[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n
Vendredi 15 avril 2022 \u00e0 18h<\/p>\n
Auditorium de l’institut Imagine, H\u00f4pital Necker-Enfants malades<\/p>\n
et retransmission en ligne<\/p>\n
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Dans le cadre de la sixie\u0300me e\u0301dition des Journe\u0301es Nationales de la Filie\u0300re NEUROSPHINX, qui se tiendra a\u0300 l\u2019Institut Imagine les 14 et 15 avril, la compagnie des Endonautes (programme Monologuer) pre\u0301sente le vendredi 15 avril 2022 de 18h a\u0300 19h30 la fiction radiophonique \u00ab\u00a0Paroles invisibles\u00a0\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Annonce<\/a><\/p>\n Avec la collaboration artistique de Pascale Nandillon et Fre\u0301de\u0301ric Te\u0301tart de l’Atelier Hors Champ, Les Endonautes osent une immersion fictionnelle dans la vie inte\u0301rieure de trois jeunes filles. Ne\u0301es avec une malformation anorectale, elles nous invitent a\u0300 les suivre dans le the\u0301a\u0302tre de leur parole inte\u0301rieure, qui se de\u0301ploie dans le temps, entre leurs dix et leurs dix-sept ans. La maladie cohabite tant bien que mal avec l’e\u0301closion de la fe\u0301minite\u0301, la ne\u0301gociation avec le groupe, la famille et son lot de n\u0153uds, l’appropriation d’un corps qui change et re\u0301siste, mais aussi avec le re\u0302ve, l’espoir, l’increvable de\u0301sir.<\/p>\n En cinq e\u0301pisodes, les artistes-chercheurs et les chercheurs-artistes se font navigateurs et explorateurs de ces lieux strictement interdits au public. Parce que ces espaces inte\u0301rieurs sont aussi les leurs, parce qu’une maladie n’est peut-e\u0302tre qu’une mise en forme par le corps de peurs et d’entraves que nous partageons tous. Avec pour seule boussole de se tenir au plus pre\u0300s de sa propre parole inte\u0301rieure et de se rendre perme\u0301able a\u0300 celle de l’autre, Les Endonautes tentent a\u0300 chaque fois un jeu sensible, un jeu de hasard, d’ou\u0300 pourrait bien surgir cet e\u0301ve\u0301nement unique : la rencontre.<\/p>\n Fiction, the\u0301a\u0302tre, narration, ces mots charrient des conventions dans quoi les paroles invisibles ne peuvent s’endiguer. Pas de normes donc, ni re\u0300gles ni codifications, sinon la justesse de l\u2019ancrage inte\u0301rieur, l’ancrage dans ce que visce\u0301ralement nous sommes ; et la conscience de sa fragilite\u0301. Qui voudrait consommer du beau et du bien sera surpris d’y voir nai\u0302tre une toute autre beaute\u0301, impropre, mais aux antipodes d’une banale provocation. Le pari de cette cre\u0301ation est que de la pierre non taille\u0301e, souille\u0301e me\u0302me, du langage inte\u0301rieur peuvent jaillir des e\u0301clats dont il appartient a\u0300 l’auditeur de saisir la lueur e\u0301phe\u0301me\u0300re.<\/p>\n E\u0301trangement familier, familie\u0300rement e\u0301tranger, le projet de la compagnie est de se fonder sur une exploration spe\u0301cifique du langage inte\u0301rieur. C’est pourquoi ces performances endophasiques re\u0301sonnent en chacun. L’art brut, l’art des fous, l’e\u0301criture automatique des surre\u0301alistes, le the\u0301a\u0302tre de la cruaute\u0301, ne sont pas loin. Mais les Endonautes partagent entre eux une expe\u0301rience : ils ont choisi de s’inscrire dans un programme pionnier de recherche linguistique, MONOLOGUER, soutenu par l\u2019Institut Imagine dans le cadre de son programme Sciences Humaines et Sociales, par la filie\u0300re Neurosphinx, par le CERILAC (Universite\u0301 Paris Cite\u0301). A\u0300 vise\u0301e the\u0301rapeutique, artistique, expe\u0301rimentale et exploratrice, ce dispositif forme un monde commun, dans lequel vous e\u0302tes convie\u0301s.<\/p>\n Paroles invisibles, une fiction radiophonique<\/p>\n Avec et par : Lola Bouchard, Claire Catel, Maria Wojewoda Jeanine Rochefort et Ste\u0301phanie Smadja cie Atelier hors champ [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ 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header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong><\/p>\n Retransmission en direct Pour e\u0301couter la retransmission dans l\u2019auditorium et participer aux e\u0301changes en pre\u0301sence, inscription gratuite et obligatoire : adressez s\u2019il vous plai\u0302t vos noms, pre\u0301noms, te\u0301le\u0301phones, adresses e\u0301lectroniques a\u0300 Marta Krol (marta.krol@sfr.fr<\/a>) et Ste\u0301phanie Smadja (stephanie.smadja@univ-paris-diderot.fr<\/a>)<\/p>\n Pour suivre la retransmission en ligne et participer aux e\u0301changes a\u0300 distance, inscription gratuite a\u0300 l\u2019adresse suivante : https:\/\/bit.ly\/journees-nationales-neurosphinx-2022<\/a> (L\u2019inscription en ligne permettra de recevoir lundi les codes de connexion a\u0300 la plateforme qui retransmettra en direct l\u2019e\u0301ve\u0300nement.)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.22.1″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Quand Vendredi 15 avril 2022 \u00e0 18h O\u00f9 Auditorium de l’institut Imagine, H\u00f4pital Necker-Enfants malades et retransmission en ligne <\/p>\n Dans le cadre de la sixie\u0300me e\u0301dition des Journe\u0301es Nationales de la Filie\u0300re NEUROSPHINX, qui se tiendra a\u0300 l\u2019Institut Imagine les 14 et 15 avril, la compagnie des Endonautes (programme Monologuer) pre\u0301sente le vendredi… Lire la suite Monologuer : fiction radiophonique \u00ab\u00a0Paroles invisibles\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":2902,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-2901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2901"}],"version-history":[{"count":3,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2901\/revisions"}],"predecessor-version":[{"id":2906,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2901\/revisions\/2906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/2902"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=2901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=2901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Auteurs : Lola Bouchard, Claire Catel, Maria Wojewoda, en collaboration avec Ce\u0301lia Cre\u0301tolle, Giulia Disnan,<\/p>\n
Direction d\u2019acteur, enregistrements et montage, composition sonore : Pascale Nandillon et Fre\u0301de\u0301ric Te\u0301tart \/<\/p>\n
Avec la participation de Marta Krol et Andre\u0301e Chauvin-Vileno<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
depuis l’auditorium de l’Institut Imagine
Ho\u0302pital Necker, entre\u0301e par le 24 Boulevard Montparnasse, 6e e\u0301tage<\/p>\n\u00c0<\/span> lire aussi<\/h2>\n