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\u00a9 Little Shao \/ Op\u00e9ra national de Paris<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Coordonn\u00e9 par Marine Roussillon et P\u00e9n\u00e9lope Dechaufour, le dernier chantier de la revue\u00a0tha\u00eatre\u00a0<\/em>revient notamment sur\u00a0la cr\u00e9ation, en 2019, de l\u2019op\u00e9ra-ballet de Jean-Philippe Rameau,\u00a0Les Indes galantes<\/em>, \u00e0 l\u2019Op\u00e9ra national de Paris par Cl\u00e9ment Cogitore (\u00e0 la mise en sc\u00e8ne) et Bintou Demb\u00e9l\u00e9 (\u00e0 la chor\u00e9graphie) et\u00a0analyse\u00a0les usages contemporains les plus directement politiques du baroque, tendus entre culture dominante et cultures de la rue, \u00e9merveillement et d\u00e9construction, marronnage et domestication.\u00a0<\/p>\n \u00a0<\/p>\n SOMMAIRE<\/strong><\/p>\n Avant-propos<\/strong><\/a> \u00a0<\/p>\n Du\u00a0krump<\/em>\u00a0\u00e0 la Bastille : un marronnage cr\u00e9ateur<\/strong><\/a> La nu\u00e9e\u00a0krump<\/em>\u00a0des\u00a0Indes galantes<\/em><\/strong><\/a> Rameau au pied de la lettre, Bastille \u00e0 contre-pied<\/strong><\/a> Dire \u00ab oui \u00bb aux\u00a0Indes galantes<\/em><\/strong><\/a> La beaut\u00e9 dans les interstices<\/strong><\/a> \u00a0<\/p>\n Repr\u00e9senter la horde primitive<\/strong><\/a> Culture hip-hop et \u00ab diversit\u00e9 culturelle \u00bb en France<\/strong><\/a> De la rue \u00e0 la sc\u00e8ne :<\/strong><\/a> La plus belle et la plus silencieuse des r\u00e9voltes<\/strong><\/a> \u00a0<\/p>\n Le Corps de la nation<\/strong><\/a> Voguing ou les normes exc\u00e9d\u00e9es (Paris, 2015)<\/strong><\/a> Subvertir le baroque, renverser l\u2019institution<\/strong><\/a> Corps du roi, corps sauvages<\/strong><\/a> \u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb 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revue\u00a0tha\u00eatre\u00a0vient de para\u00eetre et est accessible en ligne gratuitement. <\/p>\n \u00a9 Little Shao \/ Op\u00e9ra national de Paris <\/p>\n Coordonn\u00e9 par Marine Roussillon et P\u00e9n\u00e9lope Dechaufour, le dernier chantier de la revue\u00a0tha\u00eatre\u00a0revient notamment sur\u00a0la cr\u00e9ation, en 2019, de l\u2019op\u00e9ra-ballet de Jean-Philippe Rameau,\u00a0Les Indes galantes, \u00e0 l\u2019Op\u00e9ra national de Paris… Lire la suite Revue tha\u00eatre Chantier #6 : \u00ab\u00a0Baroque is burning !\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":2700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-2695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2695"}],"version-history":[{"count":8,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2695\/revisions"}],"predecessor-version":[{"id":2705,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2695\/revisions\/2705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/2700"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=2695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=2695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
P\u00e9n\u00e9lope Dechaufour et Marine Roussillon<\/p>\n\n
Entretien avec Bintou Demb\u00e9l\u00e9 et Sylvie Chalaye<\/p>\n
Invoquer les morts et lib\u00e9rer les vivants<\/strong><\/a>
Sylvie Chalaye<\/p>\n
Christian Biet et Marine Roussillon
Avec l\u2019aimable autorisation de la revue\u00a0Th\u00e9\u00e2tre\/Public<\/em><\/p>\n
Entretien avec Feroz Sahoulamide<\/p>\n
Entretien avec Maboula Soumahoro<\/p>\n\n
Retour sur le court-m\u00e9trage de Cl\u00e9ment Cogitore,<\/strong>\u00a0Les Indes galantes<\/em><\/strong><\/a>
R\u00e9mi Astruc<\/p>\n
Les enjeux institutionnels des\u00a0Indes galantes<\/em>\u00a0(2019)<\/strong>\u00a0\u00e0 l\u2019Op\u00e9ra national de Paris<\/strong><\/a>
Hugo R\u00e9aut\u00e9<\/p>\n
trois cas d\u2019\u00e9cole dans le hip-hop \u00e9tats-unien<\/strong><\/a>
Madison Mainwaring<\/p>\n
Entretien avec Cal Hunt<\/p>\n\n
Eros<\/em><\/strong>, th\u00e9\u00e2tre et racialisation au Grand Si\u00e8cle<\/strong><\/a>
No\u00e9mie Ndiaye<\/p>\n
Manuel Charpy
Avec L\u00e9onor Delaunay et Pablo Grand-Mourcel
Avec l\u2019aimable autorisation de la revue\u00a0Modes pratiques<\/em><\/p>\n
Entretien avec Robyn Orlin<\/p>\n
Marine Roussillon<\/p>\n\u00c0<\/span> lire aussi<\/h2>\n