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4 et 5 f\u00e9vrier 2022 de 10h \u00e0 18h<\/p>\n
Ecole des Chartes<\/p>\n
65 rue Richelieu, 75002 Paris<\/p>\n
Salle Delisle (04 f\u00e9vrier) et salle Quicherat (05 f\u00e9vrier)<\/p>\n
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Colloque organis\u00e9 par l’association Queerinal et le Laboratoire Corps, Genre, Arts de l\u2019association EFiGiES.<\/p>\n
Laur\u00e9at de l’appel \u00e0 animation scientifique de la Facult\u00e9 Soci\u00e9t\u00e9s et Humanit\u00e9s.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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DR Isaline Dupond Jacquemart<\/p>\n
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Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n VENDREDI 4 FE\u0301VRIER 2022<\/strong><\/p>\n Mode\u0301ration : Mathilde Lei\u0308chle\u0301<\/p>\n Mae\u0308l Tauzie\u0300de-Espariat, Docteur en histoire de l\u2019art et ATER a\u0300 l\u2019Universite\u0301 Paris Nanterre \u00ab La censure des \u201cnudite\u0301s\u201d a\u0300 Paris au XVIIIe sie\u0300cle. \u00bb<\/p>\n Anne-Claire Marpeau, Docteure en litte\u0301rature ge\u0301ne\u0301rale et compare\u0301e a\u0300 l\u2019Universite\u0301 de Colombie Britannique et a\u0300 l\u2019ENS de Lyon\u00a0: \u00ab \u201cUne te\u0302te que Raphae\u0308l eu\u0302t donne\u0301e a\u0300 Marie pose\u0301e sur un cou que Jean Goujon eu\u0302t donne\u0301 a\u0300 Ve\u0301nus\u201d ou les normes de la description \u201cre\u0301aliste\u201d du corps fe\u0301minin. \u00bb<\/p>\n Agate Lesage, E\u0301tudiante-entrepreneure, diplo\u0302me\u0301e en sciences et cultures du visuel a\u0300 l\u2019Universite\u0301 de Lille\u00a0: \u00ab Instagram et la censure des corps sexise\u0301s. \u00bb<\/p>\n Mode\u0301ration : Manon Lecaplain<\/p>\n Pierre Tenne, Docteur en histoire moderne a\u0300 Sorbonne Universite\u0301 et charge\u0301 de cours a\u0300 Universite\u0301 de Paris\u00a0: \u00ab Le concert et le roi de France pendant les Guerres de religion : contro\u0302ler et mettre en sce\u0300ne les corps par la musique. \u00bb<\/p>\n Ce\u0301lia Honore\u0301, Doctorante en histoire de l\u2019art a\u0300 l\u2019Universite\u0301 de Gene\u0300ve\u00a0: \u00ab Commerce des photographies obsce\u0300nes et contro\u0302le du corps fe\u0301minin dans les archives policie\u0300res parisiennes de la fin du Second Empire. \u00bb<\/p>\n Mode\u0301ration : Lucie Guillemer et Zoe\u0301 Suard<\/p>\n Yangjie Zhao, Doctorant en litte\u0301rature franc\u0327aise a\u0300 l\u2019ENS-PSL\u00a0: \u00ab Enjeux de la (auto)censure dans les e\u0301ditions et les traductions chinoises du Journal du voleur de Jean Genet. \u00bb<\/p>\n Eurydice Da Silva, Sce\u0301nariste et professionnelle associe\u0301e a\u0300 l\u2019Universite\u0301 Sorbonne Nouvelle, & Ana Bela Morais, Chercheuse et enseignante a\u0300 l\u2019Universite\u0301 de Lisbonne\u00a0: \u00ab La censure du corps et de l\u2019e\u0301rotisme visant les films franc\u0327ais importe\u0301s pendant la dictature portugaise (1926-1974). \u00bb<\/p>\n Mode\u0301ration : Adrien Isnel et Paul Johnson<\/p>\n Sarra Mezhoud, Doctorante en histoire de l\u2019art a\u0300 l\u2019Universite\u0301 Paris 1 Panthe\u0301on-Sorbonne\u00a0: \u00ab In(k)sane. Tatouages et monstration du corps de\u0301viant dans les asiles en France a\u0300 la fin du XIXe sie\u0300cle. \u00bb<\/p>\n Me\u0301lanie Joseph, Doctorante en pratique et the\u0301orie de la cre\u0301ation artistique a\u0300 l\u2019Universite\u0301 Aix-Marseille\u00a0: \u00ab Ou\u0300 sont les Sourd\u00b7es ? : un regard contemporain de la te\u0301le\u0301vision franc\u0327aise des anne\u0301es 1950-1975. \u00bb<\/p>\n SAMEDI 5 FE\u0301VRIER 2022<\/strong><\/p>\n Mode\u0301ration : Samy Lagrange<\/p>\n Quentin Petit Dit Duhal, Doctorant en histoire de l\u2019art a\u0300 l\u2019Universite\u0301 Paris Nanterre et a\u0300 l\u2019Universite\u0301 du Que\u0301bec et ATER a\u0300 l\u2019Universite\u0301 Aix-Marseille\u00a0: \u00ab Jouer la censure pour de\u0301jouer les normes : Deborah de Robertis et l\u2019exposition du corps. \u00bb<\/p>\n Renata Andrade, Doctorante et artiste chercheuse a\u0300 l\u2019Universite\u0301 de Paris 8\u00a0: \u00ab Incarner la sauvage pour de\u0301voiler la norme : le \u201cMonstre d\u2019amour\u201d de Re\u0301becca Chaillon. \u00bb<\/p>\n Le\u0301a Jaure\u0301gui, Doctorante en histoire de l\u2019art a\u0300 l\u2019E\u0301cole du Louvre et a\u0300 l\u2019Universite\u0301 Libre de Bruxelles, & Jeanne Mathas, Guide-confe\u0301rencie\u0300re et chercheuse inde\u0301pendante en histoire de l\u2019art\u00a0: \u00ab Mascarade et queernaval : les identite\u0301s artificielles subverties. \u00bb<\/p>\n Mode\u0301ration : Isaline Dupond Jacquemart<\/p>\n Le\u0301a de Truchis, Docteure en arts du spectacle a\u0300 l\u2019Universite\u0301 Paul Vale\u0301ry – Montpellier 3 et administratrice du Cirque Le Roux\u00a0: \u00ab Histoire du cirque, entre censure, canons esthe\u0301tiques et liberte\u0301 transgressive. \u00bb<\/p>\n Marion Cazaux, Doctorante en histoire de l\u2019art contemporain a\u0300 l\u2019Universite\u0301 de Pau et des pays de l\u2019Adour\u00a0: \u00ab Entre mainstreamisation et he\u0301te\u0301rotopie : quels regards et quels discours sur les corps drag. \u00bb<\/p>\n Mode\u0301ration par Hortense Belho\u0302te avec<\/p>\n Salome\u0301 Burstein, commissaire d\u2019exposition, chercheuse et membre de Lusted Men Marion Chevalier, commissaire d\u2019exposition, chercheuse et membre de Lusted Men He\u0301le\u0300ne Fromen, artiste, chercheuse et membre fondatrice du collectif Mode\u0300le vivant.e Maya Ine\u0300s Touam, artiste et photographe plasticienne<\/p>\n <\/p>\n COMITE\u0301 SCIENTIFIQUE<\/strong><\/p>\n Isaline Dupond Jacquemart, artiste et chercheuse inde\u0301pendante<\/p>\n Lucie Guillemer, E\u0301cole nationale des chartes<\/p>\n Adrien Isnel, E\u0301cole nationale des chartes<\/p>\n Paul Johnson, E\u0301cole nationale des chartes<\/p>\n Samy Lagrange, Universite\u0301 Sorbonne Paris Nord<\/p>\n Manon Lecaplain, Institut national du patrimoine<\/p>\n Mathilde Lei\u0308chle\u0301, Universite\u0301 de Paris \/ Institut national d\u2019histoire de l\u2019art<\/p>\n Zoe\u0301 Suard, E\u0301cole nationale des chartes<\/p>\n Le\u0301a Weill, E\u0301cole nationale des chartes<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbInformations pratiques\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb25px|||\u00a0\u00bb]<\/p>\n Informations pratiques<\/strong><\/p>\n Acce\u0300s libre sur inscription a\u0300 censure2021@gmail.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.21″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb 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\/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Quand4 et 5 f\u00e9vrier 2022 de 10h \u00e0 18hO\u00f9Ecole des Chartes65 rue Richelieu, 75002 ParisSalle Delisle (04 f\u00e9vrier) et salle Quicherat (05 f\u00e9vrier) <\/p>\n Colloque organis\u00e9 par l’association Queerinal et le Laboratoire Corps, Genre, Arts de l\u2019association EFiGiES. Laur\u00e9at de l’appel \u00e0 animation scientifique de la Facult\u00e9 Soci\u00e9t\u00e9s et Humanit\u00e9s. DR Isaline Dupond Jacquemart… Lire la suite Colloque \u00ab\u00a0Censurer les arts – Encadrer les corps\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":2612,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[21],"tags":[],"class_list":["post-2611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloque"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2611"}],"version-history":[{"count":5,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2611\/revisions"}],"predecessor-version":[{"id":2618,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2611\/revisions\/2618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/2612"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=2611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=2611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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\u00c0<\/span> lire aussi<\/h2>\n