et du public.<\/p>\n<p><strong>9h30\u00a0: Flows anglophones<\/strong><\/p>\n<p><em>Pr\u00e9sidente de session\u00a0: Camille Bloomfield (Universit\u00e9 Paris Cit\u00e9)<\/em><\/p>\n<p>Wanda Canton (University of Brighton), \u00ab\u00a0UK Drill as the new DADA?\u00a0\u00bb.<\/p>\n<p>Thomas Seraille (Univ. Paris-Cit\u00e9), \u00ab\u00a0Projeter sa voix comme une image : le flow de Kendrick Lamar\u00a0\u00bb.<\/p>\n<p><strong>10h30<\/strong>\u00a0: pause caf\u00e9<\/p>\n<p><strong>11h : <\/strong><strong>\u00c0<\/strong> <strong>l\u2019\u00e9coute<\/strong><strong> du rap africain<\/strong><\/p>\n<p><em>Pr\u00e9sidente de session\u00a0: Alice Desquilbet (THALIM)<\/em><\/p>\n<p>Serigne Seye (Universit\u00e9 Cheikh Anta Diop), \u00ab\u00a0Mise en sc\u00e8ne et th\u00e9matisation du flow dans le rap s\u00e9n\u00e9galais\u00a0: un point de vue esth\u00e9tico-historique\u00a0\u00bb.<\/p>\n<p>Alice Chaudemanche (INALCO) &amp; Babacar Thiam (INALCO), \u00ab\u00a0Langues, rythme et egotrip dans <em>VQ<\/em> de Gaston Bandimic\u00a0: contribution \u00e0 l\u2019\u00e9tude du flow dans le rap galsen\u00a0\u00bb.<\/p>\n<p>Wendmy D\u00e9sir\u00e9 Garba (Universit\u00e9 Joseph Ki-Zerbo), \u00ab\u00a0Le flow du rappeur burkinab\u00e8 Smarty dans \u201cTends-moi la main\u201d\u00a0: de la m\u00e9lancolie aux pleurs\u00a0\u00bb.<\/p>\n<p><strong>12h30\u00a0<\/strong>: pause d\u00e9jeuner<\/p>\n<p><strong>14h\u00a0: Approches musicologiques du flow<\/strong><\/p>\n<p><em>Pr\u00e9sident de session\u00a0: Cyril Vettorato (Universit\u00e9 Paris Cit\u00e9)<\/em><\/p>\n<p>Olivier Migliore (Universit\u00e9 Montpellier 3), \u00ab\u00a0Pour une analyse musicale du flow : param\u00e8tres et enjeux\u00a0\u00bb.<\/p>\n<p>Kyle Adams (Indiana University Jacobs School of Music), \u00ab Of DOOM and Dilla: Abstract Flow as Musical Meaning \u00bb.<\/p>\n<p>Ben Duinker (McGill University), \u00ab\u00a0MF DOOM as high-art hip hop\u00a0\u00bb.<\/p>\n<p>Leah Amarosa (University of Cincinnati), \u00ab\u00a0Juxtaposing Flow in 2Pac and The Notorious B.I.G.\u2019s Top Singles\u00a0\u00bb.<\/p>\n<p><strong>16h\u00a0<\/strong>: pause caf\u00e9<\/p>\n<p><strong>16h30\u00a0: \u00c9criture, oralit\u00e9, improvisation<\/strong><\/p>\n<p><em>Pr\u00e9sident de session\u00a0: Hector Jenni (Universit\u00e9 Paris 3 \u2013 Sorbonne nouvelle)<\/em><\/p>\n<p>Sarah Houle (Universit\u00e9 de Montr\u00e9al), \u00ab\u00a0\u00c9crire le flow\u00a0: la voix comme modalit\u00e9 structurante des textes de rap\u00a0\u00bb.<\/p>\n<p>Da Titcha (rappeur et coach artistique), \u00ab\u00a0L\u2019\u00e9nergie freestyle ou rapper comme impro\u00a0\u00bb.<\/p>\n<p>Tiffane Levick (Universit\u00e9 Toulouse-Jean Jaur\u00e8s), \u00ab\u00a0Beyond Standardisation and Substitution\u00a0: Harnessing Flow to Translate Slang\u00a0\u00bb.<\/p>\n<p><strong>18h\u00a0: fin de la deuxi\u00e8me journ\u00e9e du colloque.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2&Prime;][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n<p><strong>Informations pratiques<\/strong><\/p>\n<p>Universit\u00e9 Paris Cit\u00e9, b\u00e2timent \u00ab Les Grands Moulins \u00bb, 5 rue Thomas Mann, 75013 Paris<\/p>\n<p>Acc\u00e8s par le RER C ou par le m\u00e9tro ligne 14, arr\u00eat Biblioth\u00e8que Fran\u00e7ois Mitterrand<\/p>\n<p>Les personnes souhaitant assister \u00e0 la deuxi\u00e8me journ\u00e9e du colloque \u00e0 distance sont pri\u00e9es d\u2019adresser une demande par email \u00e0 <a href=\"mailto:cyril.vettorato@wordpress-test.app.u-pariscite.fr\">cyril.vettorato@wordpress-test.app.u-pariscite.fr<\/a> en pr\u00e9cisant leur nom et affiliation institutionnelle afin d\u2019obtenir un lien de connexion.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime; custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11&Prime; width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21&Prime;]<\/p>\n<h2><span class=\"st\">\u00c0<\/span> lire aussi<\/h2>\n<p>[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1&Prime; posts_number=\u00a0\u00bb4&Prime; include_categories=\u00a0\u00bb13&Prime; show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4&Prime; \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\"><\/div>\n<p> Quand18-19 novembre 2022O\u00f9Salles 682 et 677, Grands Moulins <\/p>\n<div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\"><\/div>\n<p> Colloque organis\u00e9 par Marion Coste (H\u00e9ritages, CY Universit\u00e9), Hector Jenni (Thalim, Universit\u00e9 Sorbonne Nouvelle) et Cyril Vettorato (CERILAC, Universit\u00e9 Paris Cit\u00e9). <\/p>\n<div class=\"et_pb_row et_pb_row_2 et_pb_row_empty\"><\/div>\n<p> Musicaliser la langue :\u00a0le flow et la voix dans le rapMusicalizing language: flow and voice in rap musicProgrammeProgramme t\u00e9l\u00e9chargeableVendredi 18 novembre \/ Friday&hellip; <a class=\"continue\" href=\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/colloque-musicaliser-la-langue-le-flow-et-la-voix-dans-le-rap\/\">Lire la suite<span> Colloque \u00ab\u00a0Musicaliser la langue:  le flow et la voix dans le rap\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,21,26],"tags":[],"class_list":["post-3260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac","category-colloque","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=3260"}],"version-history":[{"count":5,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3260\/revisions"}],"predecessor-version":[{"id":3279,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3260\/revisions\/3279"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3274"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=3260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=3260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=3260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}