{"id":2726,"date":"2022-02-16T10:26:06","date_gmt":"2022-02-16T09:26:06","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2726"},"modified":"2022-02-16T10:26:06","modified_gmt":"2022-02-16T09:26:06","slug":"isabelle-barberis-panique-identitaire","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/isabelle-barberis-panique-identitaire\/","title":{"rendered":"Isabelle Barb\u00e9ris \u00ab\u00a0Panique identitaire\u00a0\u00bb"},"content":{"rendered":"

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Isabelle Barb\u00e9ris<\/strong>\u00a0est ma\u00eetre de conf\u00e9rences habilit\u00e9e \u00e0 diriger des recherches en arts de la sc\u00e8ne \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9. Son travail, entre esth\u00e9tique et philosophie politique, s\u2019int\u00e9resse \u00e0 la tournure id\u00e9ologique des discours de l\u2019art et \u00e0 la nature \u00e9pist\u00e9mique des repr\u00e9sentations\u00a0: discours de v\u00e9rit\u00e9, kitsch, absurde, etc. Elle est l\u2019auteur notamment de Th\u00e9\u00e2tres contemporains\u00a0: mythes et id\u00e9ologies et, avec Martial Poirson, de L\u2019\u00e9conomie du spectacle vivant, les deux parus aux PUF<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Lorem ipsum dolor sit amet, consectetuer adipiscing<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Images et discours de l\u2019a\u0302ge identitaire<\/strong><\/p>\n

Nous e\u0301voluons dans des environnements sensibles de plus en plus sexualise\u0301s et racialise\u0301s, qui finissent par former un re\u0301gime identitaire ine\u0301dit dont se sont empare\u0301es en France la gauche et la droite radicales (de\u0301colonialisme, Grand Remplacement…). Avec leurs cascades de jeux de permutation, avec leurs re\u0302veries essentialistes d\u2019alignement et de purete\u0301, ne nous y trompons pas : les nouvelles esthe\u0301tiques identitaires sont se\u0301curitaires et autoritaires. Elles vont de pair avec une de\u0301gradation de la sphe\u0300re politique et une de\u0301te\u0301rioration du libre jugement.<\/p>\n

Destruction de l\u2019inte\u0301riorite\u0301, relativisme, nouvelles idoles, maniche\u0301isme, chantage au ralliement, vandalisme : cet ouvrage examine de pre\u0300s les visuels et les discours de l\u2019a\u0302ge identitaire auxquels nous sommes surexpose\u0301s, depuis la publicite\u0301, la mode, le cine\u0301ma et les se\u0301ries jusqu\u2019aux tags ou aux artefacts plus e\u0301litistes de l\u2019art subventionne\u0301. Les effets d\u2019une telle esthe\u0301tique se re\u0301ve\u0300lent propices a\u0300 la surinterpre\u0301tation, a\u0300 la violence et en de\u0301finitive, a\u0300 une crise mime\u0301tique ge\u0301ne\u0301ralise\u0301e : la panique identitaire.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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