{"id":2812,"date":"2022-03-08T14:12:09","date_gmt":"2022-03-08T13:12:09","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2812"},"modified":"2022-04-01T16:06:56","modified_gmt":"2022-04-01T14:06:56","slug":"stage-le-chant-de-no-et-ses-techniques","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/stage-le-chant-de-no-et-ses-techniques\/","title":{"rendered":"Stage : Le Chant de N\u00f4 et ses techniques"},"content":{"rendered":"

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Quand<\/h4>\n

Du 23 avril au 1er mai 2022<\/p>\n

O\u00f9<\/h4>\n

Paris\u00a0<\/p>\n

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Ce stage, destin\u00e9 \u00e0 des artistes ayant une bonne connaissance de la sc\u00e8ne sera dirig\u00e9 par le sp\u00e9cialiste de n\u00f4 Richard Emmert avec la participation du ma\u00eetre de n\u00f4 Masato Matsuura. Les cours seront donn\u00e9s en anglais. Notre travail visera, pendant 35 heures de cours r\u00e9parties sur cinq jours de semaine et deux week-ends, \u00e0 familiariser un groupe de chanteurs avec les techniques vocales du n\u00f4. Le stage int\u00e9grera \u00e9galement des s\u00e9ances d\u2019initiation aux tambours de n\u00f4. Nous travaillerons sur des chants du r\u00e9pertoire classique japonais et sur des textes fran\u00e7ais.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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ENSEIGNANT<\/span><\/strong><\/div>\n<\/div>\n
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Richard Emmert est professeur \u00e9m\u00e9rite \u00e0 l\u2019universit\u00e9 Musashino (T\u00f4ky\u00f4) o\u00f9 il a enseign\u00e9 le n\u00f4 et les arts de la performance asiatiques. N\u00e9 dans l\u2019Ohio (USA), il est instructeur certifi\u00e9 de l\u2019\u00e9cole de n\u00f4 Kita et a dirig\u00e9 de nombreux ateliers dans le monde. Fondateur de la compagnie \u00ab Theatre Nohgaku \u00bb, il a compos\u00e9 la partition musicale de nombreuses pi\u00e8ces de n\u00f4 en anglais, ce qui lui a valu de recevoir le Prix Koizumi en 2019. Il a co-\u00e9dit\u00e9 une s\u00e9rie de guides de performances de n\u00f4 et a publi\u00e9 les six volumes du Guide to Noh of the National Noh Theatre pour le Th\u00e9\u00e2tre National de T\u00f4ky\u00f4. <\/span><\/div>\n<\/div>\n
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\u00a0<\/span><\/div>\n<\/div>\n
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COLLABORATION<\/span><\/strong><\/div>\n<\/div>\n
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Masato Matsuura est ma\u00eetre de n\u00f4 form\u00e9 \u00e0 l\u2019\u00e9cole Kanze et directeur de l\u2019\u00e9cole d\u2019arts martiaux et de n\u00f4 \u00ab Les Deux Spirales \u00bb \u00e0 Paris et Bruxelles. Il fait dialoguer les techniques du n\u00f4 et des arts martiaux avec les traditions artistiques europ\u00e9ennes. Il a notamment cr\u00e9\u00e9 une danse de n\u00f4 pour le Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un Faune de Debussy (th\u00e9\u00e2tre des Champs Elys\u00e9es, 2017) et collabore r\u00e9guli\u00e8rement avec le claveciniste Fr\u00e9d\u00e9rick Haas avec qui il fait dialoguer la danse de n\u00f4 et les \u0153uvres de Bach. En 2020 il interpr\u00e8te en alternance avec Yoshi Oida le r\u00f4le du protagoniste de la pi\u00e8ce Sleeping de Serge Nicola\u00ef. <\/span><\/div>\n<\/div>\n
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\u00a0<\/span><\/div>\n<\/div>\n
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CONDITIONS<\/span><\/strong><\/div>\n<\/div>\n
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Ce stage gratuit est r\u00e9serv\u00e9 \u00e0 des \u00e9tudiants ou professionnels de la sc\u00e8ne aux horaires suivants :<\/span><\/div>\n<\/div>\n
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SAM 23- DIM 24 avril : 10:00-12-30 \/ 13:30-16:00<\/span><\/div>\n<\/div>\n
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LUN 25 au VEN 29 avril :16:00-19:00 : <\/span><\/div>\n<\/div>\n
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30 avril-1er mai (SAM -DIM) : 10:00-12 :30 \/ 13:30-16:00 <\/span><\/div>\n<\/div>\n
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Une connaissance de la langue anglaise est souhaitable, mais une traduction et des explications en fran\u00e7ais seront apport\u00e9es quand n\u00e9cessaire.<\/span><\/div>\n<\/div>\n
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Les r\u00e9p\u00e9titions se tiendront \u00e0 Paris. Le lieu sera pr\u00e9cis\u00e9 au moment du stage.<\/span><\/div>\n<\/div>\n
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Les frais de voyages, repas et de s\u00e9jour sont \u00e0 la charge des participants.<\/span><\/div>\n<\/div>\n
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\u00a0<\/span><\/div>\n<\/div>\n
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CANDIDATURES <\/span><\/strong><\/div>\n<\/div>\n
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Les candidats seront retenus en fonction de leur disponibilit\u00e9 \u00e0 participer au stage, de leur motivation \u00e0 explorer des techniques vocales \u00e9trang\u00e8res, et de leur volont\u00e9 de participer \u00e0 de futurs projets mobilisant un ch\u0153ur et des acteurs de n\u00f4. <\/span><\/div>\n<\/div>\n
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\u00a0<\/span><\/div>\n<\/div>\n
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Envoyer avant le 25 mars \u00e0 maxime.pierre@wordpress-test.app.u-pariscite.fr<\/a><\/span><\/div>\n<\/div>\n
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– Un CV mentionnant la formation artistique du \/ de la candidat(e)<\/span><\/div>\n<\/div>\n
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– Une lettre de motivation<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Informations pratiques<\/strong>
Le lieu du stage sera pr\u00e9cis\u00e9 ult\u00e9rieurement<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bb\u00c0 lire aussi\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″]<\/p>\n

\u00c0<\/span> lire aussi<\/h2>\n

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Quand Du 23 avril au 1er mai 2022 O\u00f9 Paris\u00a0 <\/p>\n

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Ce stage, destin\u00e9 \u00e0 des artistes ayant une bonne connaissance de la sc\u00e8ne sera dirig\u00e9 par le sp\u00e9cialiste de n\u00f4 Richard Emmert avec la participation du ma\u00eetre de n\u00f4 Masato Matsuura. Les cours seront donn\u00e9s en anglais. Notre travail visera, pendant 35 heures… Lire la suite Stage : Le Chant de N\u00f4 et ses techniques<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":2813,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-2812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2812"}],"version-history":[{"count":2,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2812\/revisions"}],"predecessor-version":[{"id":2817,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2812\/revisions\/2817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/2813"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=2812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=2812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}