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Sylvie Patron est ma\u00eetresse de conf\u00e9rences HDR, responsable du master MEEF \u00ab M\u00e9tiers de l\u2019enseignement, de l\u2019\u00e9ducation et de la formation \u00bb \u00e0 l\u2019UFR LAC et chercheuse au sein du CERILAC. Elle dirige le projet Idex \u00ab\u00a0Paris Centre for Narrative Matters\u00a0\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n
La pr\u00e9sence d\u2019un narrateur fictionnel dans tous les r\u00e9cits de fiction est l\u2019hypoth\u00e8se fondamentale qui distingue la narratologie des th\u00e9ories narratives ant\u00e9rieures. Cependant, d\u00e8s les premi\u00e8res formulations de cette hypoth\u00e8se, des voix se sont \u00e9lev\u00e9es pour d\u00e9noncer une simplification excessive et une dangereuse confusion des questions. La Th\u00e9orie du narrateur optionnel est le premier ouvrage collectif qui aborde la question du narrateur du point de vue de la th\u00e9orie du narrateur optionnel.<\/p>\n
Sylvie Patron est connue pour ses travaux en faveur de la th\u00e9orie du narrateur optionnel. L\u2019ouvrage comporte \u00e9galement des essais sign\u00e9s par des chercheurs de renom international. Il couvre un large \u00e9ventail de genres, du r\u00e9cit biblique \u00e0 la po\u00e9sie, en passant par la bande dessin\u00e9e. L\u2019ouvrage pr\u00e9sente un ensemble d\u2019arguments invitant \u00e0 r\u00e9server le concept de narrateur fictionnel aux cas o\u00f9 l\u2019on peut consid\u00e9rer que l\u2019auteur a cr\u00e9\u00e9 ou construit ce narrateur dans une d\u00e9marche intentionnelle.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Sylvie Patron est ma\u00eetresse de conf\u00e9rences HDR, responsable du master MEEF \u00ab M\u00e9tiers de l\u2019enseignement, de l\u2019\u00e9ducation et de la formation \u00bb \u00e0 l\u2019UFR LAC et chercheuse au sein du CERILAC. Elle dirige le projet Idex \u00ab\u00a0Paris Centre for Narrative Matters\u00a0\u00bb. <\/p>\n