S\u00e9minaire du projet Emergence \u00ab\u00a0CHORUS Les arts de la parole, entre voix singuli\u00e8re et corps social\u00a0\u00bb organis\u00e9 par Maxime Pierre et Cyril Vettorato.<\/p>\n
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\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Agenda<\/h3>\n\n- Mardi 12 avril 2022<\/li>\n<\/ul>\n
Premi\u00e8re s\u00e9ance<\/strong><\/p>\nVincent Azoulay, Directeur d’\u00e9tudes \u00e0 l\u2019EHESS pr\u00e9sentera le livre co-\u00e9crit avec Paulin Ismard : Ath\u00e8nes 403. Une histoire chorale<\/em>, Paris, Flammarion, 2020.<\/p>\n\u00ab \u00c0 partir du destin de dix personnages singuliers, ce livre aborde la restauration d\u00e9mocratique de 403 avant notre \u00e8re sous un angle in\u00e9dit. S’inspirant du mod\u00e8le du ch\u0153ur antique, il entend proposer une description renouvel\u00e9e de la soci\u00e9t\u00e9 ath\u00e9nienne, \u00e0 rebours des classifications fig\u00e9es dissociant citoyens, m\u00e9t\u00e8ques et esclaves. Par sa brutalit\u00e9, la guerre civile fait en effet \u00e9merger des collectifs multiples et mouvants, organis\u00e9s autour de figures cl\u00e9s tels l’inclassable Socrate, l’oligarque Critias, le rh\u00e9teur Lysias, mais aussi le scribe Nicomachos, l’ancien esclave G\u00e8rys ou la pr\u00eatresse Lysimach\u00e8. En scrutant ces ch\u0153urs, l’enqu\u00eate d\u00e9voile les hi\u00e9rarchies et les tensions qui les traversent, mais surtout les pratiques et les \u00e9motions qui les soudent. Se dessine alors une nouvelle cartographie de la communaut\u00e9 ath\u00e9nienne, plac\u00e9e sous le signe de la pluralit\u00e9 et de la contingence. Cette histoire chorale s’interroge en d\u00e9finitive sur la fa\u00e7on de \u00ab\u00a0faire soci\u00e9t\u00e9\u00a0\u00bb : par quels processus une communaut\u00e9 en vient-elle \u00e0 se d\u00e9chirer, voire \u00e0 se d\u00e9sint\u00e9grer, puis \u00e0 se refonder ?\u00bb<\/p>\n
De 17h \u00e0 19h, salle 682C, 6\u00e8me \u00e9tage, Grands Moulins<\/p>\n
Premi\u00e8re s\u00e9ance<\/strong><\/p>\n Vincent Azoulay, Directeur d’\u00e9tudes \u00e0 l\u2019EHESS pr\u00e9sentera le livre co-\u00e9crit avec Paulin Ismard : Ath\u00e8nes 403. Une histoire chorale<\/em>, Paris, Flammarion, 2020.<\/p>\n \u00ab \u00c0 partir du destin de dix personnages singuliers, ce livre aborde la restauration d\u00e9mocratique de 403 avant notre \u00e8re sous un angle in\u00e9dit. S’inspirant du mod\u00e8le du ch\u0153ur antique, il entend proposer une description renouvel\u00e9e de la soci\u00e9t\u00e9 ath\u00e9nienne, \u00e0 rebours des classifications fig\u00e9es dissociant citoyens, m\u00e9t\u00e8ques et esclaves. Par sa brutalit\u00e9, la guerre civile fait en effet \u00e9merger des collectifs multiples et mouvants, organis\u00e9s autour de figures cl\u00e9s tels l’inclassable Socrate, l’oligarque Critias, le rh\u00e9teur Lysias, mais aussi le scribe Nicomachos, l’ancien esclave G\u00e8rys ou la pr\u00eatresse Lysimach\u00e8. En scrutant ces ch\u0153urs, l’enqu\u00eate d\u00e9voile les hi\u00e9rarchies et les tensions qui les traversent, mais surtout les pratiques et les \u00e9motions qui les soudent. Se dessine alors une nouvelle cartographie de la communaut\u00e9 ath\u00e9nienne, plac\u00e9e sous le signe de la pluralit\u00e9 et de la contingence. Cette histoire chorale s’interroge en d\u00e9finitive sur la fa\u00e7on de \u00ab\u00a0faire soci\u00e9t\u00e9\u00a0\u00bb : par quels processus une communaut\u00e9 en vient-elle \u00e0 se d\u00e9chirer, voire \u00e0 se d\u00e9sint\u00e9grer, puis \u00e0 se refonder ?\u00bb<\/p>\n De 17h \u00e0 19h, salle 682C, 6\u00e8me \u00e9tage, Grands Moulins<\/p>\n
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