[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n
20-22 octobre 2022<\/p>\n
Universit\u00e9 Paris Cit\u00e9<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n
Cin\u00e9mat\u00e9rialismes : Nouvelles approches mat\u00e9rialistes de l\u2019audiovisuel Cin\u00e9ma, m\u00e9dias, arts num\u00e9riques<\/em><\/p>\n Colloque international organis\u00e9 par Fanny Cardin, Garance Fromont, C.E. Harris, Charlie Hewison, R\u00e9mi Lauvin, Anastasia Rostan et Barnab\u00e9 Sauvage (Universit\u00e9 Paris Cit\u00e9, CERILAC \/ LARCA, Groupe de recherche doctoral GERMAINE).<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2022\/09\/Cine\u0301mate\u0301rialismes.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n Variations on a Cellophane Wrapper <\/i>(David Rimmer, 1970)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n Program Cinematerialismes (Engl.)<\/a><\/p>\n Jeudi 20 octobre : \u00ab Approches historiques : r\u00e9\u00e9valuations mat\u00e9rialistes \u00bb<\/strong><\/p>\n 9h\u00a0: Accueil des participant.e.s 9h30\u00a0: Panel 1<\/u><\/strong> (en fran\u00e7ais et en anglais) Pause caf\u00e9<\/u><\/p>\n 11h15\u00a0: Panel 2<\/u><\/strong> (en fran\u00e7ais) \u00ab \u00c9l\u00e9ments pour une histoire photographique de la critique de cin\u00e9ma. La phototh\u00e8que d\u2019Ugo Casiraghi \u00bb<\/p>\n D\u00e9jeuner<\/u><\/p>\n 14h30\u00a0: Panel 3<\/u><\/strong> (en anglais) Pause caf\u00e9 Vendredi 21 octobre : \u00ab Mati\u00e8res premi\u00e8res du film \u00bb<\/strong><\/p>\n 9h30\u00a0: Panel 5<\/u><\/strong> (en fran\u00e7ais et en anglais) Pause caf\u00e9<\/p>\n <\/u>11h15\u00a0: Panel 6<\/u><\/strong> (en fran\u00e7ais) D\u00e9jeuner<\/p>\n <\/u>14h30\u00a0: Panel 7<\/u><\/strong> (en anglais) Pause caf\u00e9 20h30 : Projections au cin\u00e9ma Luminor (en partenariat avec Light Cone)<\/u><\/p>\n Samedi 22 octobre : \u00ab Capter, d\u00e9border, recycler : Mati\u00e8res en flux \u00bb<\/strong><\/p>\n 9h30\u00a0: Panel 9<\/u><\/strong> (en fran\u00e7ais et en anglais) Pause caf\u00e9 D\u00e9jeuner<\/u><\/p>\n 14h30\u00a0: Panel 11<\/u><\/strong> (en fran\u00e7ais) Pause caf\u00e9<\/u><\/p>\n 16h15\u00a0: Panel 12<\/u><\/strong> (en fran\u00e7ais) 19h30 : Projection\/performance au B\u00e9tonsalon centre d\u2019art et de recherche<\/u><\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong><\/p>\n – Jeudi matin 9h : Chicago Paris Center (Universit\u00e9 de Chicago, 6 rue Thomas Mann, 75013 Paris)<\/p>\n – \u00c0 partir de jeudi 14h30, tous les panels auront lieu \u00e0 l\u2019Amphith\u00e9\u00e2tre Turing (Universit\u00e9 Paris Cit\u00e9, campus des Grands Moulins B\u00e9tonsalon – Centre d\u2019art et de recherche Cin\u00e9ma Luminor Contact : cinematerialismes2022@gmail.com<\/span><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Quand 20-22 octobre 2022 O\u00f9 Universit\u00e9 Paris Cit\u00e9 <\/p>\n Cin\u00e9mat\u00e9rialismes : Nouvelles approches mat\u00e9rialistes de l\u2019audiovisuel Cin\u00e9ma, m\u00e9dias, arts num\u00e9riquesColloque international organis\u00e9 par Fanny Cardin, Garance Fromont, C.E. Harris, Charlie Hewison, R\u00e9mi Lauvin, Anastasia Rostan et Barnab\u00e9 Sauvage (Universit\u00e9 Paris Cit\u00e9, CERILAC \/ LARCA, Groupe de recherche doctoral GERMAINE). Variations on a Cellophane Wrapper… Lire la suite Colloque international \u00ab\u00a0Cin\u00e9mat\u00e9rialismes\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3183,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[21,26],"tags":[],"class_list":["post-3182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloque","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=3182"}],"version-history":[{"count":3,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3182\/revisions"}],"predecessor-version":[{"id":3192,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3182\/revisions\/3192"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3183"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=3182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=3182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=3182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Programme<\/h3>\n
9h15\u00a0: Introduction du colloque
<\/u><\/u><\/p>\n
\u00ab\u00a0Ann\u00e9es 1920 : arch\u00e9ologies du medium cin\u00e9ma\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Enrico Camporesi<\/strong><\/p>\n\n
\u00ab Media-arch\u00e9ologie d\u2019un d\u00e9bordement : les enjeux discursifs et mat\u00e9riologiques du cin\u00e9ma pur dans le vis-\u00e0-vis de \u2018l\u2019art de la Mobile Color\u2019 \u00bb<\/li>\n
\u201cMaterial f\u00fcr Gestaltung: Architectural Images as Operative Matter\u201d<\/li>\n<\/ul>\n
<\/u>\u00a0\u00ab\u00a0Anthropologies de la r\u00e9ception et diffusion du cin\u00e9ma\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Marie Frappat<\/strong><\/p>\n\n
\n
\u00ab Sur les traces des projectionnistes ambulants : pour une anthropologie du spectacle cin\u00e9matographique \u00e0 partir de la Sib\u00e9rie sovi\u00e9tique \u00bb<\/li>\n<\/ul>\n
<\/u>\u00ab\u00a0Th\u00e9ories et pratiques du film processuel\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Charlie Hewison<\/strong><\/p>\n\n
\u201cSplinter in your eye: Structural\/materialist film\u201d<\/li>\n
\u201cThe gesture of filmmaking in contemporary experimental film practices as a possibility to unveil the object of film\u201d<\/li>\n<\/ul>\n
<\/u>
16h15\u00a0: Panel 4<\/u><\/strong> (en fran\u00e7ais et en anglais)
<\/u>\u00a0\u00ab\u00a0R\u00e9\u00e9valuations critiques\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Garance Fromont<\/strong><\/p>\n\n
\u00ab Esquisses pour une approche mat\u00e9rialiste de l’\u0153uvre de Chantal Akerman \u00bb<\/li>\n
\u201cWho Speaks: Ericka Beckman\u2019s New Talkie\u201d<\/li>\n<\/ul>\n
<\/u>\u00ab\u00a0De la dur\u00e9e\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: \u00c9line Grignard<\/strong><\/p>\n\n
\u201cLand x Labor: Duration and the Infinite Camera\u201d<\/li>\n
\u00ab Penser l’acc\u00e9l\u00e9ration sociale du temps dans le cin\u00e9ma : comment des approches mat\u00e9rialistes peuvent-elles aider \u00e0 comprendre la dur\u00e9e des \u0153uvres ? \u00bb<\/li>\n<\/ul>\n
<\/u>\u00a0\u00ab\u00a0L\u2019esprit et l\u2019intangible : aux limites du mat\u00e9rialisme\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: R\u00e9mi Lauvin<\/strong><\/p>\n\n
\u00ab Mat\u00e9rialit\u00e9s invisibles et intangibles: traitements figuratifs du syndrome d’\u00e9lectro-hypersensibilit\u00e9 \u00bb<\/li>\n
\u00ab L\u2019alt\u00e9ration de la mati\u00e8re-film dans Le Tempestaire<\/em> de Jean Epstein comme traduction esth\u00e9tique de sa th\u00e9orie du rapport esprit\/mati\u00e8re \u00bb<\/li>\n<\/ul>\n
<\/u>\u00ab \u00c9cologies souterraines des mati\u00e8res visuelles et sonores \u00bb \u2022 Pr\u00e9sidence\u00a0: C.E. Harris<\/strong><\/p>\n\n
\u201cEcocritical Materialism (Blade Runner<\/em> & True Detective<\/em>)\u201d<\/li>\n
\u201c\u2018Rendering\u2019: The Material Politics of Foley\u201d<\/li>\n<\/ul>\n
<\/u>
16h15\u00a0: Panel 8<\/u><\/strong> (en anglais)
<\/u>\u00ab\u00a0Le cin\u00e9ma \u00e0 l\u2019\u00e8re du \u201ccapitalisme fossile\u201d\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Aymeric Pantet<\/strong><\/p>\n\n
\u201cMaterial Modernity. Matter and Structures in Italian Postwar Cinema\u201d<\/li>\n
\u201cMisfortunes of Materialism: Gumucio Dagron\u2019s Super 8 Film Workshops in Bolivia and Nicaragua (1978-1981)\u201d<\/li>\n
\u201cSuper 8 Materiality and Fossil Economy\u201d<\/li>\n<\/ul>\n
<\/u>\u00ab Mat\u00e9rialismes des algorithmes et big data<\/em> \u00bb \u2022 Pr\u00e9sidence\u00a0: Laurence Allard<\/strong><\/p>\n\n
\u201cMachinic Materialism and the Theory of the Algorimage\u201d<\/li>\n
\u00ab Th\u00e9orie critique et big data \u00bb<\/li>\n<\/ul>\n
<\/u>
11h15\u00a0: Panel 10<\/u><\/strong> (en fran\u00e7ais)
<\/u>\u00ab\u00a0Court-circuiter le medium\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Barnab\u00e9 Sauvage<\/strong><\/p>\n\n
\u00ab Hydrodynamique du montage num\u00e9rique \u00bb<\/li>\n
\u00ab Re(penser) le dispositif avec Vil\u00e9m Flusser\u00a0\u00bb<\/li>\n<\/ul>\n
<\/u>\u00ab\u00a0Poussi\u00e8res : esth\u00e9tique \u00e9cologique d\u2019un r\u00e9sidu\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Martine Beugnet<\/strong><\/p>\n\n
\u00ab Poussi\u00e8res de surface : ontologie du d\u00e9p\u00f4t dans la pratique contemporaine du film photochimique \u00bb<\/li>\n
\u00ab La poussi\u00e8re \u00e0 la lisi\u00e8re de la mati\u00e8re \u00bb<\/li>\n<\/ul>\n
<\/u>\u00ab\u00a0Nouveaux mat\u00e9rialismes : territoire, technique, \u00e9cologie\u00a0\u00bb \u2022 Pr\u00e9sidence\u00a0: Fanny Cardin<\/strong><\/p>\n\n
\n
\u201cSoft Ground, Hard Light\u201d<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n
B\u00e2timent Sophie Germain, Place Aur\u00e9lie Nemours, 75013 Paris)<\/p>\n
Universit\u00e9 Paris Cit\u00e9, campus des Grands Moulins
9 esplanade Pierre Vidal-Naquet
Rez-de-chauss\u00e9e de la Halle aux Farines, 75013 Paris<\/p>\n
20 rue du Temple, 75004 Paris<\/p>\n\u00c0<\/span> lire aussi<\/h2>\n