[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n
Lundi 5 septembre 2022 \u00e0 partir de 8h30<\/p>\n
Grands Moulins – Escalier C – 6e<\/sup> \u00e9tage – UFR LAC<\/p>\n 5 rue Thomas Mann – Paris 13e<\/sup><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n Journ\u00e9e organis\u00e9e par Gaspard DELON (Universit\u00e9 Paris Cit\u00e9, CERILAC), Laurent GUIDO (Universit\u00e9 de Lille, CEAC), Kira KITSOPANIDOU (Universit\u00e9 Sorbonne Nouvelle, IRCAV). Avec le soutien de l\u2019\u00c9cole doctorale 131 (Langue, Litt\u00e9rature et Image : civilisations et sciences humaines) d’Universit\u00e9 Paris Cit\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ module_id=\u00a0\u00bbimage-page-type\u00a0\u00bb width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″][et_pb_image admin_label=\u00a0\u00bbImage 1920 x 1080″ _builder_version=\u00a0\u00bb3.22.1″ src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2022\/07\/Afeccav-2.png\u00a0\u00bb module_id=\u00a0\u00bbimage-page\u00a0\u00bb z_index_tablet=\u00a0\u00bb500″ \/][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n Timoth\u00e9e Chalamet dans The French Dispatch, <\/em>Wes Anderson, 2021<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n 8h30-9h – Accueil (salle Pierre Pachet – 677C)<\/p>\n 9h-10h<\/strong>30 – S\u00e9ance pl\u00e9ni\u00e8re<\/strong> (salle Pierre Pachet – 677C)<\/p>\n –\u00a0Discours d\u2019accueil : Emmanuelle ANDR\u00c9 (Universit\u00e9 Paris Cit\u00e9, directrice adjointe de l\u2019ED 131)<\/p>\n –\u00a0Table ronde : le parcours du doctorant<\/p>\n –\u00a0La fin de th\u00e8se : Rapha\u00eblle MOINE (Sorbonne Nouvelle)<\/p>\n –\u00a0CNU 18e<\/sup> section : C\u00e9cile SORIN (Paris 8)<\/p>\n –\u00a0CNU 71e<\/sup> section : Perrine BOUTIN (Sorbonne Nouvelle)<\/p>\n –\u00a0Revue invit\u00e9e : Genre en s\u00e9ries<\/em><\/p>\n – Annonce du congr\u00e8s AFECCAV 2023 \u00e0 Toulouse<\/p>\n \u00a0<\/p>\n 10h30-11h – Pause caf\u00e9<\/p>\n 1<\/strong>1h-13h – Ateliers du matin<\/strong><\/p>\n \u00a0<\/p>\n 3 ateliers en parall\u00e8le\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n \u00a0<\/p>\n Mod\u00e9ration : Martin BARNIER (Lyon 2) et Kira KITSOPANIDOU (Sorbonne Nouvelle)<\/p>\n –\u00a0Elisa CARFANTAN (Rennes 2) – La rotoscopie dans le cin\u00e9ma et l\u2019animation des ann\u00e9es 1950-1960\u00a0: une absence th\u00e9orique ? \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Camille PIERRE (Toulouse 2) – La fabrique sonore des Contes des quatre saisons<\/em> (Eric Rohmer, 1990-1998)<\/p>\n –\u00a0Beno\u00eet MARS (Dijon) – Visiblement je vous aime<\/em> (Jean-Michel Carr\u00e9, 1996) : l\u2019artiste, les autistes et l\u2019atelier<\/p>\n –\u00a0Alexis GUILLIER (Caen) – Accidents de tournage : Rust<\/em> et la r\u00e9alit\u00e9 \u00e9clat\u00e9e\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n \u00a0<\/p>\n Mod\u00e9ration : Martine BEUGNET (Universit\u00e9 Paris Cit\u00e9) et Mathias LAVIN (Poitiers)<\/p>\n –\u00a0Hugo DUQUENNOY (Lille) – Le corps et les attractions : \u00e9tude d\u2019une d\u00e9formation dans A Damsel in Distress<\/em> (George Stevens, 1937)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Germain SCLAFER (Paris 8) – L\u2019extase subliminale : de l\u2019action chor\u00e9graphique du flash cutting sur les corps non performants du Nouvel Hollywood\u00a0\u00a0<\/p>\n –\u00a0Anastasia ROSTAN (Universit\u00e9 Paris Cit\u00e9) – Que fait l\u2019Espace \u00e0 l\u2019image ? Machines \u00e0 images immersives et voyage spatial dans la science-fiction au XXIe<\/sup> si\u00e8cle\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Mariane DE CAMBIAIRE (Aix-Marseille) – Pour une nature morte cin\u00e9matographique : excavation sonore, montage et image-temps dans Memoria<\/em> (Apichatpong Weerasethakul, 2021)\u00a0\u00a0\u00a0<\/p>\n \u00a0<\/p>\n Mod\u00e9ration : Diane ARNAUD (G. Eiffel) et Guillaume SOULEZ (Sorbonne Nouvelle)<\/p>\n –\u00a0Pierre SANOU (Sorbonne Nouvelle \/ Ouagadougou) – Traces et m\u00e9moires d’un devin-gu\u00e9risseur dans le \u00ab\u00a0vieux village\u00a0\u00bb de Tansila (Durkuldi) au Burkina Faso : du cin\u00e9-roman \u00e0 la fiction sonore<\/p>\n –\u00a0Oriane SIDRE (Amiens) – L\u2019influence de Train de nuit dans la Voie Lact\u00e9e<\/em> (Sugii Gisabur\u00f4, 1985) sur l’industrie anim\u00e9e japonaise : l\u2019h\u00e9ritage d’une subjectivit\u00e9 cosmique ?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Pablo VALLEDOR (Poitiers) – Le trouble dans le r\u00e9cit cin\u00e9matographique : proto-narrativit\u00e9 et complexit\u00e9 fictionnelle\u00a0\u00a0<\/p>\n –\u00a0Katharina FUCHS (Paris 8) – La narration spatiale dans 7 Lives <\/em>(Jan Kounen, 2019) : de l\u2019immersion vers la distanciation\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n \u00a0<\/p>\n 13h-14h30 – Pause d\u00e9jeuner<\/p>\n 14h<\/strong>30-17h – Ateliers de l\u2019apr\u00e8s-midi<\/strong><\/p>\n \u00a0<\/p>\n 3 ateliers en parall\u00e8le\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n \u00a0<\/p>\n Mod\u00e9ration : Barbara LABORDE (Sorbonne Nouvelle) et H\u00e9l\u00e8ne LAURICHESSE (Toulouse 2\u00a0\/ ENSAV)<\/p>\n –\u00a0Tristan DOMINGUEZ (Sorbonne Nouvelle) – Qu\u2019est-ce qu\u2019un multiplexe ? Enjeux s\u00e9mantiques, l\u00e9gaux et culturels en France de 1993 \u00e0 2003<\/p>\n –\u00a0Erwin HAYE (Sorbonne Nouvelle) – Mesurer la multiprogrammation et ses enjeux en contexte num\u00e9rique<\/p>\n –\u00a0Marie Christin KR\u00c4MER (Universit\u00e9 de Lorraine \/ Marburg) – La cin\u00e9philie, un champ de m\u00e9moire multidirectionnel : le cas de Cinema Jenin – The Story of a Dream<\/em> (Marcus Vetter, 2011)<\/p>\n –\u00a0Sandrine DOS SANTOS (Bordeaux Montaigne) – \u00c9ducation au cin\u00e9ma et aux images et territorialisation des politiques publiques en Nouvelle-Aquitaine\u00a0<\/p>\n –\u00a0Alice GALLOIS (Toulouse 2) – Les adolescents face \u00e0 l\u2019\u00e9ducation \u00e0 l’image : regards crois\u00e9s sur le dispositif \u00ab\u00a0Lyc\u00e9ens et apprentis au cin\u00e9ma\u00a0\u00bb en Occitanie\u00a0<\/p>\n \u00a0<\/p>\n Mod\u00e9ration : Jos\u00e9 MOURE (Paris 1) et Katalin POR (Paris 8)<\/p>\n –\u00a0Arthur C\u00d4ME (Paris 1) – L\u2019iconographie musicale du cin\u00e9ma fran\u00e7ais des ann\u00e9es 1920\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Jeremias ITURRA (Ircam \/ Bruxelles \/ Lyon 2) – Jacques Tati ou la m\u00e9taphore musicale du geste cin\u00e9matographique<\/p>\n –\u00a0Camille CELLIER (Caen) – Le film d\u2019\u00e9crivain : \u00eatre ou ne pas \u00eatre inspir\u00e9 ?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Guillaume JAEHNERT (Bordeaux Montaigne) – De Cin\u00e9monde<\/em> \u00e0 Cin\u00e9Mode<\/em> : \u00e9tudier la mode au cin\u00e9ma\u00a0<\/p>\n –\u00a0Alba ANAYA DOMINGUEZ (Rennes 2 \/ Barcelone) – Interpr\u00e9tations subjectives, oniriques et imaginaires de la peinture, de la sculpture et de l\u2019architecture dans le cin\u00e9ma documentaire (Emmer, Wenders, Antonioni)<\/p>\n \u00a0<\/p>\n Mod\u00e9ration : Jacqueline NACACHE (Universit\u00e9 Paris Cit\u00e9) et Olivier TH\u00c9VENIN (Sorbonne Nouvelle)<\/p>\n –\u00a0James GUTTRIDGE (Universit\u00e9 Paris Cit\u00e9) – A Crisis of Identity: Hollywood\u2019s Shifting Political History, From the 1920s to Today<\/p>\n –\u00a0Micha\u00ebl ARLOTTO (Nice) – Les jeunes face \u00e0 leurs a\u00een\u00e9s dans le cin\u00e9ma fran\u00e7ais (1955 – 1968) : un dialogue impossible ?\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n –\u00a0Lucie PATRONNAT (Paris 1) – Le \u00ab grand m\u00e9chant loup \u00bb est dans la bergerie : violences domestiques dans The Dark and the Wicked <\/em>(Bryan Bertino, 2020)<\/p>\n –\u00a0Davina BRUNOT (Bordeaux Montaigne) – Madre<\/em> (Rodrigo Sorogoyen, 2019) ou la crainte du rivage<\/p>\n –\u00a0Anne KAFTAL (Sorbonne Nouvelle) – Val\u00e9rie Lemercier et la reconfiguration post-f\u00e9ministe de la com\u00e9die au f\u00e9minin<\/p>\n \u00a0<\/p>\n 17h-17h15 – Pause<\/p>\n 17h<\/strong>15-18h15 – Assembl\u00e9e g\u00e9n\u00e9rale de l\u2019AFECCAV <\/strong>(salle Pierre Pachet – 677C)<\/p>\n 18h15 – Pot de cl\u00f4ture<\/p>\n<\/div>\n \u00a0<\/p>\n Comit\u00e9 scientifique<\/strong><\/p>\n Diane ARNAUD (Universit\u00e9 Gustave Eiffel, LISAA), Martine BEUGNET (Universit\u00e9 Paris Cit\u00e9, LARCA), B\u00e9r\u00e9nice BONHOMME (Universit\u00e9 de Toulouse Jean Jaur\u00e8s \/ ENSAV, LARA), Gaspard DELON, Laurent GUIDO, Kira KITSOPANIDOU, H\u00e9l\u00e8ne LAURICHESSE (Universit\u00e9 de Toulouse Jean Jaur\u00e8s \/ ENSAV, LARA), Olivier TH\u00c9VENIN (Universit\u00e9 Sorbonne Nouvelle, CERLIS)<\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong><\/p>\n La journ\u00e9e doctorale de l\u2019Association fran\u00e7aise des enseignant-es et chercheur-es en cin\u00e9ma et audiovisuel (AFECCAV) se d\u00e9roulera dans le respect des r\u00e8gles sanitaires en vigueur.<\/p>\n http:\/\/www.afeccav.org<\/a><\/p>\n https:\/\/journals.openedition.org\/map\/<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" QuandLundi 5 septembre 2022 \u00e0 partir de 8h30O\u00f9Grands Moulins – Escalier C – 6e \u00e9tage – UFR LAC5 rue Thomas Mann – Paris 13e <\/p>\n Journ\u00e9e organis\u00e9e par Gaspard DELON (Universit\u00e9 Paris Cit\u00e9, CERILAC), Laurent GUIDO (Universit\u00e9 de Lille, CEAC), Kira KITSOPANIDOU (Universit\u00e9 Sorbonne Nouvelle, IRCAV). Avec le soutien de l\u2019\u00c9cole doctorale 131 (Langue,… Lire la suite Journ\u00e9e doctorale de l\u2019AFECCAV<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":3102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[26,22],"tags":[],"class_list":["post-3101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements-passes","category-journee-detude"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=3101"}],"version-history":[{"count":6,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3101\/revisions"}],"predecessor-version":[{"id":3108,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/3101\/revisions\/3108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/3102"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=3101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=3101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=3101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Programme<\/h3>\n
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\u00c0<\/span> lire aussi<\/h2>\n