{"id":2599,"date":"2022-01-19T14:49:33","date_gmt":"2022-01-19T13:49:33","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2599"},"modified":"2023-05-10T10:07:10","modified_gmt":"2023-05-10T08:07:10","slug":"idex-chorus","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/idex-chorus\/","title":{"rendered":"Les arts de la parole, entre voix singuli\u00e8re et corps social"},"content":{"rendered":"

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Cyril Vettorato (MCF) et Maxime Pierre (PRAG) sont laur\u00e9ats d’un IDEX Emergence qui contribuera \u00e0 financer le projet CHORUS \u00ab\u00a0Les arts de la parole, entre voix singuli\u00e8re et corps social. Futurs de l\u2019ethnopo\u00e9tique\u00a0\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Pr\u00e9sentation<\/h3>\n
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Les arts de la parole, entre voix singuli\u00e8re et corps social<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Par sa dimension physique rattach\u00e9e aux organes de la phonation, la voix se pr\u00eate bien \u00e0 l\u2019usage m\u00e9taphorique qui est souvent le sien dans les \u00e9tudes litt\u00e9raires\u00a0\u2013 l\u2019articulation d\u2019une subjectivit\u00e9 individuelle dans la langue. Mais l\u2019efficacit\u00e9 de la m\u00e9taphore ne doit pas nous faire oublier que la voix, pr\u00e9cis\u00e9ment, ne r\u00e9sonne pas toujours seule. Notre parti-pris sera de consid\u00e9rer que la choralit\u00e9, dont Claude Calame (1977, 2017) a souvent rappel\u00e9 le r\u00f4le pr\u00e9pond\u00e9rant au sein des pratiques po\u00e9tiques grecques antiques, mais aussi les modes antiphonal et responsorial fr\u00e9quents dans nombre de po\u00e9sies orales du monde entier, peuvent apporter des \u00e9l\u00e9ments de r\u00e9flexion pr\u00e9cieux pour enrichir notre compr\u00e9hension des ph\u00e9nom\u00e8nes litt\u00e9raires et des arts verbaux, qu\u2019ils rel\u00e8vent de pratiques narratives, po\u00e9tiques ou th\u00e9\u00e2trales. \u00a0Articuler des voix, se r\u00e9pondre, harmoniser, orchestrer des paroles et des chants au sein d\u2019un moment social et esth\u00e9tique partag\u00e9, sont autant de jeux complexes que l\u2019ethnopo\u00e9tique et l\u2019\u00e9tude des po\u00e9sies orales ont \u00e9t\u00e9 amen\u00e9es \u00e0 \u00e9tudier par le pass\u00e9. Paul Zumthor proposait d\u00e9j\u00e0 de classer les modes d\u2019activit\u00e9 de l\u2019interpr\u00e8te en po\u00e9sie orale selon que celui-ci faisait, seul, face \u00e0 un public silencieux, que deux interpr\u00e8tes prenaient la parole alternativement, qu\u2019un interpr\u00e8te \u00e9tait soutenu par un ch\u0153ur ou que le ch\u0153ur r\u00e9sonnait comme un seul homme, sans qu\u2019aucune voix singuli\u00e8re ne s\u2019en d\u00e9tache (Zumthor 1983, p. 122). Les dynamiques d\u2019entr\u00e9e et de sortie du soliste d\u2019un groupe de voix r\u00e9sonnant jusqu\u2019alors \u00e0 l\u2019unisson, les jeux d\u2019harmonisation et de d\u00e9calage des voix, sont autant d\u2019\u00e9l\u00e9ments qu\u2019il s\u2019agira d\u2019envisager de mani\u00e8re comparative de mani\u00e8re \u00e0 comprendre comment choralit\u00e9, antiphonie et responsorial brouillent la limite entre l\u2019artiste et le public pour faire du moment po\u00e9tique un \u00e9v\u00e9nement social. Qui parle, quand les voix r\u00e9sonnent ensemble ? Le th\u00e8me de la voix au pluriel sera ainsi l\u2019occasion de relier des questions concr\u00e8tes d\u2019\u00e9tude de la performance \u00e0 d\u2019autres plus sociales et culturelles : comment la \u00ab chor\u00e9graphie des voix \u00bb s\u2019articule-t-elle aux fronti\u00e8res internes et externes du groupe, ainsi qu\u2019\u00e0 la mani\u00e8re dont il met en jeu sa propre identit\u00e9 et g\u00e8re les \u00e9quilibres fluctuants entre la libert\u00e9 de l\u2019individu et la loi du groupe ?<\/p>\n<\/div>\n

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Actualit\u00e9s<\/span><\/h3>\n<\/div>\n

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Colloque \u00ab Les arts de la parole au-del\u00e0 de la \u00ab Grande Division \u00bb : futurs de l\u2019ethnopo\u00e9tique \u00bb (26-27 mai 2023)<\/h3>\n

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MEDEA<\/em>, n\u00f4 en fran\u00e7ais d\u2019apr\u00e8s M\u00e9d\u00e9e<\/em> de S\u00e9n\u00e8que (16 juin 2023)<\/h3>\n

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\u00c9v\u00e8nements pass\u00e9s<\/h3>\n