{"id":2563,"date":"2021-12-16T16:59:05","date_gmt":"2021-12-16T15:59:05","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2563"},"modified":"2021-12-16T16:59:05","modified_gmt":"2021-12-16T15:59:05","slug":"nibras-chehayed-images-de-chair-et-de-sang-penser-le-corps-en-syrie-2011-2021","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/nibras-chehayed-images-de-chair-et-de-sang-penser-le-corps-en-syrie-2011-2021\/","title":{"rendered":"Nibras Chehayed \u00ab\u00a0Images de chair et de sang. Penser le corps en Syrie (2011-2021)\u00a0\u00bb"},"content":{"rendered":"

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Nibras Chehayed est post-doctorant au CERILAC, allocataire d\u2019une bourse Marie Sklodowska-CurieGlobal Fellowship (MSCA-GF) dans le cadre du programme de recherche et d\u2019innovation Horizon 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 DR<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Ce livre est une invitation \u00e0 penser la reconstitution de nos corps en Syrie depuis 2011. D\u2019abord, le corps filmant et film\u00e9, celui du t\u00e9moin qui se fait un lieu premier de preuve, l\u00e0 o\u00f9 le combat de l\u2019interpr\u00e9tation des faits fait rage. Mais aussi le corps en tant qu\u2019il est pens\u00e9 par les arts plastiques, le corps de l\u2019artiste d\u00e9tenu.e qui revient \u00e0 l\u2019exp\u00e9rience de son incarc\u00e9ration politique, ainsi que le corps genr\u00e9, le corps insurg\u00e9, le corps \u00e9pique, le corps tragique, le corps nihiliste et le corps \u00ab\u00a0absolu\u00a0\u00bb.<\/p>\n

L\u2019id\u00e9e avanc\u00e9e est que les images de ces corps ne visent pas \u00e0 repr\u00e9senter un r\u00e9el, mais nous renvoient \u00e0 lui diff\u00e9remment, nous rendant autres \u00e0 nous-m\u00eames. Elles contaminent notre mani\u00e8re d\u2019\u00eatre par l\u2019\u00e9tranget\u00e9 du corps expos\u00e9. Plus radicalement encore, elles la contaminent par l\u2019\u00e9tranget\u00e9 du cadavre qu\u2019elles mettent en avant. Ces images ne sont donc pas des objets secondaires, elles ne se contentent pas de mettre en \u00e9vidence des \u00e9l\u00e9ments qui leur pr\u00e9existent. Actives, elles initient un champ d\u2019exp\u00e9rimentation de nouveaux v\u00e9cus corporels.<\/p>\n

\u00a0<\/p>\n

Le livre est aussi publi\u00e9 en arabe\u00a0:<\/p>\n

\u0635\u0648\u0631 \u0645\u0646 \u0644\u062d\u0645 \u0648\u062f\u0645 \u0627\u0644\u062c\u0633\u062f \u0641\u064a \u0627\u0644\u0648\u0627\u0642\u0639 \u0627\u0644\u0633\u0648\u0631\u064a\u0651 (\u0662\u0660\u0661\u0661 – \u0662\u0660\u0662\u0661)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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