{"id":2710,"date":"2022-02-14T14:11:13","date_gmt":"2022-02-14T13:11:13","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2710"},"modified":"2022-02-14T14:11:13","modified_gmt":"2022-02-14T13:11:13","slug":"nibras-chehayed-mots-de-chair-et-de-sang-ecrire-le-corps-en-syrie-2011-2021","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/nibras-chehayed-mots-de-chair-et-de-sang-ecrire-le-corps-en-syrie-2011-2021\/","title":{"rendered":"Nibras Chehayed \u00ab\u00a0Mots de chair et de sang. \u00c9crire le corps en Syrie (2011-2021)\u00a0\u00bb"},"content":{"rendered":"

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Nibras Chehayed est post-doctorant au CERILAC, allocataire d\u2019une bourse Marie Sklodowska-CurieGlobal Fellowship (MSCA-GF) dans le cadre du programme de recherche et d\u2019innovation Horizon 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Nour Asalia<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Du t\u00e9moignage \u00e0 la po\u00e9sie, en passant par le roman, le th\u00e9\u00e2tre et la grammaire de l\u2019abjection, cet ouvrage tente de penser le corps parl\u00e9 et le corps \u00e9crit en Syrie. Par \u00e9criture du corps, nous entendons les textes litt\u00e9raires qui portent une attention particuli\u00e8re \u00e0 la corporalit\u00e9. Nous d\u00e9signons \u00e9galement les mots que le corps articule sur une sc\u00e8ne plus large, les gestes et les actes dans lesquels il s\u2019engage, l\u2019ensemble se dressant comme un texte \u00e0 interpr\u00e9ter et r\u00e9interpr\u00e9ter sans cesse. Mais \u00e9crire le corps dans le contexte sanglant de la guerre en Syrie, c\u2019est aussi se heurter \u00e0 l\u2019indicible de la catastrophe qui blesse le langage. C\u2019est se mettre alors en qu\u00eate d\u2019un reste, d\u2019un \u00e9chapp\u00e9, d\u2019un presque rien qui, tout en relevant du corps meurtri, se refuse \u00e0 la nihilisation de l\u2019exp\u00e9rience du monde : des hommes et des femmes sont encore l\u00e0 pour lui opposer leurs mots qui \u0153uvrent, inventant ainsi de nouvelles mani\u00e8res d\u2019exprimer l\u2019ineffable.<\/p>\n

L\u2019ouvrage est aussi publi\u00e9 en arabe : \u0643\u0644\u0645\u0627\u062a \u0645\u0646 \u0644\u062d\u0645 \u0648\u062f\u0645. \u0627\u0644\u062c\u0633\u062f \u0641\u064a \u0627\u0644\u0648\u0627\u0642\u0639 \u0627\u0644\u0633\u0648\u0631\u064a\u0651 (\u0662\u0660\u0661\u0661 \u2013 \u0662\u0660\u0662\u0661)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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