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Un mardi par mois de 18h \u00e0 20h \u00e0 partir du 7 d\u00e9cembre 2021<\/p>\n
Campus Grands Moulins Paris 13\u00e8me<\/p>\n
Zoom<\/p>\n
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S\u00e9minaire de l’axe \u00ab\u00a0Pens\u00e9e et cr\u00e9ation contemporaine\u00a0\u00bb organis\u00e9 par C\u00e9line Fl\u00e9cheux, \u00c9ric Marty et Dominique Rabat\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Prochaine s\u00e9ance\u00a0<\/strong><\/p>\n \u00ab En Fe\u0301vrier 2020 je de\u0301cidai de cre\u0301er Almanach Ides de Mars pour te\u0301moi- gner en tant qu\u2019artiste, a\u0300 partir de ma culture d\u2019archives et d\u2019affinite\u0301s, d\u2019une quarantaine d\u2019anne\u0301es d\u2019expe\u0301rience et d\u2019engagement artistique. Il s\u2019agissait, au-dela\u0300 de mon continuel travail d\u2019atelier, d\u2019ouvrir et de rendre lisible et visible notre monde de fac\u0327on particulie\u0300re, hors crite\u0300re de commerce ou d\u2019influence. J\u2019ai conc\u0327u cela sur le mode de l\u2019e\u0301change, de la conversation, des liens. La somme du travail impliquait de monter une noyau relationnel initial pour re\u0301aliser ce projet et de l\u2019e\u0301tendre pro- gressivement. Ainsi s\u2019est monte\u0301 Almanach Ides de Mars, un ouvrage libre, ine\u0301dit et collectif, qui traite des 365 jours de l\u2019anne\u0301e 2020\/2021, avec plu- sieurs centaines d\u2019auteurs artistes, e\u0301crivains, chercheurs. \u00bb<\/p>\n Emmanuel Saulnier est artiste plasticien. Il a enseigne\u0301 dans plusieurs e\u0301coles d\u2019art et a dirige\u0301 un atelier de sculpture expe\u0301rimentale aux Beaux-Arts de Paris de 2001 a\u0300 2017. A\u0300 Paris, ses \u0153uvres ont e\u0301te\u0301 expose\u0301es notamment au centre Pompidou, au muse\u0301e Zadkine, au muse\u0301e d\u2019Orsay et au Palais de Tokyo. Il a e\u0301galement e\u0301dite\u0301 plusieurs ouvrages collaboratifs.<\/p>\n Ne\u0301 en 1991 a\u0300 Tunis, Chedly Atallah est un artiste, architecte et sce\u0301nographe qui vit et travaille a\u0300 Paris. Me\u0302lant vide\u0301o, installations et sculptures, il explore les changements ge\u0301opolitiques du monde arabe de l\u2019apre\u0300s re\u0301volution. Il est actuellement en re\u0301sidence de recherche et de cre\u0301ation aux ateliers Me\u0301dicis et laure\u0301at du programme Mondes Nouveaux. Il a cre\u0301e\u0301 la maquette d\u2019Almanach Ides de Mars.<\/p>\n Lien Zoom <\/a>(ID de r\u00e9union : 839 1753 4042 \/ Code secret : 084478)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n Affiche de la s\u00e9ance<\/a><\/p>\n \u00a0<\/p>\n La question du ro\u0302le que la psychanalyse occupe dans la cite\u0301 a e\u0301te\u0301 remise sur la place publique a\u0300 l\u2019occasion des controverses autour de l\u2019encadrement clinique et juridique des transitions de genre ainsi que plus ge\u0301ne\u0301ralement de l\u2019institution \u2014 ou de la de\u0301sinstitutionnalisation \u2014 de la diffe\u0301rence sexuelle. La tendance a\u0300 se\u0301parer d\u2019un co\u0302te\u0301 l\u2019espace de l\u2019inconscient, auquel on n\u2019acce\u0301derait que dans le secret du cabinet, isole\u0301 des bruits du monde, replie\u0301 sur sa singularite\u0301 douloureuse, et de l\u2019autre co\u0302te\u0301 l\u2019espace de l\u2019histoire, ou\u0300 les singularite\u0301s s\u2019effacent au profit d\u2019une action collective, vient aussi bien des promoteurs que des de\u0301tracteurs de la psychanalyse.<\/p>\n La psychanalyste Silvia Lippi et le philosophe Patrice Maniglier contestent cette alternative, tant d\u2019un point de vue the\u0301orique que d\u2019un point de vue clinique. L\u2019inconscient agit dans le social, a\u0300 travers le sympto\u0302me, qui donne la possibilite\u0301 au sujet de s\u2019y inscrire, d\u2019une fac\u0327on plus ou moins troublante, plus ou moins inventive. Et inversement, toute pratique militante engage et interroge le de\u0301sir du sujet sous son aspect le plus singulier, le plus intime, et aussi bien le plus impre\u0301visible. Il est donc impossible de se\u0301parer l\u2019inconscient de la vie publique, des analysant\u00b7e\u00b7s bien su\u0302r, mais aussi des psychanalystes !<\/p>\n Affiche de la s\u00e9ance<\/a><\/p>\n Salle Pierre Albouy et Zoom<\/a><\/strong><\/p>\n \u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \u00a0<\/p>\n \u00a0<\/p>\n Ne\u0301 en 1975, Arno Bertina est l\u2019auteur d\u2019une quinzaine de livres, parmi lesquels Le Dehors ou la migration des truites<\/em> (Actes Sud 2001) ; Anima Motrix<\/em> (Verticales 2006) qui raconte la fuite d\u2019un responsable politique ; et Des cha\u0302teaux qui bru\u0302lent<\/em> (Verticales 2017 ; Folio 2019), vaste huis\u2010clos au sein d\u2019un abattoir breton. En 2020, Verticales a publie\u0301 L\u2019A\u0302ge de la premie\u0300re passe<\/em>, re\u0301cit documentaire sur un travail mene\u0301 au Congo, en compagnie de filles des rues, et, en octobre 2021, Ceux qui trop supportent<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n Affiche de l’\u00e9v\u00e8nement<\/a><\/p>\n\n
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