\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n
- \n
- Premi\u00e8re s\u00e9ance de l’ann\u00e9e 2022<\/li>\n<\/ul>\n
Vendredi 28 janvier \u00e0 20h<\/strong><\/p>\n
Cin\u00e9ma Grand Action (Paris 5e)<\/strong><\/p>\n
Le film\u00a0:<\/strong> La Llorona<\/em> <\/strong>(2019) de Jayro Bustamante<\/p>\n
Cette programmation continue, dans les contextes historiques, politiques, culturels et cin\u00e9matographiques latino-am\u00e9ricains, la r\u00e9flexion commenc\u00e9e l\u2019ann\u00e9e derni\u00e8re. Cette fois-ci, les \u00ab fronti\u00e8res \u00bb sont celles qui s\u00e9parent la l\u00e9gende du r\u00e9el et le pass\u00e9 du pr\u00e9sent (La LLorona) ; ce sont \u00e9galement des fronti\u00e8res invisibles mais qui marquent une s\u00e9paration et une impossibilit\u00e9 (L\u2019Ange exterminateur) ; elles sont g\u00e9ographiques et se r\u00e9f\u00e8rent \u00e0 un territoire \u00e0 la fois mythique et factuel qui est menac\u00e9 et doit se d\u00e9fendre (Bacurau) ; elles concernent l\u2019identit\u00e9, le temps et le non-humain (Post Tenebras Lux) ; elles sont mat\u00e9rielles et historiques, et constituent un pont vers le pass\u00e9 (La Cordill\u00e8re des songes) ; elles sont enfin une porosit\u00e9 entre la ville et la for\u00eat, entre l\u2019humain et l\u2019animal (La Fi\u00e8vre).<\/p>\n<\/div>\n
Discussion avec Sergi Ramos Alquezar (Universit\u00e9 Paris-Sorbonne) et Carlos Tello (Universit\u00e9 Paris Cit\u00e9, Universit\u00e9 Paris-Est Cr\u00e9teil)<\/p>\n
\u00ab Seuls les coupables l\u2019entendent pleurer. Selon la l\u00e9gende, la Llorona est une pleureuse, un fant\u00f4me qui cherche ses enfants. Aujourd\u2019hui, elle pleure ceux qui sont morts durant le g\u00e9nocide des indiens mayas. Le g\u00e9n\u00e9ral, responsable du massacre mais acquitt\u00e9, est hant\u00e9 par une Llorona. Serait-ce Alma, la nouvelle domestique ? \u00bb \u00a9ARP<\/p>\n
![\"\"](\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2021\/10\/Affiche.20La20Llorona.20Web-212x300.jpg\")
<\/p>\n\n- \n
- Quatri\u00e8me et derni\u00e8re s\u00e9ance du cin\u00e9-club d’Image et Parole \u00ab\u00a0fronti\u00e8res\u00a0\u00bb pour l’ann\u00e9e 2021.<\/li>\n<\/ul>\nVendredi 17 d\u00e9cembre, attention, s\u00e9ance \u00e0 19h30
<\/b><\/div>\nCin\u00e9ma Grand Action (5 rue des \u00c9coles)<\/b><\/div>\nLe film : Dans la chambre de Vanda<\/span><\/i><\/b> (2000) de Pedro Costa.<\/div>\n\u00a0<\/div>\n\u00ab\u00a0A Fontainhas, les r\u00e9sidents assistent, impuissants, \u00e0 la d\u00e9molition du quartier cap-verdien de Lisbonne. Un an durant, le r\u00e9alisateur portugais Pedro Costa a film\u00e9, en cam\u00e9ra num\u00e9rique, la vie de Vanda Duarte, une vendeuse ambulante de fruits et l\u00e9gumes, dans l\u2019enfer de la drogue.\u00a0\u00bb<\/span><\/em>\u00a9Capricci<\/span>
<\/em><\/div>\n<\/div>\n\u00a0<\/div>\n![](\"https:\/\/static.wixstatic.com\/media\/c3af15_bc524439072c4f1c9fd2926ef1e23f9a~mv2.jpg\/v1\/fill\/w_1480,h_2093,al_c,q_90\/c3af15_bc524439072c4f1c9fd2926ef1e23f9a~mv2.webp\")
<\/div>\n\u00a0<\/div>\n\nLa s\u00e9ance est ouverte \u00e0 tous, vous pouvez acheter vos places au guichet du cin\u00e9ma ou bien ici<\/a>.<\/div>\n<\/div>\n\u00a0<\/div>\n- \n
- Deuxi\u00e8me s\u00e9ance du cin\u00e9-club d’Image et Parole \u00ab\u00a0fronti\u00e8res\u00a0\u00bb pour l’ann\u00e9e 2021.<\/li>\n<\/ul>\nJe vous donne rdv :<\/div>\nVendredi 8 octobre, 20h
<\/b><\/div>\nCin\u00e9ma Grand Action (5 rue des \u00c9coles)<\/b><\/div>\nLe film : LA PIEL QUE HABITO<\/i><\/b> (2011) de Pedro Almod\u00f3var<\/div>\n\u00a0<\/div>\n\u00ab\u00a0Apr\u00e8s l’accident de voiture dans lequel sa femme a \u00e9t\u00e9 victime de br\u00fblures, le docteur Robert Ledgard, \u00e9minent chirurgien esth\u00e9tique, se consacre \u00e0 la cr\u00e9ation d’une nouvelle peau : sensible aux caresses, elle constitue n\u00e9anmoins une v\u00e9ritable cuirasse contre toute agression. Outre les ann\u00e9es de recherche et d’exp\u00e9rimentation, il faut aussi \u00e0 Robert un cobaye…<\/span>\u00a0\u00bb \u00a9Path\u00e9Films<\/div>\n\u00a0<\/div>\n![\"\"](\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2021\/10\/Affiche20La20piel20que20habito-2-212x300.jpg\")
<\/div>\n\u00a0<\/div>\nLes membres d’Imager et du Cerilac, ainsi que les \u00e9tudiants de l’Universit\u00e9 Paris-Est Cr\u00e9teil et de l’Universit\u00e9 Paris Cit\u00e9 sont invit\u00e9s \u00e0 la s\u00e9ance. <\/b><\/div>\nEnvoyez un mail \u00e0 contact@imageetparole.com<\/a> pour avoir vos places.<\/b><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n
\u00c0<\/span> lire aussi<\/h2>\n
[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
<\/div>\n\u00a9 Tous droits r\u00e9serv\u00e9s <\/p>\n
<\/div>\nPremi\u00e8re s\u00e9ance de l’ann\u00e9e 2022Vendredi 28 janvier \u00e0 20hCin\u00e9ma Grand Action (Paris 5e)Le film\u00a0: La Llorona (2019) de Jayro BustamanteCette programmation continue, dans les contextes historiques, politiques, culturels et cin\u00e9matographiques latino-am\u00e9ricains, la r\u00e9flexion commenc\u00e9e l\u2019ann\u00e9e derni\u00e8re. Cette fois-ci, les \u00ab fronti\u00e8res \u00bb sont celles qui s\u00e9parent la l\u00e9gende du… Lire la suite Programmation 2021-2022 : Cin\u00e9-club \u00ab\u00a0Image et parole\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":2357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[27],"tags":[],"class_list":["post-2346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-seminaire"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2346"}],"version-history":[{"count":7,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2346\/revisions"}],"predecessor-version":[{"id":2595,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2346\/revisions\/2595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/2357"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=2346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=2346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Deuxi\u00e8me s\u00e9ance du cin\u00e9-club d’Image et Parole \u00ab\u00a0fronti\u00e8res\u00a0\u00bb pour l’ann\u00e9e 2021.<\/li>\n<\/ul>\n
- Quatri\u00e8me et derni\u00e8re s\u00e9ance du cin\u00e9-club d’Image et Parole \u00ab\u00a0fronti\u00e8res\u00a0\u00bb pour l’ann\u00e9e 2021.<\/li>\n<\/ul>\n